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La rose pourpre du Caire

Titre original : The Purple Rose of Cairo
  • 1985
  • Tous publics
  • 1h 22min
NOTE IMDb
7,6/10
58 k
MA NOTE
La rose pourpre du Caire (1985)
Pre, "Coming Soon"
Lire trailer1:34
1 Video
78 photos
ComédieFantaisieRomanceSatireTragédie

Dans le New Jersey en 1935, un personnage de cinéma sort de l'écran et entre dans le monde réel.Dans le New Jersey en 1935, un personnage de cinéma sort de l'écran et entre dans le monde réel.Dans le New Jersey en 1935, un personnage de cinéma sort de l'écran et entre dans le monde réel.

  • Réalisation
    • Woody Allen
  • Scénario
    • Woody Allen
  • Casting principal
    • Mia Farrow
    • Jeff Daniels
    • Danny Aiello
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    58 k
    MA NOTE
    • Réalisation
      • Woody Allen
    • Scénario
      • Woody Allen
    • Casting principal
      • Mia Farrow
      • Jeff Daniels
      • Danny Aiello
    • 184avis d'utilisateurs
    • 104avis des critiques
    • 75Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 15 victoires et 15 nominations au total

    Vidéos1

    The Purple Rose of Cairo
    Trailer 1:34
    The Purple Rose of Cairo

    Photos78

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    Rôles principaux75

    Modifier
    Mia Farrow
    Mia Farrow
    • Cecilia
    Jeff Daniels
    Jeff Daniels
    • Tom Baxter…
    Danny Aiello
    Danny Aiello
    • Monk
    Irving Metzman
    • Theater Manager
    Stephanie Farrow
    • Cecilia's Sister
    David Kieserman
    David Kieserman
    • Diner Boss
    Elaine Grollman
    • Diner Patron
    Victoria Zussin
    • Diner Patron
    Mark Hammond
    • Diner Patron
    Wade Barnes
    • Diner Patron
    Joseph G. Graham
    • Diner Patron
    Don Quigley
    • Diner Patron
    Maurice Brenner
    Maurice Brenner
    • Diner Patron
    Paul Herman
    Paul Herman
    • Penny Pitcher
    Rick Petrucelli
    • Penny Pitcher
    Peter Castellotti
    • Penny Pitcher
    Milton Seaman
    • Ticket Buyer
    Mimi Weddell
    Mimi Weddell
    • Ticket Buyer
    • Réalisation
      • Woody Allen
    • Scénario
      • Woody Allen
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs184

    7,657.8K
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    Avis à la une

    sparklecat

    The Movie Lover's Movie

    Woody Allen's "The Purple Rose of Cairo" is a film that speaks to the heart of anyone who has been mad about the movies. In a now-legendary scene, intrepid explorer Tom Baxter (Jeff Daniels) steps off a movie screen and into the life of Cecilia (Mia Farrow), an unhappily married, unemployed, movie-lover. Together, Tom and Cecilia brave the complications of the real world, including the arrival of Gil Shepard, the actor who plays Tom.

    Farrow is sweet as Cecilia and Daniels is wonderful in his dual role. Brimming with quotable dialogue, "The Purple Rose of Cairo" toys with reality while maintaining a feather-light touch. This is a valentine to the movies, and more so, to movie-lovers.
    8secondtake

    Flawless in its own way, a pure pleasure to sit back and lose yourself

    The Purple Rose of Cairo (1985)

    There's no way you can't like the ingenuity of the movie, and the fun it has. It's about the joy of life, and love of the movies, and the difficulty to tell the difference sometimes (at least when in the theater).

    In some ways this is one of Woody Allen's lightest movies, and certainly lightweight compared to the more serious movies of this period (like the stunning gem, "Another Woman"). It's not zany like his earliest comedies ("Love and Death"). And it's not deeply observant and sometimes downright moving and brilliant like his best movies (like "Annie Hall" or "Crimes and Misdemeanors"). In that way it feels like what some novelists would call an "entertainment" to distinguish from their heavier masterpieces, and sometimes these are the most readable of all. Or the most watchable.

    "The Purple Rose of Cairo" is inventive, warm, and touching. It's really high brow hilarious when the people on the screen react to the situation, not only because of the existential reality shift going on, but because they are all high brow types. Then there are the everyday scenes with Mia Farrow, the lead actress in the real world (usually), and support from Danny Aiello, really just a foil for the main romances (two) going on with Farrow (singular). It's not as complicated as it sounds, which might prove the elegance of Allen's writing.

    A beautiful, delicate movie without undo weightiness. Joyous, yes, even in its melancholy end.
    9OllieZ

    Fresh and inventive Woody.

    The Purple Rose of Cairo really does rate up there with Woody's best - from Annie Hall, Manhattan to the earlier, more slapstick efforts, such as Love and Death and Sleeper. Cairo happens to be one of the best 80's movies Woody actually made - Crimes and Misdeameanours and Braodway Danny Rose being other greats.

