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7,0/10
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Ajouter une intrigue dans votre langueTwo kittens go on a metaphysical journey on a magical railroad train.Two kittens go on a metaphysical journey on a magical railroad train.Two kittens go on a metaphysical journey on a magical railroad train.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Mayumi Tanaka
- Giovanni
- (voix)
Chika Sakamoto
- Campanella
- (voix)
Junko Hori
- Zanelli
- (voix)
Kaori Nakahara
- Kaoru
- (voix)
Reiko Niimura
- Old Woman
- (voix)
Chikao Ôtsuka
- Birdcatcher
- (voix)
- (as Chikao Ohtsuka)
Seiji Kurasaki
- Milkman
- (voix)
Ryûnosuke Kaneda
- Teacher
- (voix)
- …
Amy Birnbaum
- Tadashi
- (English version)
- (voix)
Avis à la une
This film is up there with all of Miyazaki's works, including "Spirited Away," "Princess Mononoke," and "My Neighbour Totoro."
It has a very surreal quality and a deceptive cuteness to it, which may trick you into thinking it trite or superficial. However, like some of the best Anime out there, "cute" can leave you open to some horrifying consequences. Obviously it's not as heavy as "Grave of the Fireflies" or as light hearted and uplifting as "Totoro", but this film lies somewhere in between. I haven't read the book, but I'll bet it's similar in theme and scope to "Le Petit Prince" by Antoine de Saint-Exupéry.
I'm certainly not a Christian, and often tire easily when confronted by blatant Christian imagery in film, literature, and music. However, this film requires a degree of spirituality to get its point across, and the Christian images present, while overpowering at times, represent a nebulous kind of spirituality -- as if it's saying "there is a force out there which helps determine our fates, but I can't define what it is."
For example, the film takes place in some alternate European world (most likely Italy) and the characters have Italian names. But they're anthropomorphic cats and don't appear to practice any kind of Christianity (they celebrate moon festivals, and sail lantern boats in the river). However, they later meet up with human children on the train, and listen to Christian hymns on the wireless ("Nearer my God to Thee"). They pass several different layers of Heaven, and Giovani, the main character, has a special ticket that allows him passage to "the one True Heaven".
The film, like the train, takes its time to get where it's going, and some powerful messages come across to the viewer. Unlike many Anime and Western films, this one does not end with a happy and neatly tied-up ending, nor does it take pains to explain the things that go on inside the train. It leaves that to the viewer. This is what makes good art films. This is what makes a film worthwhile.
It has a very surreal quality and a deceptive cuteness to it, which may trick you into thinking it trite or superficial. However, like some of the best Anime out there, "cute" can leave you open to some horrifying consequences. Obviously it's not as heavy as "Grave of the Fireflies" or as light hearted and uplifting as "Totoro", but this film lies somewhere in between. I haven't read the book, but I'll bet it's similar in theme and scope to "Le Petit Prince" by Antoine de Saint-Exupéry.
I'm certainly not a Christian, and often tire easily when confronted by blatant Christian imagery in film, literature, and music. However, this film requires a degree of spirituality to get its point across, and the Christian images present, while overpowering at times, represent a nebulous kind of spirituality -- as if it's saying "there is a force out there which helps determine our fates, but I can't define what it is."
For example, the film takes place in some alternate European world (most likely Italy) and the characters have Italian names. But they're anthropomorphic cats and don't appear to practice any kind of Christianity (they celebrate moon festivals, and sail lantern boats in the river). However, they later meet up with human children on the train, and listen to Christian hymns on the wireless ("Nearer my God to Thee"). They pass several different layers of Heaven, and Giovani, the main character, has a special ticket that allows him passage to "the one True Heaven".
The film, like the train, takes its time to get where it's going, and some powerful messages come across to the viewer. Unlike many Anime and Western films, this one does not end with a happy and neatly tied-up ending, nor does it take pains to explain the things that go on inside the train. It leaves that to the viewer. This is what makes good art films. This is what makes a film worthwhile.
Superior to almost every toe-curling art-house flick that touches on similar territory Night on the Galactic Railroad says more and presents itself better than one would expect coming from a mere animated movie. Indeed if this was re-shot in live action, maybe in black and white and dubbed into French it would become a canonical post new-wave classic: to be fawned over by leagues of pea-brained cineastes. However it remains a little known and rarely talked about anime that has been seen by more fans of Galaxy Express 999 than by fans of Alan Resnais. Based upon the short children's work of the same name by Kenji Miyazawa the tale is ostensibly of a young cats (Giovanni) coming to terms with death by means of a surrealist adventure along the titular Galactic Railroad. The film contains a sequence of superbly realised vignettes that gradually paint the picture of Giovanni's life at home; his ill mother and itinerant father, bullying classmates and later the fantastical sights and stations he encounters on his one way ticket to the edge of the universe. The train he boards carries with it passengers of many creeds and persuasions: some disembark at the Pliocene Coast to further the cause of science others exit only to blithely tramp towards an afterlife of either Pagan, Christian or Buddhist contrivance . . . but young Giovanni stays on until the end. The less alert may mistake this film for some sort of religious allegory but it is nothing of the sort: Giovanni's revelation at the end seems more a triumph of moral philosophy. All text in the movie is written in Esperanto and the locations on Earth are reminiscent of small town medieval Europe. Beautifully scripted, animated and immaculately directed by Sugii Gisaburo, Night on the Galactic Railroad is one of the unsung masterpieces of cinema.
