Marie: justice criminelle

Politics is a very dirty and corrupt business which is evident and clearly outlined in less than the two hours it took to watch this film. Sissy Spacek plays the real life victim and heroine Marie Fajardo Ragghianti, who after surviving and subsequently leaving an abusive husband with her three (3) young children in tow works hard, studies even harder to achieve a Master of Public Administration (M.P.A.) degree from the Harvard University John F. Kennedy School of Government in 1992. Like most novice civil servants who look for leadership from their superiors it did not take Marie too long to rise in the public ranks from 1997 through 1999, she worked as the chief of staff for the United States Parole Commission. Once in this prestigious position Marie realized that she was being duped and placed in her role to serve at the favor of a corrupt Tennessee Governor Ray Blanton.

When Marie started asking questions when her boss (who hired her) Eddie Sisk and Governor Ray Blanton insisted that she blindly approve a number of very dubious and questionable paroles of known and convicted criminals she spoke to the FBI. Marie was abruptly terminated under false accusations that she herself was acting fraudulently with her office expense account and drinking to excess.

After surviving an abusive husband, raising three (3) children on her own, one son with some very serious medical issues, completing her Masters degree, she decided to fight her firing in a civil suit. After winning her case, the perpetrators namely Eddie Sisk (her former boss) and the Governor of Tennessee Ray Blanton were found guilty of extravagant spending, mail fraud, taking bribes for approving liquor licenses and questions were raised about their role(s) in approving wrongful paroles of convicted felons and served prison time.

The movie itself is a period piece reflective of the 1980's corrupt politicians and blatant disregard for the rule of law and serving as a civil servant, except that Sissy Spacek who plays the victim and heroine Marie Fajardo Ragghianti, is someone we can all look up to and express our gratitude for agreeing to make this movie and shed a bright light on a few corrupt government officials.

Its fuuny how time changes how you see a movie. If this film came out in the cinemas today it would look terrific compared to the current rubbish around.

The premise for Marie is a god one for a thriller and although the script bottoms out, great acting in almost all areas and powerful direction from Roger Donaldson save it from mediocrity and turn it into a really effective, attention grabbing, suspensful and emotionally involving film.

Apart from Roger Donaldson and Chris Menges moody atmosphereic lighting. The film is served best by Sissy Spaceks lead performance, if any actress had greater ability to allow you to feel how their character is feeling I'd like to know who it is. Sissy makes a great protagonist with a mixture of vunerability and strong resolve. She's not so headstrong as too seem a bitchy self-interested character, yet she has enough strength and integrity to make Marie the hero of the story.

I thought the whole production was great. And the fact that this film wasnt one of the best ones whe it came out just goes to show how far behind hollywood has gotten.

On a last note. Jeff Daniels played a great role in this. He really made you see him in a completely different light to normal.

Marie Ragghianti (Sissy Spacek) has enough of her abusive husband. She leaves him taking her three children back home to Tennessee. In 1973, she goes back to school. She gets a job from former classmate Eddie Sisk (Jeff Daniels). The head of the parole board, Charles Traughber (Morgan Freeman), is uncooperative. Bill Thompson is an unscrupulous operator behind the scenes. Sisk tells her to release a prisoner for the sake of a contributor to the Governor. He surprises her by making her the new chairman expecting more cooperation.

Sissy Spacek is great. I kinda remember this story from the news. Jeff Daniels is also great as something more than his normal nice guy. The ending is a little bland. The courtroom has some nice turns but the tension flattens out. More could have been done with Kevin's character. This is a compelling true story with some good acting.

Uninteresting vehicle for Sissy Spacek, an adaptation of the book "Marie: A True Story" by Peter Maas (the biographer of Frank Serpico), concerns divorced single mother Marie Ragghianti, who was fired from her job as chairman of the Tennessee Board of Pardons and Paroles in 1977 after refusing to release certain convicts (all rotten and threatening for effect) whose pardons were the result of bribes going back to the governor (similarly rotten). Ragghianti sees the corruption, understands its origins, and is tempted to go along with it for the sake of her job, but eventually has to take a stand for justice. Sally Field's Oscar-winning performance in 1979's "Norma Rae" provided a much-needed boost for actresses looking for substantial roles in 1980s cinema; however, by 1985, audiences had cooled on female stars such as Spacek, Field, Jessica Lange and Meryl Streep all taking noble stances on-screen for the sake of audience empathy (and prestige). Nothing in "Marie" rings true, not Spacek's relationships with her co-workers, her troubles with doctors over her sick son, nor her humble beginnings as an undereducated and abused housewife (the actor playing Spacek's bad-tempered husband looks about 10 years younger than the actress). The writing is vapid, Francis Lai's music is 'heart tugging' in the worst sense, and Roger Donaldson's direction is scattershot, with artificial details dotting the scenario. Fred Thompson plays himself as Marie's attorney, and is the only cast member to successfully overcome the phony dramatics. ** from ****

In case you've never heard of Marie Ragghianti, she escaped an abusive marriage and went to work for a firm, only to discover some unsavory things about it. In the movie "Marie", Sissy Spacek plays her as well as can be expected. However, I would agree with a previous reviewer that the movie sort of uses her as a conduit to tell the story, and otherwise seems incomplete.

But overall, they do a pretty good job showing how Marie was finally able to make something of herself, only to be faced with the dilemma of maintaining this position or blowing the whistle. Maybe not exactly a masterpiece, but certainly worth seeing. Also starring Jeff Daniels and Morgan Freeman.