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Une comtesse vampire a besoin de boire le sang d'une vierge afin de garder sa beauté éternelle. Il semble que tout est sans espoir, jusqu'à ce qu'elle rencontre Mark Kendall.Une comtesse vampire a besoin de boire le sang d'une vierge afin de garder sa beauté éternelle. Il semble que tout est sans espoir, jusqu'à ce qu'elle rencontre Mark Kendall.Une comtesse vampire a besoin de boire le sang d'une vierge afin de garder sa beauté éternelle. Il semble que tout est sans espoir, jusqu'à ce qu'elle rencontre Mark Kendall.
- Réalisation
- Scénario
- Casting principal
Jeb Stuart Adams
- World War I Ace Vampire
- (as Jeb Adams)
Avis à la une
Exploiting the typical male teen's desperate attempt to lose his virginity, 'Once Bitten' is a light comedy from the teen horror comedy catalog of the 1980s, though not as funny as say, 'My Best Friend is a Vampire,' nor as satirical as 'My Boyfriend's Back' (a 90s comedy). In part, the comedy is never too adventurous with comedic quips, and instead, carries with it for some parts in the movie, a rather unnecessarily serious mood.
Lauren Hutton plays the sleek, voluptuous Countess, a vampire desperate for virgin blood in order to sustain her youth. Lucky for her, she is conveniently on the prowl at a Hollywood night club the same time that high school teen Mark Kendall (Jim Carrey) and his two buddies arrive for a guys night out. Mark might think he's about to lose his virginity, but instead, finds himself in a whole lot of trouble once he falls into the seductive clutches of the Countess. He displays all the symptoms of a vampire: irritability, pale complexion, a sudden lust for rare meat, and a newfound love for all-black attire. But, his "first time" with the Countess will by no means his last as she follows him around town and haunts his dreams (I guess, they're really light male teen eroticism) as she intends to complete whatever vampire ritual will sustain her youth permanently.
It's a nice comedy, worth of a lazy noon viewing, and particularly for fans of the cult horror comedy. But, as far as vampires and desperate teen virgins go, I would highly recommend 'My Best Friend is a Vampire.'
Lauren Hutton plays the sleek, voluptuous Countess, a vampire desperate for virgin blood in order to sustain her youth. Lucky for her, she is conveniently on the prowl at a Hollywood night club the same time that high school teen Mark Kendall (Jim Carrey) and his two buddies arrive for a guys night out. Mark might think he's about to lose his virginity, but instead, finds himself in a whole lot of trouble once he falls into the seductive clutches of the Countess. He displays all the symptoms of a vampire: irritability, pale complexion, a sudden lust for rare meat, and a newfound love for all-black attire. But, his "first time" with the Countess will by no means his last as she follows him around town and haunts his dreams (I guess, they're really light male teen eroticism) as she intends to complete whatever vampire ritual will sustain her youth permanently.
It's a nice comedy, worth of a lazy noon viewing, and particularly for fans of the cult horror comedy. But, as far as vampires and desperate teen virgins go, I would highly recommend 'My Best Friend is a Vampire.'
Lauren Hutton is a vampire simply named "The Countess" who must bite a virgin three times per year (ending on Halloween) in order to retain her youth and beauty. However, living in California in the mid-1980s, it's becoming impossible to find a virgin.
This is a horror comedy that's not exactly atmospheric, thrilling or suspenseful (it's also completely free of gore), and not exactly hilarious. Rather, it's just a very lighthearted, mostly enjoyable film that happens to be about vampires, although it's primarily interesting for a one of the earliest, pre-fame appearances of Jim Carrey, and for nostalgia, as Once Bitten is firmly mired in mid-1980s pop culture.
The biggest flaw is that the mythology behind the film is not very well explained or followed. The Countess finds Mark Kendall (Carrey) fairly easily, but we're not shown her and her clan looking very hard until just before Halloween--they had all year. We're never told if the clan has to follow the same rules. It doesn't seem so in the end, but why not? It's never very clear why The Countess can't just go after, say, an eleven year old. When things are getting down to the wire near the climax of the film, there are other virgins around, but The Countess just ignores them as potential drinking fountains of youth. It seems like maybe she has to bite the same person, rather than three potentially different people, three times, but that's never directly stated. How long does it have to be between bites? Why couldn't she just bite the one person twice, then bite someone else three times within a few hours?
Although I don't usually like to try to apply real world logic to films, in this case, I couldn't help it. Once Bitten isn't meant solely as a comedy, and there is a long sequence during the climax that should be as suspenseful as it is humorous. But the suspense was gone, because all I could think of where the questions above instead. To make it worse, the timeline of the film gets a bit muddled, and we lose any sense of when Halloween night is actually occurring. At one point, during a Halloween dance, that seems like that should be Halloween night, but then it seems like Halloween should be over already at a later point. At that later point, it seems like the dance must have been on a different, earlier day. That this crucial fact for suspense in the film isn't clear is a problem. Once Bitten suffers from sloppy scriptwriting and sloppy direction from Howard Storm, whose resume shows that he's much more comfortable with half-hour television sitcoms.
