Marie: justice criminelle

Its fuuny how time changes how you see a movie. If this film came out in the cinemas today it would look terrific compared to the current rubbish around.

The premise for Marie is a god one for a thriller and although the script bottoms out, great acting in almost all areas and powerful direction from Roger Donaldson save it from mediocrity and turn it into a really effective, attention grabbing, suspensful and emotionally involving film.

Apart from Roger Donaldson and Chris Menges moody atmosphereic lighting. The film is served best by Sissy Spaceks lead performance, if any actress had greater ability to allow you to feel how their character is feeling I'd like to know who it is. Sissy makes a great protagonist with a mixture of vunerability and strong resolve. She's not so headstrong as too seem a bitchy self-interested character, yet she has enough strength and integrity to make Marie the hero of the story.

I thought the whole production was great. And the fact that this film wasnt one of the best ones whe it came out just goes to show how far behind hollywood has gotten.

On a last note. Jeff Daniels played a great role in this. He really made you see him in a completely different light to normal.

There are more than a few movies about women battling and (hopefully) beating the system, so the field was already getting pretty crowded by 1985, when this film hit the cinemas. But it stands up there with the best of them; the greater surprise is that "Marie" is so less well known than, for instance, "Erin Brockovich" or "Norma Ray". The people involved in making this production are all out of the top drawer: Sissy Spacek in the lead role, supported by Jeff Daniels, Keith Szarabajka, Fred Thompson and Morgan Freeman (in a comparatively small part); director Roger Donaldson; cameraman Sam Mendes; and screenwriter John Briley. The script is tightly written, with a good pattern of sequences that moves the action through suspense (or, more precisely, a sense of menace), anxious domestic incidents, and lighter casual moments: the story looks and feels authentic. Spacek is terrific in the lead role of a "not perfect" person who just won't let herself be pushed aside when her integrity gets in the way of her political masters. But no element of the production is weak: the final court drama is beautifully played (how much better are these sequences when they rely on real transcripts), and so is the dynamic within the family of the woman on a mission. Highly recommended.

The premise, good for a thriller, prevented mediocrity and made the movie effective, attention-grabbing, suspenseful and emotionally involving. The writing was vapid & murky, it bottomed out with the artificial details dotting the scenario, but the direction was vigorous and adequate, if scattershot. As to Sissy Spacek, she confirmed her proficiency to be also shown in Carrie - Prime Cut - Badlands - Coal Miners Daughter - Crimes of the Heart - Missing - Old Man & the Gun - - Affliction - Raggedy Man - Three Women - The River - In the Bedroom - An American Haunting - JFK - Castle Rock - and even Bloodline.

This movie is based on a true story, a story that is, in fact, much worse than is portrayed here.

The governor of Tennessee, Ray Blanton, must rank as the worst the state ever had and, as a son of Tennessee, let me tell you that is really saying something.

Not to spoil the movie, let me add that Bill Clinton ended his presidency much as did Blanton end his governorship. That fact is sort of hinted at by the movie, but Blanton's governorship was so rife with corruption, with members of his family and his friends and allies living and profiting at the expense of the taxpayers, one movie cannot do the story justice. It would take at least a miniseries to tell the whole tale.

This movie, though, makes a good stab at part of the story, the part played by the title character, Marie. Sissy Spacek does her usual good job as Marie, displaying not only her own mature beauty but an admirable emotional range as both the put-upon government employee and the concerned mother.

Fred Thompson ... well, there are not enough superlatives in my limited vocabulary to express all my admiration and respect for him. He is a fine actor, and he was one of the greatest U.S. senators ever to represent the usually misrepresented state of Tennessee. Certainly the two there now (2004) don't begin to be big enough to fill his shoes, nor do they remotely resemble him in moral stature, intelligence, or knowledge of the Constitution. Well, he is better off back in acting, but it is a serious loss to good government that Fred Thompson decided not to seek re-election.

I'm tempted to say, too, that any movie with John Cullum is a movie to see, if only to watch his scenes. What a superb actor, what a major talent he is. His big scene in "1776" just steals that movie, to name merely one.

Not to slight any other person in this excellent cast, but I have gone on long enough. They are excellent.

I will carp about three things: Some of the expository dialog was trite and silly, especially the character Kevin's last scene. The courtroom scene was missing something. I believe if I had been on the jury, I'd have voted differently simply because the evidence was not presented well enough. (One can understand Sen. Arlen Specter {more-or-less-R.- Pa.} and his "not proved" impeachment vote.)

And why was Bill Sanderson not cast in this? He is a marvelous actor, could probably have handled beautifully almost any role, and besides he is from Tennessee. And he is usually in Spacek's movies. Too bad, for us and for him.

Still, I'm glad I finally got to see "Marie." The story is important, and the movie is extremely well done.

One more quibble: A very well-known Edmund Burke quote is used several times, but in an odd paraphrase. Not inappropriate, but jarring because of the different phrasing. Never mind. This is a good movie, and I hope everyone sees it.

Marie Ragghianti (Sissy Spacek) has enough of her abusive husband. She leaves him taking her three children back home to Tennessee. In 1973, she goes back to school. She gets a job from former classmate Eddie Sisk (Jeff Daniels). The head of the parole board, Charles Traughber (Morgan Freeman), is uncooperative. Bill Thompson is an unscrupulous operator behind the scenes. Sisk tells her to release a prisoner for the sake of a contributor to the Governor. He surprises her by making her the new chairman expecting more cooperation.

Sissy Spacek is great. I kinda remember this story from the news. Jeff Daniels is also great as something more than his normal nice guy. The ending is a little bland. The courtroom has some nice turns but the tension flattens out. More could have been done with Kevin's character. This is a compelling true story with some good acting.