Dorothy, sauvée d'une expérience psychiatrique menée par une mystérieuse fille, est en quelque sorte rappelée à Oz lorsqu'une sorcière vaniteuse et le roi Nome détruisent tout ce qui rend ma... Tout lireDorothy, sauvée d'une expérience psychiatrique menée par une mystérieuse fille, est en quelque sorte rappelée à Oz lorsqu'une sorcière vaniteuse et le roi Nome détruisent tout ce qui rend magnifique la terre magique.Dorothy, sauvée d'une expérience psychiatrique menée par une mystérieuse fille, est en quelque sorte rappelée à Oz lorsqu'une sorcière vaniteuse et le roi Nome détruisent tout ce qui rend magnifique la terre magique.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 6 nominations au total
Sean Barrett
- Tik-Tok
- (voix)
Denise Bryer
- Billina
- (voix)
Stewart Harvey-Wilson
- Jack Pumpkinhead
- (as Stewart Larange)
Lyle Conway
- Gump
- (voix)
Stephen Norrington
- Gump
- (as Steve Norrington)
Avis à la une
Most of the comments on this film seem to be from people who saw this when they were little, and haven't been able to forget it. The imagery of this film lingers long after first view, and its marked stylistic and thematic differences to Wizard Of Oz have a hypnotic effect on a certain type of viewer.
In Return, the central theme is one of deep unhappiness with reality and a wish to return to fantasy, where as Wizard focuses more on the concept of "there's no place like home". I admire and am still deeply effected by this film because, in some ways, it is braver than Wizard. It isn't afraid to deal with the conflict - that the misery of a grey Kansas is very real.
It expresses a rippling dissatisfaction that seems more in keeping with Baum's original works, and is all the more satisfying for it. In particular, I enjoyed the parrallels between the real world and Oz- for what it suggests about our world- and the Nome King's conversation with Dorothy. For a children's film, there is great depth in both, and most of the film can be interpreted on several different levels. The implications of the corridor of heads alone is enough to send any first year pysch/lit student into a whole mess of garbage.
But don't be fooled. This also an excellent children's film, that deserves more attention than it got.
In Return, the central theme is one of deep unhappiness with reality and a wish to return to fantasy, where as Wizard focuses more on the concept of "there's no place like home". I admire and am still deeply effected by this film because, in some ways, it is braver than Wizard. It isn't afraid to deal with the conflict - that the misery of a grey Kansas is very real.
It expresses a rippling dissatisfaction that seems more in keeping with Baum's original works, and is all the more satisfying for it. In particular, I enjoyed the parrallels between the real world and Oz- for what it suggests about our world- and the Nome King's conversation with Dorothy. For a children's film, there is great depth in both, and most of the film can be interpreted on several different levels. The implications of the corridor of heads alone is enough to send any first year pysch/lit student into a whole mess of garbage.
But don't be fooled. This also an excellent children's film, that deserves more attention than it got.
Return To Oz was the first horror film i ever saw, and i love it today just as much as i did when i was 5. yes, i do believe Return To Oz is a horror, but one that children should see. it is horror just as the brothers Grim are horror. it is horror because everything in the eyes of a child can be very frightening. and yes, i do believe this horror is better than The Wizard of Oz, despite what all my contempories might believe. as a kid, i could not get over the fact the Judy Garland was too old, that they would not stop singing and dancing. come on, this was my childhood, i needed a good rush, not a bunch of eye-candy and disturbing munchkin voices. little dorothy walking down a corridor of decapitated head in ornate display cases, afraid that she might wake them, that the decapitated body would come in search of her in her terrifying gothic splendor-this moment has stayed with me, has always frightened me, but i'm glad that i experienced it, it is healthy for a child to be afraid, humility is something everyone needs to embrace, and this film with its lush terror and build up to a phenomenal climax as apocolyptic as anything today still inspires me toward something the silly set pieces and hammy emotion of Wizard of Oz, cannot do. Return to Oz is a lost masterpiece, terrifying, energetic, creative, and wonderful.
To truly understand and appreciate "Return to OZ", you've got to know two things.
First off, this is NOT a follow-up to the classic MGM movie. This can't be emphasized enough. It is actually a synthesis of the first five or so sequels to the BOOK. (This isn't a dig at the movie, mind you. If you don't like it on some level or other, you can't be human. It's just that the movie was based on the book in the respect that the characters in the movie had the same names as the characters in the book.)
Secondly, L. Frank Baum's original, printed-page OZ is, quite possibly, the most messed up imaginary universe ever created. There's a land of beings who throw their own heads at you as weapons. There's a land of sentient vegetables who raise *people* in their gardens (think "Motel Hell" and you've got the idea). To top it all off, it turns out that Dorothy's buddies are really good at killing things; in particular the dear, heartless Tin Man who bloodies up his hatchet with unsettling apathy.
What I'm trying to get at here is that "Return to OZ" is an OZ movie that is much more faithful to the books. Much more "THIS is how long you have to be alive!" than "We represent the Lullaby League". I think it goes without saying that you'd be legally insane to show it to little kids, but fantasy fans, OZ enthusiasts, and fans of cult movies should hunt it down as soon as possible.
By the way, please note that the old-school herky-jerky puppets and claymation monsters in this movie are scary as all get out. Compare this to the awful remake of "the Haunting" with it's stupid cartoonish CGI creatures (and this isn't a dig at computer animation, but since the technique is inheritely realist, it's not scary). There is a lesson here.
