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IMDbPro

Mad Max : Au-delà du dôme du tonnerre

Titre original : Mad Max Beyond Thunderdome
  • 1985
  • Tous publics
  • 1h 47min
NOTE IMDb
6,2/10
159 k
MA NOTE
POPULARITÉ
4 590
285
Mel Gibson and Tina Turner in Mad Max : Au-delà du dôme du tonnerre (1985)
After being exiled from the most advanced town in post apocalyptic Australia, a drifter travels with a group of abandoned children to rebel against the town's queen.
Lire trailer1:53
2 Videos
99+ photos
Action EpicCar ActionDesert AdventureDystopian Sci-FiOne-Person Army ActionQuestActionAdventureSci-Fi

Après avoir été exilé de la ville la plus avancée d'une Australie post-apocalyptique, un vagabond voyage avec un groupe d'enfants abandonnés pour se rebeller contre la reine de la ville.Après avoir été exilé de la ville la plus avancée d'une Australie post-apocalyptique, un vagabond voyage avec un groupe d'enfants abandonnés pour se rebeller contre la reine de la ville.Après avoir été exilé de la ville la plus avancée d'une Australie post-apocalyptique, un vagabond voyage avec un groupe d'enfants abandonnés pour se rebeller contre la reine de la ville.

  • Réalisation
    • George Miller
    • George Ogilvie
  • Scénario
    • Terry Hayes
    • George Miller
    • Byron Kennedy
  • Casting principal
    • Mel Gibson
    • Tina Turner
    • Bruce Spence
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    159 k
    MA NOTE
    POPULARITÉ
    4 590
    285
    • Réalisation
      • George Miller
      • George Ogilvie
    • Scénario
      • Terry Hayes
      • George Miller
      • Byron Kennedy
    • Casting principal
      • Mel Gibson
      • Tina Turner
      • Bruce Spence
    • 315avis d'utilisateurs
    • 161avis des critiques
    • 71Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 10 nominations au total

    Vidéos2

    4K Trailer
    Trailer 1:53
    4K Trailer
    Mad Max Beyond Thunderdome
    Trailer 1:25
    Mad Max Beyond Thunderdome
    Mad Max Beyond Thunderdome
    Trailer 1:25
    Mad Max Beyond Thunderdome

    Photos121

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    + 115
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    Rôles principaux76

    Modifier
    Mel Gibson
    Mel Gibson
    • Mad Max
    Tina Turner
    Tina Turner
    • Aunty Entity
    Bruce Spence
    Bruce Spence
    • Jedediah
    Adam Cockburn
    • Jedediah Jnr.
    Frank Thring
    Frank Thring
    • The Collector
    Angelo Rossitto
    Angelo Rossitto
    • The Master
    Paul Larsson
    Paul Larsson
    • The Blaster
    Angry Anderson
    Angry Anderson
    • Ironbar
    Robert Grubb
    Robert Grubb
    • Pig Killer
    George Spartels
    George Spartels
    • Blackfinger
    Edwin Hodgeman
    Edwin Hodgeman
    • Dr. Dealgood
    Bob Hornery
    Bob Hornery
    • Waterseller
    Andrew Oh
    Andrew Oh
    • Ton Ton Tattoo
    Ollie Hall
    • Aunty's Guard
    Lee Rice
    • Aunty's Guard
    Max Worrall
    • Aunty's Guard
    Susan Leonard
    • Aunty's Guard
    Robert Simper
    Robert Simper
    • Aunty's Guard
    • Réalisation
      • George Miller
      • George Ogilvie
    • Scénario
      • Terry Hayes
      • George Miller
      • Byron Kennedy
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs315

    6,2158.5K
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    Avis à la une

    7angelynx-2

    Gorgeous, delirious post-apocalypse fable

    Who could not love this movie? It's got more imagination than five average postbomb flicks, incredible visual design, enough alternate societies with enough backstory apiece for three more movies (including an aboriginal clan who look like Peter Pan's Lost Boys and speak a dialect you'll be copying for days after you see it), car chases, amazing costumes, one of the most original death-duel sequences ever, Tina Turner, *and* Mel Gibson! I mean, goddamn, what more do you want? I personally want another movie just set in Bartertown AND a movie that follows what happens to Anna Goanna and her clan, and they don't even have to have Mel Gibson in them - that's how rich I think the imaginative depth of this movie is. I like it more every time I see it. Genuinely something special.
    6damianphelps

    Who Is Thinking Of The Children?

    Why why why did someone think it was a good idea to fill Max Max 3 with a bunch of annoying kids? Its like half way through the movie the crew was switched and they thought they were making Oliver!

    Such a horrible way to end a most amazing trilogy.

    Max goes from road warrior to babysitter.

    Still any Max is better than no Max.
    bob the moo

    Too unconvincing, excessive and messy to really be enjoyable or engaging

    When he is attacked and robbed of his animals, Max Rockatansky follows his attackers to Bartertown – a den of deceit and violence that is made possible thanks to the methane power source from pigs kept underground. Bartertown may be ruled above ground by Aunty Entity but the real owner is Master Blaster – a team of two men who control the power supply. In exchange for his goods, Aunty offers Max a deal where he will challenge Blaster to a fight in the town's duelling arena and kill him –thus removing the muscle and putting Master under Aunty's control. Max accepts, although he rightly suspects that he will be the next to be betrayed.

