À 16 ans dans l'enfer d'Amsterdam

Hanna D is an Italian take on the German movie Christiane F. It resolves around the young girl Hanna who come from an abusive home and have to turn to the street to support her mother and herself.

The movie is not a very well made one. There's actually a lot of parts in it where you just have to assume what's happened. Maybe some reels ended up missing since after all it was cult legend Bruno Mattei who edited this thing together. It also seems like they either had extremely short time to make this or just very small patience to get things right.

Even though it has it's errors if you look at how it's made it still is about the darker side of life for lost youngsters and becomes an interesting movie if you can look past it's many flaws.

The movie is also very exploitative and sleazy, so if that's not something you think you can enjoy then pass up on this movie.

I think the only way this film could be more exploitive would be to have a rip roaring gun fight, and while that doesn't happen this is still manages to be one really sleaze exploitation film.

This is the story of Hanna. Her parents have split, her mother is a drunk with a younger boyfriend (who would much rather sleep with Hanna). Many of her friends are junkies and worse. Hanna gets money by letting people see her naked. Eventually her home life goes from dysfunctional to destructive (a short hop) and Hanna needs to escape. She begins to use heroine and eventually takes up with a guy who pimps her out. As her life begins to slide she meets a nice young man who falls in love with her and she tries to get clean. However her old life is still lurking out there.

This is a very sleazy film. Its a walk on the wild side. I have no idea if its true or not but the picture it paints isn't particularly pleasant. As an exploitation film its an okay time killer. The lead is good looking both in and out of her clothes. The gory details of the life of our heroine is suitably unpleasant. The problem is that after a while the film simply becomes very talky and repetitive. How many times will people shooting up shock? How many sex for money encounters where the girl secretly cries do we have to see before it stops effecting us? It all wears thin after a while and we become desensitized to anything by the second half (although the retrieval of the drugs in the rehab center is an exploitation classic) If you want a sleazy exploitation film, and don't mind it repeating itself in the second half then see this movie. If you want anything else stay away.

The action of "Hanna D.-La Ragazza del Vondel Park" by Rino DiSilvestro takes place in various seedy areas of Amsterdam.20-year old Ann Gisel Glass plays a young woman who visits her alcoholic mother(Karen Schubert who would later star in porn films to support her own drug addiction)and begins to delve into the world of prostitution and heroin addiction.The film mixes delicious sleaze with drama as Hanna D. meets many drug addicts and goes berserk from goes drug withdrawal symptoms.There is plenty of sex and full-frontal nudity in "Hanna D." and some nasty drug usage,but if you want realistic Italian drugsploitation flick watch "Amore Tossico"(1983)first.7 anal drug vials out of 10.

...so says the blurb on the Australian video cover of this film. Hanna D appears to be some sort of homage to the former, much more superior German film.

Set in Amsterdam, this Italian film was dubbed into English for its release in English speaking countries. It is about a girl named Hanna, borne of a troubled, uncaring and womanising alcoholic mother (the mother gives an appalling, extreme performance). We have to make the presumption that the virginal Hanna starts to sell her body thanks to the troubles she has had endured due to her parents' separation some years earlier. A man who eventually takes her virginity, becomes her pimp, and introduces her to heroin saves Hanna from some rampaging prostitutes, angry with her after they believe her to be encroaching upon their territory. Hanna eventually meets another straight-laced man, with both characters literally falling instantly in love. You see them about 1 minute later ca-noodling in the streets of Amsterdam, having just met on a ferry! Eventually, this 'troubled' relationship results in some strange (illogical, actually) dramas with the pimp. Indeed, there is no logic to the story's progression, and the acting... it's REAL bad, sadly not even bad enough to be considered 'good'.

The Italians often take old ideas and re-jig them into something else - with a tendency to make things more explicit or extreme. This has been seen in various Giallo productions, and it can be seen here. Everything that was largely implied in Christiane F is made explicit. There is a copious amount of full-frontal nudity, and what appears to be close up shots of real drug injecting. We discover new ways of injecting drugs - under the tongue, in the scalp, and even under the eyelid. As was the case with scenes in Christiane F, you even see Hanna experiencing a drug withdrawal, complete with chunky vomit and some pretty ridiculous acting. And there is an unforgettable scene of a woman retrieving a small vial of drugs from her jail mate's anus - these are scenes that stay with you, but for all the wrong reasons.

To be fair, it is not unreasonable to expect an Italian 'remake' to be pretty over the top. Hanna D sure is over the top! On the one hand it is amusing and silly, and on the other you might think 'why did they even bother'.

This film did not appear to have had a wide release back in the 80s, and it is not hard to see why. It was released in Australia back in the mid-80's some time, and has had some exposure in parts of Europe and North America. This film is to soon receive a DVD release.

Hanna D: The Girl from Vondel Park (1984)

** 1/2 (out of 4)

Italian trash is pretty much a remake of CHRISTIANE F. Teenager Hanna (Ann-Gisel Glass) shows old men her body for some quick cash but after hitting the streets to get away from her alcoholic mother, she soon finds herself with an even bigger creep who gets her hooked on heroin and forcing her into prostitution. If you shy away from trash that takes a serious subject and exploits it just to show off some T&A then you'll certainly want to stay far away from this movie, which is certainly one of the sleaziest that I've seen. It's not that the film is overly graphic but exploiting a subject matter like this is going to raise a few eyes and there's enough over-the-top moments here to make fans of the genre happy. We get outrageous dialogue between the hookers and their clients, silly cat fights between the woman, a drug dealer getting beat up by two men on motorcycles, the drunk mother wanting her daughter to sleep with her boyfriend so that he'll stick around and all of this happens in the first twenty-minutes! The sleaze level is pretty high from start to finish as the main reason for this movie being around is so that various women can take their clothes off. Glass does a pretty good job in her role as she manages to handle the sleaze as well as the more serious moments that the film offers. She was apparently twenty-years-old when this was released but her body looks much younger and this here really adds to the creepy nature of the subject matter. The supporting cast are the types you'd expect to see in something like this and that includes the really bad dubbing. The 84-minute running time gets to feel a bit long after the first hour due in large part to the movie turning way too serious in the second half. I'm not sure about others but I hate when an exploitation film tries to switch gears and put across some sort of message. Another problem is that the story itself is so choppy that it just seems to bounce from one situation to the next without too much thought or reason. Bruno Mattei was in charge of editing and some might think this is the reason for the film being so choppy but I'd guess it had more to do with the screenplay not offering more. So, in the end, if you're a fan of Euro-sleaze then eat up as this here offers enough for two movies.