Florence Nightingale

The life of Florence Nightingale--one of the great intellectual titans this world has ever known--is fascinating and dramatic, and one fraught with sacrifice, courage, and great sadness.

As someone who spent two years with the subject through research and by writing and completing a full-length spec script on Nightingale (written and registered before NBC's TV movie was available on DVD), I viewed this film more as series of missed opportunities and plodding digressions, distinguished more by what the left out or glossed over or ill- advisedly reinvented than by what they left in.

Overall, the teleplay was fine for what is was up until the point Florence arrives in the Crimea. Once in Turkey, however, the biopic simply falls flat on it face, finding little drama and even less resolution. While I completely understand that not every nuance of history can be examined and budgetary constraints determined structure and style, the teleplay failed to capture even the essence of any real tension vs. resolution. Everything just neatly fell into place while real life and real history is far messier.

For instance, watching the movie, one is left with the feeling that while FN's mother may have had some disagreement with her choice in career, she was generally okay with it. In fact, their arguments were frequent and very loud--a veritable boxing match that was constant and damaging. Florence rather despised her mother and the matronly traditions she stood for.

Florence herself did not make a connection between the sickness of her men and the "sickness" of Barracks Hospital. In fact, Florence, or the British Army, did not understand (or believe) that airborne or water-borne diseases existed, hence no alarm was made by the decaying carcasses contaminating the water supply.

While the teleplay did mention that God was her inspiration and that he "spoke" to her, the film leads you to believe He did this on this one time. In fact, her writings reveal a deep and unbridled relationship with God and many incidents of "conversation", the most dramatic one being on her 30th birthday after a particularly mystical trip to Egypt and Greece. Florence's struggle with the meaning and message of her belief in the Divine mandate is one of the key--some would say flaw, others would say divinely sacrificial--aspects of her character that is the hardest to digest and/or dramatize.

In the 20 years since the teleplay, there have been several major works published on her life and times, and these have aided immeasurably in our understanding of the complex nature of Florence Nightingale. And I don't want to mistakenly fault the teleplay for not having the benefit of future research. History changes as events reveal themselves over the blanket of time.

Yet, the drama failed to exploit the information it had on hand at the moment to any large degree, taking a middle of the road stance based more on mythology than real life. It did further injustice by embellishing the myth even more with Hollywood half-truths.

And it could be that the complexity of her life is too difficult for any one film to examine. Many are mystified by her, as she both mesmerized and infuriated people all at the same time--perhaps herself most of all. She is both scion and Saint, linguist and mathematician, prolific researcher and writer, a mystic, a healer, and beacon of hope to generations, a national heroine.

When you are all that, where is there room for the "real" you?

Jaclyn Smith may not be the Cate Blanchet of her generation but definitely talented as compared to most of her contemporary.

This is also one of the best TV movie drama in the 80's. Sad to say, Hollywood don't make this kind of movies anymore.

Excellent performances from the entire cast. Jaclyn Smith is acting here with sincerity. You can't avoid watching her face ( beautiful in every angle) gracefully on the screen, but she's shown emotions over and above expectation.

Smith is not the "ïndie film star" of sort --a.k.a critics ravers. But if you want to sit down and enjoy a two to three hour TV production in the comfy of your own home then this one excellent production is for you.

Highly recommended....

Whilst I found the film interesting it is a pity that Jaclyn Smith did not take the trouble to perfect her English accent as very often her pronunciation of vowels was American rather than English. Especially for somebody like Florence Nightingale who would have had a very English accent! Movie makers spend so much money on these productions and very often ignore details like this which are very important. Meryl Streep is the only American actress who can perfect any accent according to the role she is playing.

Like many older Englishwomen, I grew up with the story of Florence. And the one thing this movie does is strike me as distinctly unrealistic.

There is, of course, some truth in the story itself, although even that is prettified. However the production values are simply ridiculous. Everything is too neat, too clean, too pretty. To include white lace on Florence's costume - and, for that matter, mascara on her face and clean white sheets on her bed - is simply nonsensical. Even the very wealthy with countless servants in those days were lucky to have such luxury. Florence was a desperately hard working and very practical woman in the middle of a war zone with no luxuries whatsoever; her primary battle was to obtain beds for her patients, preferably ones away from cess pits, rather than keep her lace spotless.

Jaclyn Smith gives an excellent portrayal of Florence Nightingale, the proper English lady who left her prim, aristocratic lifestyle to provide care and treatment of injured soldiers in the poorest conditions. Although this is a movie based on the life of The Lady of the Lamp, Ms. Smith brings to life the history of nursing and the birth of sterilization and sanitation. This is a most enlightening movie which is entertaining as well. I highly recommend the movie.