Explorers
- 1985
- Tous publics
- 1h 49min
Un jeune garçon obsédé par les films de science-fiction des années 50 sur les extraterrestres rêve régulièrement d'un projet qu'il dessine pour son ami inventeur. Avec l'aide d'un troisième ... Tout lireUn jeune garçon obsédé par les films de science-fiction des années 50 sur les extraterrestres rêve régulièrement d'un projet qu'il dessine pour son ami inventeur. Avec l'aide d'un troisième ami, ils se construisent un vaisseau spatial.Un jeune garçon obsédé par les films de science-fiction des années 50 sur les extraterrestres rêve régulièrement d'un projet qu'il dessine pour son ami inventeur. Avec l'aide d'un troisième ami, ils se construisent un vaisseau spatial.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 6 nominations au total
Avis à la une
It's rather notorious for having one of the worst third acts because it started so wonderfully. Ethan Hawke and River Phoenix teamed together, the cop that wasn't a bad guy, etc etc.
Then-- they met the aliens. Terrible terrible.
Hawke's performance when they're on the alien ship is very authentically "this sucks." It's sad, but it's how we feel too. And his performance is so spot on, I'm skeptical studio interference impacted this movie as much as the director claims.
It's not just the alien sequence is so tonally inconsistent, the pop culture references the aliens use are 20 to 30 years to old for the target demographic. I was about the age of these kids when it came out, and even now am hopelessly bored during the sequence because though I generally recognize the pop references, it's only in a clinical way.
I will give it one prop though-- the alien ship act is so bizarre, when they come back to earth, it really feels like they've been somewhere, for a much longer time than they actually were.
The climax is very similar to a classic Star Trek episode called 'The Squire of Gothos', and the effects and showmanship of this story is very cool. A great piece of entertainment.
Funny and inspiring. Probably the first film I ever saw with both of these qualities. I was 6 when it came out, and though it stars 3 boys, the tomboy in me came out...even as an adult (I watched it recently again) I become awed by the scenes of the boys constructing the 'scapeship'. The writer and Dante were good about packing in little extra details, like the "talking" mouse, Wolfgang's strange family, the kids using walkie-talkies, the dog who chews gum, the drive-in movie, Ben writing a will, one of the kids living in a trailer, etc. Without being hokey, these tidbits add more depth and charm to a story that could've been called a Mickey Mouse approach to E.T. These kids are older than Elliott and smarter and the film doesn't go for tearjerking scenes; EVER. Some of the direction reminds me of Spielberg, **however... instead of this film being a kid's approach to space-travel, it's a space-travel approach to a kid's film.
Then there are the aliens. Well, we feel the way the kids do about them; disappointed. But that is the point. What would you expect to see? It is kind of like the mataphorical satire of the grass being greener on the other side.
I tried not to get too emotional when reading the viewer comments on this film. I do not consider myself a Yank-I like to use the term American-but being 1st generation -born here, I still consider myself part-European, and the fact that the film did better in Europe than in the States, and from what I hear- Joe Dante's apology for the film- makes me sad. This film started my fascination toward the unknown and the general sciences. I happen to be one "Yank" who really enjoyed this movie!
Le saviez-vous
- AnecdotesThe film was in a prolonged editing phase when the studio moved up the release date. The theatrical release was the result of accelerated editing and was not finished to the director's satisfaction. The studio told the director Joe Dante that he was finished and they were going to go ahead and release what he had at that point.
- GaffesOn the maiden voyage of the Thunder Road, right after the sphere-field activates, the camera cuts to the front of the ship for a brief second and a half, and we can see the boys, mainly River Phoenix in the middle, waving their hands very enthusiastically and out of character for the scene. It's possible that this was an outtake that was cut into the film by mistake. Joe Dante has always said that due to studio pressure, the film released is basically a rough cut.
- Citations
Heinlein the Mouse: [pressing buttons] I would like... cheese... go... to... hell...
- Versions alternativesSome international video and television versions omits several musical cues from the soundtrack including a moment where Jerry Goldsmith's score accompanies the Mr. Ed theme sung by Wak and the 80s music Wak listens to on Darren's Walkman (in these versions, you can't hear the music at all). Several score cues are also missing aboard Wak's spaceship and in the first third of the film. It is unclear where this is a mastering issue or a music rights issue.
- ConnexionsEdited into The Phoenix Portal (2005)
- Bandes originalesAll Around the World
by Robert 'Bumps' Blackwell (as R. Blackwell) and Monica Millet (as M. Millet)
Performed by Little Richard
Courtesy of Speciality Records, Inc.
Meilleurs choix
Détails
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 9 873 044 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 607 340 $US
- 14 juil. 1985
- Montant brut mondial
- 9 873 044 $US
- Durée1 heure 49 minutes
- Couleur
- Rapport de forme
- 1.85 : 1