Prière pour un tueur

I just watched Pray for Death on Showtime at 2:30 in the morning. This is a totally sweet movie about ninjas, in which Sho Kosugi is this bad ass super ninja who kills a whole bunch of people before moving to America, where he is framed for drug trafficking, and his wife is raped and murdered, and that is the point where he totally flips out and kills dozens and dozens of people. I did find it odd that while his family is from Japan, Sho's wife doesn't look terribly oriental. But otherwise this is a totally sweet eighties action movie with lots of killing and flipping out.

Sho Kosugi stars as Akira a closet ninja who goes back to his shadows when a mobster Limehouse(James Boothe) kills Akira's wife and almost kills Akira's son. Pray For Death is a cut above most "Ninja movies" the action is crisp and the movie is fast paced. Pray For Death may make more noise then sense, but for action fans PFD delivers the goods.

Pray for Death is awesome! It's certainly the best Sho movie we've seen to date.

Herein, the Sho-master plays Akira Saito, a man who has a nice, calm life in Japan working as an executive for Yokohama foods. He has a pretty wife, Aiko (Benz) and two cute kids, Takeshi and Tomoya (Shane and Kane, regulars in their dad's movies). Yep, the dude has a pretty sweet setup. Apparently bored by all the serenity, Aiko, whose father was American, convinces Akira to move to the U.S. Once there, they begin refurbishing an old, run-down eatery called the Sabine Street Restaurant. They later rename it Aiko's. They get the property from a kindly elderly man, Sam Green (Parley Baer). Even though the newly-transplanted Japanese family in the U.S. throws themselves into turning the restaurant around, a dark secret lurks...

It seems the local gangsters have been using an all-but-abandoned back room at the Sabine Street Restaurant as a drop off and pick up for various illegal goods. When the highly valuable Van Atta necklace goes missing, naturally these dumb-dumb gangsters think it is the new immigrant in town, Akira. So they start making his life a living hell, tormenting him in many ways. It eventually escalates to the point when half the family is in the hospital. The ringleader of all this awfulness happening to the Saito family is one Limehouse Willie (Booth). While his name seems more suited to hobo boxing matches in the railyards, the diabolical man uses every possible underhanded tactic at his disposal to try to eliminate Saito. He just didn't reckon with one thing - Saito is a secret Ninja! So when Aiko takes a turn for the worse, the mild-mannered man during the day goes on a no-holds-barred Ninja revenge mission against the evil bastards that have ruined his life! Radical! Sporting a fast pace, a high-quality look, top-notch action sequences (the boat scene is a standout), and great music, including the Pat Benatar-like theme song "Back to the Shadows" by Peggy Abernathy, Pray for Death doesn't disappoint. Director Gordon Hessler, a well-known drive-in guy, pulls all the correct elements together in just the right mix. He downplays the minor negatives, such as the fact that Sho's accent is so strong it's basically impossible to tell what he's saying, and accentuates the strengths, such as the Ninja-based action sequences and revenge plot. It truly is a recipe for success more directors would be wise to follow.

Of course, a great action movie needs a super-evil bad guy, and James Booth as Limehouse Willie fills the bill in spades. Yes, his name is silly, but that's just a distraction, as you will cheer for the moment when Sho exacts his revenge on one of the ultimate jerks in 80's filmdom. Add to that the elements of corrupt (and not-so-corrupt) cops involved in this gangster/ninja war, and the subplots of the temple setting where we learn why Akira knows what he knows. In the good guy department, Parley Baer does a good job as the kindly, sympathetic Sam Green, while Kane and Shane do some pint-sized karate moves of their own (and they have the best bike since Pee Wee Herman). They also like to watch something called "The Black Ninja" on TV.

This is an actual NINJA MOVIE, unlike the trowel-jobs of Godfrey Ho. This is a coherent, good production. Featuring yet another excellent opening credit sequence featuring Sho, and produced by TransWorld entertainment (the big-box VHS was released on USA video, how appropriate to the storyline), please don't hesitate to check out this "Sho"-stopper.

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It seems easy to forget that in the early days of Home Video, Sho Kosugi was very much a celebrity, making Ninja-themed movies like this. The plot is a revenge story, but the idea of Kosugi as a ninja who has hidden away his identity as such brings the film to a super-hero level as we have this man who is, along with his family harassed here in the Good Old U.S.A. because they bought a shop in an old building where some theives had hidden their loot. The action sequences are fascinating, a few interesting ninja techniques are shown and the fighting is fast and furious. Kosugi does not have the acting range, it seems, to handle heavier dramas, but he is ideally suited to the unique 80s genre of "Ninja Flick". Highly recommended. Not recommended to those fed a steady diet of computer generated "special effects" and cannot remember a time when athletic ability was required to nake a martial arts movie.

A man wants to leave his country behind and start a new life in America.

Unfortunately, he runs into gangsters that thought he stole a necklace from them. His family is in danger, and he reverts to his true calling - a ninja - to get justice.

Shô Kosugi gives us a great martial arts/revenge flick. His acting isn't the greatest, but his fists speak loudly.

He warned them, and now, they will pray for death.

Gangsters, crooked cops, and the most dangerous man in California are no match. Even the kid (Kane Kosugi) is dangerous with nun-chucks and darts.

They had to really stretch credulity at the end as he fought James Booth. He sliced thought a dozen men, but they stretched this battle out.