First off, this is NOT a follow-up to the classic MGM movie. This can't be emphasized enough. It is actually a synthesis of the first five or so sequels to the BOOK. (This isn't a dig at the movie, mind you. If you don't like it on some level or other, you can't be human. It's just that the movie was based on the book in the respect that the characters in the movie had the same names as the characters in the book.)
Secondly, L. Frank Baum's original, printed-page OZ is, quite possibly, the most messed up imaginary universe ever created. There's a land of beings who throw their own heads at you as weapons. There's a land of sentient vegetables who raise *people* in their gardens (think "Motel Hell" and you've got the idea). To top it all off, it turns out that Dorothy's buddies are really good at killing things; in particular the dear, heartless Tin Man who bloodies up his hatchet with unsettling apathy.
What I'm trying to get at here is that "Return to OZ" is an OZ movie that is much more faithful to the books. Much more "THIS is how long you have to be alive!" than "We represent the Lullaby League". I think it goes without saying that you'd be legally insane to show it to little kids, but fantasy fans, OZ enthusiasts, and fans of cult movies should hunt it down as soon as possible.
By the way, please note that the old-school herky-jerky puppets and claymation monsters in this movie are scary as all get out. Compare this to the awful remake of "the Haunting" with it's stupid cartoonish CGI creatures (and this isn't a dig at computer animation, but since the technique is inheritely realist, it's not scary). There is a lesson here.
10stufff
The first time I saw this movie I was about 6 or 7. It really scared me, I remember having nightmares of Mombie for weeks... I also remember rewatching it week after week. Now 10 years later I've rediscovered it and it's still chilling. Not because it was meant to be a horror, but because the imagery and plot is so vivid and captivating I can't help but feel like I'm really drawn into another world. Very few movies have done that for me... this is right up there with movies like Willow, Labrynth, and The Neverending Story. If you like musicals, bright colors and munchkin's dancing around, then stay away from this one, but if you want to go on a journey of pure imagination that will leave you breathless on the edge of your seat, rediscover Oz for yourself!
Cherubic Dorothy Gale is catapulted back to the magical world of Oz in this enchanting, but very atypical Disney Production that got released 46 years after Victor Fleming's original (none of the original cast-members lived long enough to ever see this sequel!). In the story, however, only six months have passed since Dorothy was brought to Oz by a tornado. During some medical tests, performed because she keeps talking about her unbelievable journey, a mysterious girl helps Dorothy escape from the hospital and back to Oz for a new adventure! The screenplay, based on two L. Frank Baum novels at once, introduces a large amount of imaginative new characters that are either Dorothy's loyal friends
or malicious new enemies. It soon becomes clear that she was called back to Oz for a reason, as the evil Nome King has turned everyone to stone and the mad Princess Mombi is after more human heads for her collection. Despite the presence of a talking chicken, this is a frighteningly grim and obscure fantasy tale, perhaps not even suitable for the typical Disney-target groups. The events and characters in "Return to Oz" are often quite macabre (decapitation for a hobby, eerie guys on wheels
) and the tone of the film is heavier since there isn't any singing and dancing going on. Perhaps a little too scary for the smallest children but "Return to Oz" nonetheless is a compelling and spontaneous adventure, highly recommended to those who like their fairy-tales sinister. The special effects are really terrific, with stunning stop-motion animations and some very engaging mechanical machinery (Tic-Tok!). The young Fairuza Balk is an unbelievably convincing follow-up to Judy Garland! The talented Piper Laurie ("Carrie") is regretfully underused, though. This film, along with "The Dark Crystal" and "The Neverending Story", was a huge favorite of mine when I was young and they seemly only got better with years. Good stuff.
Le saviez-vous
- AnecdotesThe movie is based on the second and third of L. Frank Baum's Oz books: "The Marvelous Land of Oz" and "Ozma of Oz". Elements from the former include the introduction of Jack Pumpkinhead, the witch Mombi and her powder of life, the conquest of the Emerald City, the escape by flying sofa, and the search for Princess Ozma. From the latter comes the return of Dorothy, the talking chicken Billina, the Wheelers, the discovery of Tik-Tok, a princess with interchangeable heads, the introduction of the Nome King, and the ornament room.
- GaffesTik-Tok's thinking mechanism is activated by winding the key under his left arm, and his talking is activated by winding the one under his right arm. However, when he asks Dorothy to wind his thinking key before entering the ornament room, she winds the one under his right arm.
- Citations
Jack Pumpkinhead: If his brain's ran down, how can he talk?
Dorothy: It happens to people all the time, Jack.
- Versions alternativesWhen it was aired on the Disney channel, the following were cut: When "Ozma" unties Dorothy from the bed in the doctor's room, the line where she tells Dorothy that the screaming patients are locked in the cellar is cut. When Dorothy first visits Mombi, much is cut. A lot of shots of the heads behind the glass are cut, and so is a lot of footage when Mombi puts on her head. Because of this, a line is cut where she asks Dorothy how she looks, and Dorothy tells her she looks beautiful. In the TV version, it cuts straight to the line, "And just who might you be?" When Mombi wakes up, many shots of the screaming heads and EVERY shot of the headless Mombi trying to get Dorothy is cut. A few seconds of footage of the Nome King's death are cut, including when his eye turns to stone, and some of the "poison" shots.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Oz... un mundo fantástico
- Lieux de tournage
- Salisbury Plain, Wiltshire, Angleterre, Royaume-Uni(Kansas scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 11 137 801 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 844 895 $US
- 23 juin 1985
- Montant brut mondial
- 11 140 134 $US
- Durée1 heure 53 minutes
- Rapport de forme
- 1.85 : 1
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By what name was Oz: Un monde extraordinaire (1985) officially released in India in English?
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