But if one can overlook some of those flaws, Once Bitten is worth at least one viewing. Carrey's performance is good. He easily shows why he became a star in later films. His transformation over the course of the film is great, and a scene with Carrey in full vampire make-up and clothing makes one long to see a serious vampire film with him as a star. I also liked the ice cream truck and took it as a nod to Phantasm (1979). There are enough comic moments that most viewers will at least be occasionally smiling, if not laughing out loud. A scene where Mark's friends are trying to check him for evidence of vampirism is a standout, as is much of the material where Mark and his friends interact. Carrey's scenes with his parents are even better, but there are too few of them. Both Hutton and Karen Kopins (as Mark's girlfriend, Robin) are sensuous. The Countess' vampire clan is severely underused, but they are okay when they do appear. And even the obligatory mid-80s music video/dance scene is mostly tolerable.
I also enjoyed the subtext that sex is a means of protection from evil, rather than something dangerous to be avoided. Robin's attitude about Mark's relationships was also a nice change of pace.
This is definitely a film that needs to be approached with lowered expectations, but in the right mood, you just might enjoy it.
This is a horror comedy that's not exactly atmospheric, thrilling or suspenseful (it's also completely free of gore), and not exactly hilarious. Rather, it's just a very lighthearted, mostly enjoyable film that happens to be about vampires, although it's primarily interesting for a one of the earliest, pre-fame appearances of Jim Carrey, and for nostalgia, as Once Bitten is firmly mired in mid-1980s pop culture.
The biggest flaw is that the mythology behind the film is not very well explained or followed. The Countess finds Mark Kendall (Carrey) fairly easily, but we're not shown her and her clan looking very hard until just before Halloween--they had all year. We're never told if the clan has to follow the same rules. It doesn't seem so in the end, but why not? It's never very clear why The Countess can't just go after, say, an eleven year old. When things are getting down to the wire near the climax of the film, there are other virgins around, but The Countess just ignores them as potential drinking fountains of youth. It seems like maybe she has to bite the same person, rather than three potentially different people, three times, but that's never directly stated. How long does it have to be between bites? Why couldn't she just bite the one person twice, then bite someone else three times within a few hours?
Although I don't usually like to try to apply real world logic to films, in this case, I couldn't help it. Once Bitten isn't meant solely as a comedy, and there is a long sequence during the climax that should be as suspenseful as it is humorous. But the suspense was gone, because all I could think of where the questions above instead. To make it worse, the timeline of the film gets a bit muddled, and we lose any sense of when Halloween night is actually occurring. At one point, during a Halloween dance, that seems like that should be Halloween night, but then it seems like Halloween should be over already at a later point. At that later point, it seems like the dance must have been on a different, earlier day. That this crucial fact for suspense in the film isn't clear is a problem. Once Bitten suffers from sloppy scriptwriting and sloppy direction from Howard Storm, whose resume shows that he's much more comfortable with half-hour television sitcoms.
But if one can overlook some of those flaws, Once Bitten is worth at least one viewing. Carrey's performance is good. He easily shows why he became a star in later films. His transformation over the course of the film is great, and a scene with Carrey in full vampire make-up and clothing makes one long to see a serious vampire film with him as a star. I also liked the ice cream truck and took it as a nod to Phantasm (1979). There are enough comic moments that most viewers will at least be occasionally smiling, if not laughing out loud. A scene where Mark's friends are trying to check him for evidence of vampirism is a standout, as is much of the material where Mark and his friends interact. Carrey's scenes with his parents are even better, but there are too few of them. Both Hutton and Karen Kopins (as Mark's girlfriend, Robin) are sensuous. The Countess' vampire clan is severely underused, but they are okay when they do appear. And even the obligatory mid-80s music video/dance scene is mostly tolerable.
I also enjoyed the subtext that sex is a means of protection from evil, rather than something dangerous to be avoided. Robin's attitude about Mark's relationships was also a nice change of pace.
This is definitely a film that needs to be approached with lowered expectations, but in the right mood, you just might enjoy it.
A vampire Countess (Lauren Hutton) needs to drink the blood of a virgin in order to keep her eternal beauty. It seems that all is hopeless, until she bumps into Mark Kendall (Jim Carrey).
While "Fright Night" is often considered a modern classic by horror fans, this film -- which came out around the same time -- is probably not as well known. And why not? The humor is decent and a young Jim Carrey (with exquisite dance scene) makes this historically important in some small way.
I should say something about the film's treatment of homosexuality. However, I am unsure of what to write. The film seems to have some anti-gay bias (especially with the shower scene), but maybe that is a misunderstanding. Indeed, it might just be presenting what might have been a realistic response from teenage boys in the 1980s...
While "Fright Night" is often considered a modern classic by horror fans, this film -- which came out around the same time -- is probably not as well known. And why not? The humor is decent and a young Jim Carrey (with exquisite dance scene) makes this historically important in some small way.
