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Ajouter une intrigue dans votre langueWhen a teenager is shot at the beach, a journalist from The Miami Journal is sent to cover the story. He's called by the murderer and told there'll be four more.When a teenager is shot at the beach, a journalist from The Miami Journal is sent to cover the story. He's called by the murderer and told there'll be four more.When a teenager is shot at the beach, a journalist from The Miami Journal is sent to cover the story. He's called by the murderer and told there'll be four more.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Avis à la une
The reporter Malcolm Anderson (Kurt Russell) is contacted by a serial killer, Alan Delour (Richard Jordan), who seeks promotion of his acts in the news. The only leads for the police force, commanded by Detectives Ray Martinez (Andy Garcia) and Phil Wilson (Richard Bradford), are the contacts of the criminal through Malcolm and the bodies of his victims. When Malcolm becomes more important for the media than Alan, the killer becomes jealous and kidnaps Malcolm's girlfriend, Christine (Mariel Hemingway), looking for revenge and more attention for his crimes.
"The Mean Season" is an efficient thriller, mostly supported by the great performance of Kurt Russell, in excellent physical shape. The story has minor flaws and some clichés, but hooks the attention of the viewer until the last scene. Watching it again in 2005, we can see a not famous Andy Garcia in the beginning of his brilliant career. My vote is seven.
Title (Brazil): "Temporada Sangrenta" ("Bloody Season")
"The Mean Season" is an efficient thriller, mostly supported by the great performance of Kurt Russell, in excellent physical shape. The story has minor flaws and some clichés, but hooks the attention of the viewer until the last scene. Watching it again in 2005, we can see a not famous Andy Garcia in the beginning of his brilliant career. My vote is seven.
Title (Brazil): "Temporada Sangrenta" ("Bloody Season")
This is definitely a thriller. And one of the reasons why is Richard Jordan who plays the psychopath, Alan Delour. He is so convincing he is absolutely frightening. Especially his last scenes, he gives me shivers every time I watch him. He was definitely one of the finest actors that ever was and when he passed away, we lost a great talent. Kurt Russell also did a find job as Malcolm Anderson and the two worked really well together.
Based on the John Katzenbach story "In the Heat of the Summer", this Florida-lensed crime thriller does hold ones' attention with its straightforward telling of an intriguing tale.
Kurt Russell is aces as Malcolm Anderson, a star reporter for the Miami Journal who is contacted by a murderous psychopath (Richard Jordan) who has killed once and who promises that there will be other murders. The killer, who craves the spotlight, decides to use Anderson as his mouthpiece, creating a very uneasy "collaboration" between killer and reporter. Things start to really turn South when Anderson starts getting the bulk of the attention, leaving the killer feeling resentful.
This is an interesting set-up for a movie that ultimately does indeed lose a fair deal of its impact by turning conventional for its final act, but until then it's solidly entertaining, with the performances of Russell and Jordan serving as effective anchors. The give and take between their two characters is compelling stuff, and it's a good thing that Anderson isn't treated as some typically infallible movie hero.
The supporting cast is mostly strong; Mariel Hemingway as Andersons' schoolteacher girlfriend Christine is appealing as she always is, but her character has little to do besides look and act concerned and eventually be put into peril. Richard Masur (reunited with Russell, along with producers Lawrence Turman and David Foster, three years after "The Thing") is Andersons' editor, Andy Garcia (in one of his earliest movie roles) and Richard Bradford are the weary detectives on the case, Joe Pantoliano is a photographer, and the almighty movie tough guy William Smith appears briefly as a character supplying critical information.
The Miami setting adds a lot of atmosphere, especially as the storms start coming up towards the end of the story. Lalo Schifrins' music is also highly effective. Even in light of the clichéd climactic confrontation, there is some enjoyable resonance to "The Mean Season" as it deals with the big issue of journalistic culpability, and the role that the media play in our receipt of the news. An overall grim feel to the presentation, and a spooky opening, are also assets in this generally good, if not great, and reasonably convincing movie.
