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The reporter Malcolm Anderson (Kurt Russell) is contacted by a serial killer, Alan Delour (Richard Jordan), who seeks promotion of his acts in the news. The only leads for the police force, commanded by Detectives Ray Martinez (Andy Garcia) and Phil Wilson (Richard Bradford), are the contacts of the criminal through Malcolm and the bodies of his victims. When Malcolm becomes more important for the media than Alan, the killer becomes jealous and kidnaps Malcolm's girlfriend, Christine (Mariel Hemingway), looking for revenge and more attention for his crimes.

"The Mean Season" is an efficient thriller, mostly supported by the great performance of Kurt Russell, in excellent physical shape. The story has minor flaws and some clichés, but hooks the attention of the viewer until the last scene. Watching it again in 2005, we can see a not famous Andy Garcia in the beginning of his brilliant career. My vote is seven.

Title (Brazil): "Temporada Sangrenta" ("Bloody Season")

I think the worst crime a film can commit is to be dull. It doesn't matter what your film is about, there is always a way to catch the audience off-guard and throw some surprises into the mix. 'The Mean Season' is one of those films that plays out exactly as expected. It checks all the boxes the studio would want it to, but man is it a forgettable ride.

Even when the killer is on the phone everything just feels so safe and watered down. The most daring thing the film does is a gratuitous nudity scene (seriously, where did that come from?). Near the end there is a little mini-twist I'll give the film credit for, however it's a bit late by that stage.

I didn't hate this film though. It was just such an interesting premise that I wanted more out of it. I wanted it to fire some shots and take some risks. It didn't though and for that reason I suspect I will have forgotten about this film by tomorrow morning. 6/10.

This was a pretty good movie. Its got good suspense towards the end but it will never top BREAKDOWN, which is his ultimate suspense movie. Mariel Hemingway was a good choice, she hasn't been in much lately. I think she is still pretty. Well, Kurt does a good job. This is worth seeing and its from 1985. It has violence, language and nudity.

This is definitely a thriller. And one of the reasons why is Richard Jordan who plays the psychopath, Alan Delour. He is so convincing he is absolutely frightening. Especially his last scenes, he gives me shivers every time I watch him. He was definitely one of the finest actors that ever was and when he passed away, we lost a great talent. Kurt Russell also did a find job as Malcolm Anderson and the two worked really well together.

Based on the John Katzenbach story "In the Heat of the Summer", this Florida-lensed crime thriller does hold ones' attention with its straightforward telling of an intriguing tale.

Kurt Russell is aces as Malcolm Anderson, a star reporter for the Miami Journal who is contacted by a murderous psychopath (Richard Jordan) who has killed once and who promises that there will be other murders. The killer, who craves the spotlight, decides to use Anderson as his mouthpiece, creating a very uneasy "collaboration" between killer and reporter. Things start to really turn South when Anderson starts getting the bulk of the attention, leaving the killer feeling resentful.

This is an interesting set-up for a movie that ultimately does indeed lose a fair deal of its impact by turning conventional for its final act, but until then it's solidly entertaining, with the performances of Russell and Jordan serving as effective anchors. The give and take between their two characters is compelling stuff, and it's a good thing that Anderson isn't treated as some typically infallible movie hero.

The supporting cast is mostly strong; Mariel Hemingway as Andersons' schoolteacher girlfriend Christine is appealing as she always is, but her character has little to do besides look and act concerned and eventually be put into peril. Richard Masur (reunited with Russell, along with producers Lawrence Turman and David Foster, three years after "The Thing") is Andersons' editor, Andy Garcia (in one of his earliest movie roles) and Richard Bradford are the weary detectives on the case, Joe Pantoliano is a photographer, and the almighty movie tough guy William Smith appears briefly as a character supplying critical information.

The Miami setting adds a lot of atmosphere, especially as the storms start coming up towards the end of the story. Lalo Schifrins' music is also highly effective. Even in light of the clichéd climactic confrontation, there is some enjoyable resonance to "The Mean Season" as it deals with the big issue of journalistic culpability, and the role that the media play in our receipt of the news. An overall grim feel to the presentation, and a spooky opening, are also assets in this generally good, if not great, and reasonably convincing movie.

Seven out of 10.