Portés disparus 2 - Pourquoi ?

Prequel to Chuck Norris' quite successful first film in the "Missing in Action" franchise. The prequel tells the story of how Norris' Colonel Braddock was captured and held prisoner by the NVA during the Vietnam War. The film is a fairly standard POW war film story, complete with an evil camp commandant, cruel torture, and daring escapes. Norris has always been limited in his acting ability, but this film wisely did not ask much of our hero in that department. Unfortunately the film also did not ask Chuck show off his martial arts skills much either, with the exception being a final confrontation with venerable character actor Soon-Tek Oh as the evil Colonel Yin. Chuck takes some beat downs from Professor Toru Tanaka and has some nasty torture scenes, particularly one involving rats, throughout the film as the NVA try to get him to confess to war crimes, but why have a karate champ in your film if you're not going to let him fight? The film's production company realized this was a weak film and had already filmed a sequel back-to-back with this one. Producers made the wise choice to release what was originally filmed as a sequel ("Missing in Action" where Chuck goes back to Vietnam to rescue POWs) as the first of the franchise and then released this weaker film later as a prequel. In the plus column for this film, it does feature music by Max Max composer Brian May. Also, as clichéd of a POW story as it is, it's a pretty sturdy one that's hard to resist for fans of this war film sub-genre.

For many years I have enjoyed Chuck Norris. Now I can say that one of his movies made me cry. This movie was an absolute heart-stopper, tear-jerker, and gut-wrencher. This is a total psychological flick, exposing to the viewers the horrors of Asian prison camps. Of course, Norris busts out in the end with his comrades. After watching this movie one feels like a true American. If you can't crack open a Budwieser and wear a t-shirt with an American flag on the front you shouldn't watch this movie. This makes me think of Bruce Springstein's Born in the U.S.A. The only thing missing from this movie was Billy Drago, of course. All in all, a worthwile and moving flick to view. Rent it right now, or better yet, buy it.

It's not surprising to learn that Chuck Norris made this series as a tribute to his brother who had been killed in Vietnam. He really gave all that he had to these films. It may be manipulative but damn is it ever satisfying. The villains are the kind of loathsome scum whom you JUST CAN'T WAIT to see messed up in a variety of ways. And the good guys are fleshed out enough as characters that you do feel bad for them, and want to see them get their revenge.

As one can guess, this is a prequel to the original "Missing in Action" film of 1984. It shows how Chucks' colonel character, James Braddock, was shot down and captured during the war, and the tortures that he and his men are obliged to endure for the next several years, even after the war has basically ended. The sadistic colonel in charge of his work camp, Colonel Yin (Soon-Tek Oh) acts like a dictator, and just when you think you can't hate this guy any more, he ups the stakes yet again.

With Lance Hool taking the directors' reins, this proves to be a high old time for the action junkie, underscored by the genuine poignancy to be found in stories about prisoners of war. This is exciting much of the time, with kick ass battle footage, lots of explosions, lots of gunfire, and some breathtaking scenery. Chuck is a formidable hero as always, and Oh is a deliciously evil bad guy. Lending strong support are Cosie Costa, Joe Michael Terry, and especially John Wesley as the ailing Franklin. Steven Williams is good in an initially unlikable part as a captain eager to cooperate with his captors in exchange for better treatment. It's also cool to see hulking screen heavy Professor Toru Tanaka and "Ninja III: The Domination" villain David Chung as two of the guards.

All in all, this is solid entertainment, complete with a high body count and never ever boring.

Eight out of 10.

The Last part of the movie was a classic to remember. Braddock(Norris) and Yen(Teck-Oh) going add it in a showdown to the finish. Braddock whack Yen like a dirty rag on the floor. I give that fight scene a 10 from a scale of 1 to 10.

David

Cannon productions backs another American colonel James Braddock film to the surprising hit that was the 1984 Chuck Norris starring post-Vietnam action-flick "Missing In Action". This sequel 'The Beginning' is a prequel to the original and from the trivia on this site it explains that it was actually made before Joseph Zito's film which was shot back to back with number two. I guessed they liked Zito's effort more, and you can see why. But this spirited entry is not a complete lost.

This very low-cost, raw looking sequel (prequel) seems to primarily parade around its many fragmented set-pieces of brutally unpleasant torture and demoralizing spirit-breaking with little in a way of story to back it all up. Due to this it could lull and get fairly repetitive making it feel longer than it is, but it gets you emotionally invested and few and far between are some effective moments like a rat in a bag sequence. After a slowly lean get-up amongst the stinking hot jungle setting and POW camp (which for most part is completely dreary), it finally breaks the shackles in the last half-hour or so with blistering action (even if some of it is poorly conceived) complete with explosions and Norris suitably paying back some of his own medicine in what is a fittingly tough and cheering confrontation (due to what has gone before it) with the sadistically malevolent Colonel Yin performed with smarting glee by Soon Tek-oh. Norris looking quite weathered and bruised goes about things in a steely and scrappy manner until the rage he kept inside finally breaks out after the constant torment to get him to confess to the unheralded crimes. The acting is inconsistent, but the cast features the likes of Steven Williams (probably best known for his part as X in the 'X-Files' series), John Wesley and Professor Toru Tanaka. Lance Hool's direction is fundamentally gritty, but authentic in style. Adding to the drama is Brian May's bombastic score with a somber touch at times within its cues.

Although I've seen this feature quite a few times, it's not as entertaining as the first film, but Cannon's cheap-jack b-grade fodder still packs grit and brute force.