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Osôshiki

  • 1984
  • Not Rated
  • 2h 4min
NOTE IMDb
7,2/10
2,2 k
MA NOTE
Osôshiki (1984)
ComédieDrame

Ajouter une intrigue dans votre langueWhen Wabisuke's father-in-law unexpectedly dies, the family goes through a series of events and occurrences as the funeral unfolds over three days in their home.When Wabisuke's father-in-law unexpectedly dies, the family goes through a series of events and occurrences as the funeral unfolds over three days in their home.When Wabisuke's father-in-law unexpectedly dies, the family goes through a series of events and occurrences as the funeral unfolds over three days in their home.

  • Réalisation
    • Jûzô Itami
  • Scénario
    • Jûzô Itami
  • Casting principal
    • Tsutomu Yamazaki
    • Nobuko Miyamoto
    • Kin Sugai
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    2,2 k
    MA NOTE
    • Réalisation
      • Jûzô Itami
    • Scénario
      • Jûzô Itami
    • Casting principal
      • Tsutomu Yamazaki
      • Nobuko Miyamoto
      • Kin Sugai
    • 25avis d'utilisateurs
    • 15avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 19 victoires et 5 nominations au total

    Photos67

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    + 60
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    Rôles principaux58

    Modifier
    Tsutomu Yamazaki
    Tsutomu Yamazaki
    • Wabisuke Inoue
    Nobuko Miyamoto
    Nobuko Miyamoto
    • Chizuko Amamiya
    Kin Sugai
    Kin Sugai
    • Kikue Amamiya
    Hideji Ôtaki
    • Shokichi Amamiya
    Isao Bitô
    • Shigeru
    Midori Ebina
    • Kiyo
    Nekohachi Edoya
    • Ebihara
    Kamatari Fujiwara
    Kamatari Fujiwara
    • Small old man
    Hideo Fukuhara
    • TV Studio Guard
    Hiroko Futaba
    • Shokichi's Wife
    Mampei Ikeuchi
    • Jiro
    • (as Manpei Ikeuchi)
    Yôsui Inoue
    • Telegram Deliverer
    Masahiro Irie
    • VTR Operator
    Ryôsuke Kagawa
    Ryôsuke Kagawa
    • Old People's Club Chairman
    Akio Kaneda
    • Fuku
    Yoshihiro Katô
    • Ebihara's colleague
    Kazuyo Kawamura
    • Nurse
    Ittoku Kishibe
    • Akira
    • Réalisation
      • Jûzô Itami
    • Scénario
      • Jûzô Itami
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs25

    7,22.1K
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    Avis à la une

    ebiros2

    Directorial Debut for Director Itami

    This movie was written and directed by director Jyuzo Itami. He came up with the idea from his own experience of attending the funeral of his father in law, and wrote the story in 1 week. The movie was also the directorial debut for Itami.

    The story is about the funeral of father in law of Takusuke (Tsutomu Yamazaki) , and his wife Chizuko Amamiya (Nobuko Miyamoto). They were on the location of shooting commercial where Chizuko was starring in when the news of Chizuko's father Shinkichi's demise comes in. Then all the practicalities of funeral arrangement begins. Then unexpectedly Takusuke's lover shows up at the funeral.

    The story is what could happen in every day life told with humor and sincerity. Many unexpected things happens in the short time of the funeral that is the core of the drama. There are some sexual depiction as is common to Itami's movies.

    The movie that was made on a modest budget of 1.4 million dollars became a hit, and established Itami as a producer, and director.

    The movie sets the tone for future Itami's movies of people in compromising positions, and showing humor that goes with it. Interesting plot, and humor makes this movie worth watching.
    8patherto

    A very good movie, very badly served

    I had the good fortune to see 'The Funeral' in a real theater. The ultra-close-ups of the stockinged feet, magnified to 40 feet high, is unforgettable. Sadly, Fox Lorber has released 'The Funeral' on DVD using a scratched, pan-and-scan print. And since this film will never be a big best seller, I guess this is all we'll have. There's the inevitable comparison to 'Tampopo' and 'A Taxing Woman.' For me, 'The Funeral' is the best of the three because its humor is subtle and nuanced (the older brother in the foreground, trying to figure out which way is north, while the action goes on way off in the corner, is a perfect example). I still love 'Tampopo' (although it got the same rough treatment on DVD), but 'The Funeral' leaves me with more to feel, more to think about. I am certainly not Japanese, and I'm sure that much of the film flies by without my comprehending just what's going on. But I get more than enough from 'The Funeral' to make it one of my favorite films.
    8pinkfish

    Fascinating movie about how Japanese deal with death.

    A look at how Japanese deal with death, with a humourous twist. It is much darker and less light heartedly funny as Itami's other efforts, like Tampopo or A Taxing Woman. The movie still takes a somewhat irreverent look at the whole funeral process in Japan. I would recomend this movie if you like his other ones.
    8cla68

    A great movie to see the role of the family in Japanese culture.

    As we all know, the three most significant events for most people and that give the greatest insight into their cultures are births, weddings, and funerals. Ososhiki tells the story of how a family conducts and behaves at the funeral of one of their relatives. The director does a great job of presenting the ridiculous, absurd, and selfish behaviors they exhibit as well as beautiful, emotional, and loving behavior.
    7Bilwick1

    I beg to differ . . .

    . . . from the other comment on this movie. When I first saw THE FUNERAL, for the first forty-five minutes or so, I was disappointed. The video cover can lead one to believe it is a rollicking comedy, perhaps a sex farce. Yet the more I got into the movie, and went with its flow, and immersed myself in its world, the more I enjoyed it. There are parts that I find laugh-out-loud funny, but most of the humor is of a gentle kind, and there are parts that I find very touching. Since that first viewing, I have watched the movie several times, and enjoy it more each time I see it. And it is one of those movies that, each time I see, I notice some little detail that brings me pleasure. I have never been able to sit through A TAXING WOMAN, but I enjoyed TAMPOPO; and I like THE FUNERAL even better.

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    Centres d’intérêt connexes

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    Comédie
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This was Jûzô Itami's first film as a director and writer.
    • Gaffes
      Although the nails are heavily indented into the coffin lid in the house, in the subsequent walk to the hearse there is no sign of them, nor at the crematory.
    • Citations

      Kikue Amamiya: He died in there, all alone. I wish - I really wish I could have been there to hold his hand and walk that path with him. I don't mean I wanted to die with him. But it would have been nice to share his last moments with him. I still regret that. He died alone and I'm sure he felt very lonely. But your being here today's filled my heart with happiness and now I have the feeling - that even in death - he has - come back to me. And now - my husband, in death - and I, still living - will - begin - a new life together. That's - how - I feel.

    • Connexions
      Referenced in Siskel & Ebert & the Movies: Big Business/A Taxing Woman/The Presidio/Bull Durham/Travelling North (1988)
    • Bandes originales
      Air on the G String
      Composed by Johann Sebastian Bach

      Monochrome document video scene

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    FAQ14

    • How long is The Funeral?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 17 novembre 1984 (Japon)
    • Pays d’origine
      • Japon
    • Langue
      • Japonais
    • Aussi connu sous le nom de
      • The Funeral
    • Sociétés de production
      • Itami Productions
      • New Century Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 4min(124 min)
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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