    The reason why I think that Cairo is better than the other 80's efforts is that the idea is really inventive. The movie raises so many questions of reality and fantasy, but does so in a highly surreal fashion. The switching of scenes, from reality to fantasy (movie) made me realise where movies take us as a viewer. Cecelia finds solace in the world of movies and comes up against the decision of which is better - the perfect world of movie, or reality, where things are never certain.

    Jeff Daniels is so enigmatic in this movie. Not only as Tom, the screen legend, but as Gil the actor. Two very different characters, both played brilliantly. Mia Farrow is great as usual, and shows how broad her talent is (Broadway Danny Rose and Radio Days - both very different characters. Danny Aiello is good as the lazy slob-of-a-husband, Monk.

    Like Radio Days, Woody isn't actually on screen (he narrated Radio Days, mind) and in a way this eased me up. Woody is fantastic when he is on screen, but this film benefited from losing his neurotic nature, and instead concentrated on the era, the love of movies and the complex themes of a movie within a movie. I will admit, some neurosis is retained in the dialogue (talk of morality to prostitutes!) - and this added to the surreal nature of the movie.

    This has to be one of my favourite films Woody has directed. Annie Hall probably being my fave, Manhattan, Crimes and Misdeamenours and Sleeper following. Cairo is so constantly fresh and inventive, I couldn't help being captivated during it's short running time. I recommend this to any fan - or any lover of movies themselves. A real treat.
    drosse67

    One of his Great Ones

    A movie I like to recommend to people who really dislike Woody Allen (because of his on-screen characters or off-screen life). And I usually get positive feedback.....he does not appear in this movie, and that makes sense because there really are no characters he could play in The Purple Rose of Cairo. It is a hugely entertaining movie--one of his best. Sharp, hilarious, and poignant. And anyone who can keep a dry eye for that ending must be a machine. This is the movie where Jeff Daniels really gets to strut his best comic stuff. He's always been underrated in my opinion. He's terrific at playing the "Everyman," but in Allen's movie he has a duel role--the clueless movie hunk who leaps off the screen to be with Mia Farrow, and the frustrated actor who plays him. Farrow is also good, back to playing mousey after her bold turn in Broadway Danny Rose. I really can't say enough about this. I would rank it as his best film of the '80s. I never get tired of watching it. I don't like using this adjective, but it seems to fit the movie....it is magical.
    10ggallegosgroupuk

    Our Daily Escape

    The only Woody Allen that I hadn't seen. I was waiting for the opportunity to see it on a proper screen in a proper movie theater, with other people you know, like in the previous century. At the end I was convinced to see it in a friend's living room but in one of those super duper mega wide TV screens. What a delight! A movie about the love of something not quite real but that it becomes the more real thing in our lives. The transportation that Mia Farrow goes through while sitting in the movie theater brought tears to my eyes - my friend turned to me in disbelief "Are you weeping? He asked. Well yes, I was. I can't explain it. Have you seen the movie? Sometimes I felt I wanted to sit next to Mia Farrow in see the movie she's watching all the way through. Why not, Jeff Daniels, Mia Farrow, John Wood, Zoe Caldwell, Van Johnson, please! It's so much better in here than out here. You can bet I will see this again. Top notch.

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    Intérieurs

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      After this film was previewed, word got back to Woody Allen that if he just changed his ending, he could have a big hit. Allen declined, saying that the ending is one of the reasons he made the film.
    • Gaffes
      When Cecilia is playing the ukulele in the music store she is strumming along to the song and the song stops. She continues to strum along after the song is over, but there is no sound. The ukulele playing was obviously dubbed in.
    • Citations

      Cecilia: I just met a wonderful new man. He's fictional but you can't have everything.

    • Connexions
      Featured in At the Movies: The Beach Boys: An American Band/Maria's Lover/The Purple Rose of Cairo/The Sure Thing (1985)
    • Bandes originales
      Cheek to Cheek
      (1935)

      Written by Irving Berlin

      Vocal by Fred Astaire

      Played during the opening credits and

      In clip from Le Danseur du dessus (1935) at the end

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    FAQ21

    • How long is The Purple Rose of Cairo?Alimenté par Alexa
    • What film is Cecilia watching at the end?

    Détails

    Modifier
    • Date de sortie
      • 29 mai 1985 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • La rosa púrpura del Cairo
    • Lieux de tournage
      • Bertrand Island Amusement Park, Mount Arlington, New Jersey, États-Unis
    • Sociétés de production
      • Jack Rollins & Charles H. Joffe Productions
      • Orion Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 15 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 10 631 333 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 114 095 $US
      • 3 mars 1985
    • Montant brut mondial
      • 10 631 333 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 22min(82 min)
    • Couleur
      • Color
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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