    At least one reviewer on this site has said that the reason people dislike this film is because it is about the start of a new world whereas the other two Mad Max films were about the end of the world as we know it. Sadly I believe he is mistaken because I think the reason people dislike this film is because it is messy, excessive, unconvincing (even within the apocalyptic situation it makes no sense) and just isn't really any good. The plot swings between an excessive violent society at the start, to a child colony in the middle to a big noisy chase scene right at the end. In terms of the narrative that connects this all, don't worry about that because it doesn't really work and just feels very episodic throughout – making it messy and uninteresting. It is unconvincing and, although I accept that the entire film is fantasy, you gotta wonder where all the excesses and such came from and how we were supposed to buy into it; hell, a fuel blockade by lorry drivers brought the UK to its knees a few years ago but yet we're suppose to believe this? The apocalyptic here lacks imagination and just feels like the sort of thing that exists in an art director's mind rather than something that convinces.

    The episodic feel isn't helped by the rambling, pointless dialogue associated with the children – it tries to have a mysticism that nothing else in the film has worked to deserve; however it could be helped by developing Max better. If he was a strong lynch pin holding all these bits and pieces together then it would matter less but he isn't – he is just a grunting rock that doesn't really have a character to speak of and I had little or no interest in him at all – even when he becomes "caring and sharing" I didn't care because I had had nothing to work with up till that point. Turner is not terrible but she doesn't really act and just sort of swans around in an unconvincing manner. In that regard she is like the majority of the cast, who don't really give the performances – whether it e the clunky child actors or the grunting brutes that are just stunt fodder. The stunts are OK and the final chase provides some distraction but without really caring about the plot or the characters, I found it hard to get into any action.

    Overall a disappointing film whose core failing is the lack of a convincing new world. The film feels episodic and lacks anything to hold it together. Throwing a lot of cars around at the end does provide some distraction but by then it was too late for me and the whole thing was clunky, pointless and surprisingly uninteresting.
    7bradley-trent

    Not as Bad as You Remember

    This movie was much maligned when it came out in 1985, but that was due to the spectacular qualities of its predecessors, "Mad Max" and "The Road Warrior." Taken out of comparison with the other two, this movie is still solid post-apocalyptic fun, but it's lighter and slightly less violent than "Road Warrior" (as is evidenced by the PG-13 rating.) The actors' performances are perfectly adequate for the action, and the chase scenes bear all the hallmarks of Miller's craftsmanship (which contemporary directors should seriously consider studying and revitalizing.) You just won't see any arrow-riddled bodies slamming into the pavement at 60 mph or watch manned motorcycles sucked under the wheels of a big-rig. This one is about the kids. Think Hook in the wasteland and that starts to approach it.

    If you saw this movie in the theaters 25 years ago and walked out hating it, give it another chance. Just don't see "RW" right beforehand. No reason to hobble your experience with unrealistic expectations.
    Mike-754

    Half and half

    The first half of this film -- the part with Bartertown, Thunderdome, etc -- is brilliant, not just a repeat of THE ROAD WARRIOR but a totally new concept, thoroughly fleshed out. The second half, with the lost children, isn't as good -- and, more to the point, doesn't quite mesh with the first half, despite Miller's attempts to tie it all together at the end. Still, it's well above average in a genre that has increasingly come to believe (wrongly) that special effects are more important than plot and character.

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    The Making of 'Mad Max Beyond Thunderdome'
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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Tina Turner had to shave her head for her wig to fit properly. She reportedly had no problem with that.
    • Gaffes
      When Max walks in the desert, we see him holding the monkey at his chest. However, when he abruptly falls, there is no sign of the monkey jumping from him, but we then see it alive and safe at the children's cave.
    • Citations

      Aunty Entity: Do you know who I was? Nobody. Except on the day after, I was still alive. This nobody had a chance to be somebody.

    • Crédits fous
      Mel Gibson, who plays Mad Max, is listed again among the Stunt Crew in the End Credits.
    • Versions alternatives
      Scenes filmed but cut from the final film: Max comforting the dying Ghekko while facing Bartertown from the desert dunes and telling him it's Tomorrowmorrow land (this scene can be glimpsed in the Tina Turner video for We Don't Need Another Hero.) Max waking in Crack in Earth in the middle of the night and remembering his wife Jessie and crying, realising he is no better than the people he has hunted for so long.
    • Connexions
      Featured in At the Movies: Special Show: The Jack of All Films (1985)
    • Bandes originales
      We Don't Need Another Hero (Thunderdome)
      Written by Terry Britten and Graham Lyle

      Performed by Tina Turner

      Produced by Terry Britten

      Copyright © 1985 Good Single Music Ltd. & My Axe Music Ltd.

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    FAQ24

    • How long is Mad Max Beyond Thunderdome?Alimenté par Alexa
    • Dr. Dealgood says Thunderdome has no rules. But, isn't fighting to the death a rule?
    • What is Mad Max Beyond Thunderdome about?
    • Is There A Real Life Thunderdome?

    Détails

    Modifier
    • Date de sortie
      • 25 septembre 1985 (France)
    • Pays d’origine
      • Australie
    • Sites officiels
      • Warner Bros. (United Kingdom)
      • Warner Bros. (United States)
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Mad Max: Más allá de la cúpula del trueno
    • Lieux de tournage
      • Mermaid's Cave, Blackheath, Blue Mountains, Nouvelle-Galles du Sud, Australie(Tribal Childrens' Home - crack in the earth)
    • Société de production
      • Kennedy Miller Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 10 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 36 230 219 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 7 283 714 $US
      • 14 juil. 1985
    • Montant brut mondial
      • 36 231 434 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 47 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.39 : 1

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