Kenji Miyazawa intended "Ginga tetsudo no yoru" as a book for children. But in it are truths that everyone big and small look to find. No one is comfortable with death. Everyone searches for answers. As I read the book before seeing the movie, I was amazed to see how accurately and wonderfully the director and animators were able to capture the feeling of this fantasy. It may be too arty for some, but I feel that more often than not, viewers will come away with a deeper sense of what death can do for life and what life can mean if given a chance.
As for the cat characters, this seems to be a consistent image that surrounds Miyazawa. Some of the stories he wrote were populated by cats that would take human roles. Interestingly enough, in Kenji Miyazawa's biographical anime (Shoji Kawamori's Spring and Chaos) Miyazawa is portrayed as a cat. Maybe the cats exist to shield children from the pain that these harsh truths might bring. But not shield too much
Sometimes it is easy to look at a work like Night on the Galactic Railroad and say, this is just a fantasy. Perhaps Miyazawa wanted us to think that, maybe at first anyhow. But the true beauty behind this animation is that by creating a fantasy world so wild and vibrant, it forces us to see who and what we really are.
As for the cat characters, this seems to be a consistent image that surrounds Miyazawa. Some of the stories he wrote were populated by cats that would take human roles. Interestingly enough, in Kenji Miyazawa's biographical anime (Shoji Kawamori's Spring and Chaos) Miyazawa is portrayed as a cat. Maybe the cats exist to shield children from the pain that these harsh truths might bring. But not shield too much
Sometimes it is easy to look at a work like Night on the Galactic Railroad and say, this is just a fantasy. Perhaps Miyazawa wanted us to think that, maybe at first anyhow. But the true beauty behind this animation is that by creating a fantasy world so wild and vibrant, it forces us to see who and what we really are.
I have noticed that everywhere I look for reviews on this movie I see people confused and, sometimes, offended by the use of Christian symbols and themes used throughout this movie. I watched this movie as a child and remember being the only kid in my family who loved it and found it fascinating, but i was a Christian back then (that being the only thing I knew). As an Atheist, I rewatched this movie a few days ago and was completely overwhelmed by its use of Christian symbolism throughout the film, but I kept watching and noticed that almost as abruptly as that had started, the subject had dropped. Upon sitting alone in my room I thought it over in my head and I noticed something: The Christians on the train went to Christian heaven, while another character on the train went to his own heaven to join with one of his family, and Giovanni had a ticket to the "One True Heaven". I rather like this idea, and it makes me love the film more than I already did. Truly one of the best animated movies of all time, what a masterpiece!
Also, the Heaven Giovanni can't see might be his one true heaven, just something to think about. ;)
Also, the Heaven Giovanni can't see might be his one true heaven, just something to think about. ;)
This by far is the best anime I have ever seen. With its slow moving and oft disturbing plot this is not a movie for everyone, especial the adolescent/short attention span types who have only seen slasher/action examples of anime.
This movie is so slow yet it sucks you in and you can't stop watching. I have never heard or seen anything like it and I don't think I ever will again. No movie I have ever seen has affected me half as much. Its amazing visuals, sounds and eerie plot make this fascinating movie hard to describe and do justice to it.
This movie definitely deserves a 10 out of 10.
P.S. If you are the crying type have tissues handy.
This movie is so slow yet it sucks you in and you can't stop watching. I have never heard or seen anything like it and I don't think I ever will again. No movie I have ever seen has affected me half as much. Its amazing visuals, sounds and eerie plot make this fascinating movie hard to describe and do justice to it.
This movie definitely deserves a 10 out of 10.
P.S. If you are the crying type have tissues handy.
Le saviez-vous
- AnecdotesThe wireless operator picks up fragments of a cryptic message which is later discovered to be parts of "Nearer, My God, To Thee" (Hymn #306). The express later picks up three people from a shipwreck closely resembling that of the Titanic. That hymn was one of the last the ship's band played as passengers filled the lifeboats. It is uncertain in what hymnal it is listed as #306; however, there were 306 bodies recovered from the disaster by the cable ship MacKay-Bennett.
- ConnexionsReferenced in Îhatôbu gensô: KENjI no haru (1996)
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- How long is Kenji Miyazawa's Night on the Galactic Railroad?Alimenté par Alexa
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