Les feux de l'été

I first saw this as the mini series in 1985; I have watched it three or four times since then, most recently tonight. It is not consistently the greatest TV movie ever made, but the combination of Judith Ivey, Jason Robards and Don Johnson is wonderful. Cybill Shepherd is somewhat wasted as Eula, and the part of Jody is a pretty difficult one, but William Russ is perfect as the weaselly son of a powerful father. I enjoy this more every time I watch it, the locations, the soundtrack, the love story between Noelle Varner (Ivey) and Ben Quick (Johnson) as two strong willed people, one running from his past, the other hoping for a future. It's definitely worth a look-or two or three.

I Like this version much more that movie 1958. All characters In this version (1985) are more realistic and less pompous. More humans. Example I really didnt like interpretation of Jody and Eula in 1958 -stupid and empty. In this version they are so perfect with their imperfection, complexity and deepness in characters. Love story between Ben and Noel is so down to ground, so believable. Both of strong willed people with different qualities and different flaws but matching perfectly. Like jigsaw. When I first time watched It came to me that Noel should be highly attractive but watching again, I saw director's vision with their story. Don and Judith did great job. Judith was perfect for this role. Love scene is amazing. One of kind. Chemistry is beautiful. Interpretation of Will Varner was outstanding and refreshing . Mr Orson Wells in 1958 was just plain copy of Big Daddy. LOVE this TV show. Crew was perfect.

Note: Do not watch short version bc story doesn't have any sense without that crucial hour. Find full version of 3 hrs and 10 minutes. Example on Dailymotion.

Flawed it may be, but I love this version of the original film. From the opening credits the director uses evocative blues and magnificent ante-bellum mansions to convey the decadent lifestyle, revealing to viewers a privileged, class-driven world. Don Johnson's casting and acting is effective, and it was pleasing to see him trying to extend his range. I particularly like films which show an actor trying to break out of a previous genre or character mould e.g. Robin Williams in 'Dead Poet's Society' or Jim Carrey in 'The Truman Show'. Jason Robard's recent death is saddening, especially when I look at this film and also his remake of 'Inherit the Wind'. Above all, the film appeals to me because it focuses on the desperate if sublimated desire of many females to escape from rigid social expectations dictated by class and education, in order to fulfil their potential. Johnson's role as the catalyst reveals a powerful portrait of an unlikely hero who wins against the odds. Both the music score and the casting of the minor characters (malevolent father and townspeople) help to build the atmosphere. Some might say they were stereotypical, but as a viewer from another country, with little knowledge of Faulkner's original stories, it provides satisfying and refreshing viewing.

I had always claimed, that Don Johnson was not for me. He was not even a good actor. So I was persuaded to watch this film, and I was so facinated. I could not get it out of my head after I saw it. It was brilliant, and Don Johnson played really well. The story was also good. I even wrote to our local TV station, to get them to show it again, but in vain. Please let it come out on DVD so I can buy it.

This is not as good as the original, but the storyline has been changed some so that helps. This is an excellent movie for Don Johnson fans. He has the cocky attitude, with a deep sensitiveness underneath that fits the character, as Paul Newman did. Only when he parrots the same dialogue does he seem out of place. Judith Ivey is lovely as she is allowed to wear her hair down instead of in a severe bun. Jason Robards tries his best, but in spite of being an excellent actor, he doesn't have the bombastic spirit that made Orson Welles so right for the role. The clothes are modern as most fashion borrows from many years. Accents don't bother me. (How about Germans speaking broken English in war movies?) I liked it better the second time I watched it, so try it twice if you are uncertain. It's worth it; and watch the actors' faces throughout as they do their best with roles that were strongly created in the first movie.