Florence Nightingale

Although I might not have thought of former Charley's Angel Jaclyn Smith as my choice for Florence Nightingale, Smith does a nice job in the role. She joins Kay Francis and Anna Neagle who had gone before her playing The Lady with a lamp.

Florence Nightingale quite early on was determined that she would not lead the life of a Jane Austen type Victorian woman. Learn needlepoint and wait for a good match for a husband. And make the best of it if the match ain't so good.

She wanted a life of service and she went to Germany to learn nursing. She went to work in the Crimean War resisted by the military establishment, partly because it was foreign ideas she was espousing and mostly because she was a woman.

Nevertheless she persisted and her ideas on hospital care and nursing care are so standard today they seem obvious. Still a battle had to be fought and won.

In the male cast members to Timothys stand out. Timothy Dalton plays her fiance Richard Milnes whom she painfully rejects for her nursing mission. The other is Timothy West playing William Russell of the London Times whose reporting from the Crimea made her a national heroine. His is a life that a movie could be made from.

Jaclyn Smith joins Kay Francis and Anna Neagle in portraying Florence Nightingale beautifully and well.

This is one of those films that you remember, as it makes a great impression on any viewer. The story of one of the greatest women in History, who left her mark on the world, this film stays with you. Jaclyn Smith shows that she's more than one of Charlie's Angels, she is one very talented actress. She makes the story of Florence Nightingale really work. This is a story of sacrifice, humanity, tenacious drive and humility. A great supporting cast: Claire Bloom as Fanny Nightingale and Jeremy Brett as William Nightingale, Timothy Dalton as Robert Milne, the love of her life, Brian Cox and Stephen Chase as doctors who become Florence's allies in battling the stubborn British military. We've all heard the name of Florence Nightingale, but few know just what a great woman she truly was. I love biopics simply because they make me hunger to know more about their subjects. This is a perfect example. I must give kudos to director Daryl Duke and writers Rose Goldemberg and Ivan Moffat for a brilliantly made TVM.

The life of Florence Nightingale--one of the great intellectual titans this world has ever known--is fascinating and dramatic, and one fraught with sacrifice, courage, and great sadness.

As someone who spent two years with the subject through research and by writing and completing a full-length spec script on Nightingale (written and registered before NBC's TV movie was available on DVD), I viewed this film more as series of missed opportunities and plodding digressions, distinguished more by what the left out or glossed over or ill- advisedly reinvented than by what they left in.

Overall, the teleplay was fine for what is was up until the point Florence arrives in the Crimea. Once in Turkey, however, the biopic simply falls flat on it face, finding little drama and even less resolution. While I completely understand that not every nuance of history can be examined and budgetary constraints determined structure and style, the teleplay failed to capture even the essence of any real tension vs. resolution. Everything just neatly fell into place while real life and real history is far messier.

For instance, watching the movie, one is left with the feeling that while FN's mother may have had some disagreement with her choice in career, she was generally okay with it. In fact, their arguments were frequent and very loud--a veritable boxing match that was constant and damaging. Florence rather despised her mother and the matronly traditions she stood for.

Florence herself did not make a connection between the sickness of her men and the "sickness" of Barracks Hospital. In fact, Florence, or the British Army, did not understand (or believe) that airborne or water-borne diseases existed, hence no alarm was made by the decaying carcasses contaminating the water supply.

While the teleplay did mention that God was her inspiration and that he "spoke" to her, the film leads you to believe He did this on this one time. In fact, her writings reveal a deep and unbridled relationship with God and many incidents of "conversation", the most dramatic one being on her 30th birthday after a particularly mystical trip to Egypt and Greece. Florence's struggle with the meaning and message of her belief in the Divine mandate is one of the key--some would say flaw, others would say divinely sacrificial--aspects of her character that is the hardest to digest and/or dramatize.

In the 20 years since the teleplay, there have been several major works published on her life and times, and these have aided immeasurably in our understanding of the complex nature of Florence Nightingale. And I don't want to mistakenly fault the teleplay for not having the benefit of future research. History changes as events reveal themselves over the blanket of time.

Yet, the drama failed to exploit the information it had on hand at the moment to any large degree, taking a middle of the road stance based more on mythology than real life. It did further injustice by embellishing the myth even more with Hollywood half-truths.

And it could be that the complexity of her life is too difficult for any one film to examine. Many are mystified by her, as she both mesmerized and infuriated people all at the same time--perhaps herself most of all. She is both scion and Saint, linguist and mathematician, prolific researcher and writer, a mystic, a healer, and beacon of hope to generations, a national heroine.

When you are all that, where is there room for the "real" you?

Like many older Englishwomen, I grew up with the story of Florence. And the one thing this movie does is strike me as distinctly unrealistic.

There is, of course, some truth in the story itself, although even that is prettified. However the production values are simply ridiculous. Everything is too neat, too clean, too pretty. To include white lace on Florence's costume - and, for that matter, mascara on her face and clean white sheets on her bed - is simply nonsensical. Even the very wealthy with countless servants in those days were lucky to have such luxury. Florence was a desperately hard working and very practical woman in the middle of a war zone with no luxuries whatsoever; her primary battle was to obtain beds for her patients, preferably ones away from cess pits, rather than keep her lace spotless.

Jaclyn Smith gives an excellent portrayal of Florence Nightingale, the proper English lady who left her prim, aristocratic lifestyle to provide care and treatment of injured soldiers in the poorest conditions. Although this is a movie based on the life of The Lady of the Lamp, Ms. Smith brings to life the history of nursing and the birth of sterilization and sanitation. This is a most enlightening movie which is entertaining as well. I highly recommend the movie.