Seven out of 10.
Kurt Russell is aces as Malcolm Anderson, a star reporter for the Miami Journal who is contacted by a murderous psychopath (Richard Jordan) who has killed once and who promises that there will be other murders. The killer, who craves the spotlight, decides to use Anderson as his mouthpiece, creating a very uneasy "collaboration" between killer and reporter. Things start to really turn South when Anderson starts getting the bulk of the attention, leaving the killer feeling resentful.
This is an interesting set-up for a movie that ultimately does indeed lose a fair deal of its impact by turning conventional for its final act, but until then it's solidly entertaining, with the performances of Russell and Jordan serving as effective anchors. The give and take between their two characters is compelling stuff, and it's a good thing that Anderson isn't treated as some typically infallible movie hero.
The supporting cast is mostly strong; Mariel Hemingway as Andersons' schoolteacher girlfriend Christine is appealing as she always is, but her character has little to do besides look and act concerned and eventually be put into peril. Richard Masur (reunited with Russell, along with producers Lawrence Turman and David Foster, three years after "The Thing") is Andersons' editor, Andy Garcia (in one of his earliest movie roles) and Richard Bradford are the weary detectives on the case, Joe Pantoliano is a photographer, and the almighty movie tough guy William Smith appears briefly as a character supplying critical information.
The Miami setting adds a lot of atmosphere, especially as the storms start coming up towards the end of the story. Lalo Schifrins' music is also highly effective. Even in light of the clichéd climactic confrontation, there is some enjoyable resonance to "The Mean Season" as it deals with the big issue of journalistic culpability, and the role that the media play in our receipt of the news. An overall grim feel to the presentation, and a spooky opening, are also assets in this generally good, if not great, and reasonably convincing movie.
Seven out of 10.
****SPOILERS**** Superior crime drama set in South Florida during it's "mean season" when the winds pick up and the storms and hurricanes come rolling in and with them rolls in a serial killer who's more interested in publicity for his crimes then his victims who are a result of them.
Coming back from a vacation in Colorado Miami Journal reporter Malcolm Anderson, Kurt Russell, is assigned to the murder of teenager Sarah Hooks, Tamara Jones, who was found dead by the beach that morning. A few days after filing the story Malcolm gets a phone call at his desk at the Journal from someone claiming to be Sarah's killer.
Told by the caller a fact that is not known to the public about the crime Malcolm as well as the police officials Ray Martinez & Phil Wilson, Andy Garcia & Richard Bradford, that he got in touch with who were on the case realize that the caller is the real McCoy and begin to tape Malcolm's phone at the newspaper to identify and capture the killer. The killer, in his calls to Malcolm, tells him that he's duplicating a number of killings that he did some time ago and got no recognition for.It's later found out by someone who knew him Albert O'Shaughnessy, William Smith, that his name is Alan Delour, Richard Jordan, and that those killings were in Chicago a number of years ago.
The serial killer wants Malcolm to be his link to the outside world, via his newspaper to prove that he's the one who committing those crimes and tells Malcolm that there will be, like those that he didn't get credit for, five more killings before he's finished. As his murder spree continues it's Malcolm who's getting all the publicity and the killer feels cheated and takes it on on Malcolm for his failure to get him the recognition that he wanted. That leads in the killer kidnapping Malcolm's girlfriend Christine, Mariel Hemingway, and threatens to murder her.
One of the better crime dramas that came out of the 1980's thats smoothly paced and finely acted as the serial killer gets bolder and bolder with each killing to where he unnecessarily exposed himself, to Malcolm, in order to get his ego enhanced.
Malcolm's life becomes a horror as the killer starts to take it out on him for his overshadowing his actions which lead to Christine's kidnapping. Tense suspense murder drama with an unsuspecting ending makes "The Mean Season" a modern Film Noir classic.
Coming back from a vacation in Colorado Miami Journal reporter Malcolm Anderson, Kurt Russell, is assigned to the murder of teenager Sarah Hooks, Tamara Jones, who was found dead by the beach that morning. A few days after filing the story Malcolm gets a phone call at his desk at the Journal from someone claiming to be Sarah's killer.
