Bons baisers de Liverpool

I first saw this film when it came out and just fell in love with it. I cannot say why either, it just has a magical quality that draws you in. The setting obviously helps, Liverpool is a beautiful city, architecturally and spiritually and you get lavish helpings of both. The performances from the four lead actors are flawless to me, just the right balance of comedy and pathos, with special mention to Margi Clarke, whose brassy exterior hides a tenderness which she allows to shine through every so often.(As an aside I saw her do stand up once at Band on the Wall in Manchester, and boy was she rude!) I've seen comments on the boards saying people enjoyed it when it first came out, but now find it a bit ridiculous, and I can only totally disagree with them. I still watch this film at least a couple of times a year and never tire of it. If you haven't seen this gem, I can only suggest you get the DVD as soon as possible, and enjoy a film that exudes true human warmth.

set in 80`s Liverpool...the best love story since Romeo and Juliet,far from being sloppy,more in-your-face,honest truth from two Scouse lasses on a night out...they run into a couple of Russian sailors on a one-night pass and two fall in love during that night.. but he has to leave on his ship the next day....she encounter red tape by the mile in her attempts to visit him in Russia...so she goes straight to Mr.Brezhnev himself for help......hilarious,gritty,sad...and you will be smiling by the time the credits roll....

Taking place during the 'Cold War' the film describes two people falling in love during a time of massive unemployment and recession in the U.K. The main characters are Elaine and Theresa, two friends who are very different from each other. Elaine is unemployed, bored of her own life and the people around her. Theresa works in a chicken factory and is the opposite of Elaine – she tries to enjoy life, in her own way which involves drinking, having casual sex and taking opportunities when they arise. Elaine and Theresa meet two Russian sailors in a nightclub and Elaine falls in love with the shyer one – Peter – and after he gets back on his ship she decides to go to Communist Russia to be with him, but it doesn't seem so easy to do. In the 1980's there was a big difference between the countries on either side of the 'Iron Curtain'. There was seen to be more freedom in the Capitalist West than the Communist East.

The film shows the negative side of the lives of independent, 'free' women in the West; it tries to show that life in the West at that time was not what we are led to believe. Although we do not see life in Russia in the film, we are told there is work for all people there. For Elaine, Russia represents a happy life, a new start and hope for a job and a family. The film also shows the attitudes of the British to Russia, where they say there is no freedom and that Elaine may lose the opportunity to come back to her country. In my opinion, this film is propaganda for Russia as the director shows us the way that the British government constructed their own propaganda against Russia. Throughout the film the director shows us why life in the U.K. is no better, or may be worse, than life in Russia. We don't know if Elaine will be happier in Russia but she will have followed her heart and dreams.

A multifaceted film about two English working class girls (Teresa and Elaine) and two Russian sailors (Peter and Sergei).

In the first half two couples spent a night together. Teresa and Sergei go for the plain vanilla one night stand. Elaine and Peter keep it Platonic, but in so doing get to know each other much better. After all it is Elaine who has the hardest time when the sailors have to get back on board again.

The second half revolves around the relationship of the two friends Elaine and Teresa. This relationship has much in common with the relationship between Elin and Agnes in "Show me love" (1998, Lukas Moodysson). Teresa (Elin) does have the bigger mouth, but Elaine (Agnes) is the one with more guts.

Between the lines the second half is also a little bit of a political satire. There are more films in which romances are disturbed by "big politics" ("The unbearable lightness of being", 1988, Philip Kaufman), but a romance resulting in a girl contemplating an emigration to the Soviet Union is quite new.

In this respect the film is very characteristic of the 80s. The Cold war was passed his prime, in fact (with hinsight) the Soviet Union was nearly dead. On the other hand in England it was the time of the Thatcher years with budget cuts that did hit the Northern part of England (the movie plays in Liverpool) disproportionately hard.

Just like in "Show me love" there is one scene in "Letter to Brezhnev" that is very characteristic of the relation between the two friends. In "Show me love" the relation between Elin and Agnes is defined in the "toilet scene". In "Letter to Brezhnev" the bar scene is equally important. On a given moment Elaine is captivated by doubt if she should go to Russia. She goes outside to make up her mind. When she comes back she orders two wodka's for Teresa and herself. She has made a decision!

Margi Clarke is on smashing form here as the gobby Liverpudlian lass ("Teresa") who, together with her pal "Elaine" (a strong performance from Alexandra Pigg), is out on the town hoping to fleece some well heeled punters. They are doing ok on that front - even if they have to do quite a bit of running - when they encounter "Peter" (Peter Firth) and his mate "Andrei" (Alfred Molina) who have a night of shore leave from their Soviet ship. "Teresa" and "Peter" immediately click and after their few hours together, sans sex, they declare their undying love and determination to meet again. How might this happen, though? They are thousands of miles apart and she hasn't tuppence to rub together. Her plan: write to President Brezhnev. His reply: an invitation to visit and a plane ticket. Can she go, will she go, is it all just a daft pipe dream? Whether they do or not is actually quite incidental to the story. It's a whirlwind romance presented to us in a whirlwind fashion that just oozes character. Firth isn't the most versatile of actors, he is a bit one-gear I think, but here that serves as the perfect foil for the brassy, sassy Clarke who provides for an entertaining persona that us Celts can appreciate easily. It's dated, sure, but somehow this love story with a bottle of vodka thrown in still works fine.