I should say something about the film's treatment of homosexuality. However, I am unsure of what to write. The film seems to have some anti-gay bias (especially with the shower scene), but maybe that is a misunderstanding. Indeed, it might just be presenting what might have been a realistic response from teenage boys in the 1980s...
Once Bitten is a fun and enjoyable comedy vampire flick. Reveling on the alluring number 3 and hellbent on going all the way for a home run it stars the holy trinity of Carrey, Hutton and Little in humorous and lovable roles. The story revolves around the vampire Countess (Hutton) and her need for a blood transfusion from a virgin. No bite in the neck, but further down is required. She's guided and aided by the brilliant Sebastian (Little) with a certain feminine twist that makes for many laughs. Juxtaposed to this duo of (very light) darkness we find a trio of restless youngsters and the protagonist of the movie - Mark (Carrey) who is trying so hard to get to fourth base with his girlfriend but not getting anywhere. He tries to metaphorically go to third base at a drive-in movie when the gear stick gets in the way of the couple and he says "Here, let me put it in third...". That's all he manages to do tho and they sit and watch the movie while all the other cars around start to bounce one after the other. Frustrated and let down he is talked into going to town to get...sorry... 'meet' girls with his two comic relief friends and soon enough he meets the countess and she lures him into her Hollywood mansion to get the first of three blood transfusions in order to retain her good looks. From there on strange and humorous things start to happen to the main character. It's a definitive 80's movie for sure. It's lighthearted and fun and if you expect some serious vampire business and action you will be sorely let down but if you're expecting comedy, teen desires, Carrey and light entertainment you will have a very enjoyable hour and a half of pure 80's nostalgia with a twist and you won't regret seeing it.
This is a pretty bad 80's teen sex comedy with a vampire slant. It s main attraction is an early appearance by Jim Carrey before he became a big star. Unfortunately the filmmakers seem unwilling to take advantage of his comic talents, forcing him to play it straight most of the time
What makes this even worse are the rich opportunities for him to exploit his particular brand of silliness in a movie with this premise
I mean, Jim Carrey turning into a vampire
that has potential., but for the most part, that potential is untapped.
However there are a few places where Carrey is allowed to showcase his comic abilities, and his talent is apparent Particularly in a VERY ridiculous dance scene that has to rank right up there as one of the silliest (or stupidest) dance scenes I have ever encountered. This sequence is so crazy that I would almost recommend the movie based purely on the dance scene.
The rest of the movie is mostly bland and not so enjoyable Lauren Hutton is a looker, but her part is pretty weak here. Carrey's two nerdy friends are supposed to provide most of the comic relief, but they aren't very funny. The story moves along very predictably and there is little or no urgency. It's not the kind of movie that makes you want to turn off the TV, but it's pretty forgettable.
Still . It does have the dance scene, and there is a certain 80's nostalgia factor. It's worth watching if you catch it on TV and you have some time to kill.
However there are a few places where Carrey is allowed to showcase his comic abilities, and his talent is apparent Particularly in a VERY ridiculous dance scene that has to rank right up there as one of the silliest (or stupidest) dance scenes I have ever encountered. This sequence is so crazy that I would almost recommend the movie based purely on the dance scene.
The rest of the movie is mostly bland and not so enjoyable Lauren Hutton is a looker, but her part is pretty weak here. Carrey's two nerdy friends are supposed to provide most of the comic relief, but they aren't very funny. The story moves along very predictably and there is little or no urgency. It's not the kind of movie that makes you want to turn off the TV, but it's pretty forgettable.
Still . It does have the dance scene, and there is a certain 80's nostalgia factor. It's worth watching if you catch it on TV and you have some time to kill.
Le saviez-vous
- AnecdotesBy the time the film was released, writer Jeffrey Hause had blown through his initial earnings and had to take a job as a video store clerk. One day an oblivious customer remarked of the film, "Whoever wrote this shouldn't be working in Hollywood," and an incensed Hause retorted, "YOU GOT YOUR WISH!"
- GaffesIn the costume party/dance scene, when Robin and Countess are having a dance fight over Mark, the camera is zooming in on the dance, to the very left of the screen you can see the lens hood of a second camera zooming in.
- Citations
Robin Pierce: I'm the owner of the pants you've been trying to get into for the past four years.
- Versions alternativesSingapore version was cut by 4 minutes for a PG rating. The uncut version would either by NC-16 or M18.
- ConnexionsFeatured in 3-Speed: Once Bitten (1985)
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- How long is Once Bitten?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Séduction à pleines dents
- Lieux de tournage
- Mark Twain Middle School - 2224 Walgrove Avenue, Mar Vista, Los Angeles, Californie, États-Unis(Mark and Robin's High School)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 200 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 10 000 000 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 025 657 $US
- 17 nov. 1985
- Montant brut mondial
- 10 000 000 $US
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By what name was On ne mord que deux fois (1985) officially released in Canada in French?
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