Told by the caller a fact that is not known to the public about the crime Malcolm as well as the police officials Ray Martinez & Phil Wilson, Andy Garcia & Richard Bradford, that he got in touch with who were on the case realize that the caller is the real McCoy and begin to tape Malcolm's phone at the newspaper to identify and capture the killer. The killer, in his calls to Malcolm, tells him that he's duplicating a number of killings that he did some time ago and got no recognition for.It's later found out by someone who knew him Albert O'Shaughnessy, William Smith, that his name is Alan Delour, Richard Jordan, and that those killings were in Chicago a number of years ago.
The serial killer wants Malcolm to be his link to the outside world, via his newspaper to prove that he's the one who committing those crimes and tells Malcolm that there will be, like those that he didn't get credit for, five more killings before he's finished. As his murder spree continues it's Malcolm who's getting all the publicity and the killer feels cheated and takes it on on Malcolm for his failure to get him the recognition that he wanted. That leads in the killer kidnapping Malcolm's girlfriend Christine, Mariel Hemingway, and threatens to murder her.
One of the better crime dramas that came out of the 1980's thats smoothly paced and finely acted as the serial killer gets bolder and bolder with each killing to where he unnecessarily exposed himself, to Malcolm, in order to get his ego enhanced.
Malcolm's life becomes a horror as the killer starts to take it out on him for his overshadowing his actions which lead to Christine's kidnapping. Tense suspense murder drama with an unsuspecting ending makes "The Mean Season" a modern Film Noir classic.
Richard Jordan who has played a number of really psychotic villains is the main reason to see The Mean Season. He quite steals the film from Kurt Russell a crime reporter and Mariel Hemingway who is Russell's girlfriend and the last woman Jordan stalks.
Russell has truly grown to dislike his job on a big city paper in this case Miami where he's gotten a specialty in crime reporting, the more lurid the better. He's considering an offer from a small town Colorado paper to take over as editor.
That's when things get interesting. Jordan is a serial killer who Russell has been writing about and in his twisted way considers Kurt to be some kind of personal publicist for him and his peers. Now he starts calling to give him heads up exclusives knowing that this will lead to Mariel's own abduction.
That's the one thing about criminals of the psychotic mind. They don't reason like the rest of us. It sounds wild and improbable the notion that Jordan has, but that's the hard part for FBI and local profiler's jobs, getting in those sick minds to see how they work.
Jordan is one sick and twisted puppy. The rest of the cast is fine, but he really stands out in The Mean Season.
Russell has truly grown to dislike his job on a big city paper in this case Miami where he's gotten a specialty in crime reporting, the more lurid the better. He's considering an offer from a small town Colorado paper to take over as editor.
That's when things get interesting. Jordan is a serial killer who Russell has been writing about and in his twisted way considers Kurt to be some kind of personal publicist for him and his peers. Now he starts calling to give him heads up exclusives knowing that this will lead to Mariel's own abduction.
That's the one thing about criminals of the psychotic mind. They don't reason like the rest of us. It sounds wild and improbable the notion that Jordan has, but that's the hard part for FBI and local profiler's jobs, getting in those sick minds to see how they work.
Jordan is one sick and twisted puppy. The rest of the cast is fine, but he really stands out in The Mean Season.
Le saviez-vous
- AnecdotesKurt Russell prepared for his role as a reporter by spending time with veteran Miami Herald crime journalist Edna Buchanan and Miami Herald photographer Tim Chapman.
- GaffesAnderson misspells "apparent" as "apparrent" on his word processor, and leaves it uncorrected. This may only be a character error, but it's odd considering he's a potential Pulitzer-winning journalist.
- ConnexionsFeatured in The Making of 'The Mean Season' (1985)
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Détails
Box-office
- Budget
- 7 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 4 349 446 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 560 591 $US
- 18 févr. 1985
- Montant brut mondial
- 4 349 446 $US
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