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Eleni

  • 1985
  • Tous publics
  • 1h 54min
NOTE IMDb
6,9/10
1,7 k
MA NOTE
John Malkovich and Kate Nelligan in Eleni (1985)
DrameGuerre

Ajouter une intrigue dans votre langueA mother's love for her children leads to a son's revenge for her death in this dramatic thriller that begins during the Greek civil war.A mother's love for her children leads to a son's revenge for her death in this dramatic thriller that begins during the Greek civil war.A mother's love for her children leads to a son's revenge for her death in this dramatic thriller that begins during the Greek civil war.

  • Réalisation
    • Peter Yates
  • Scénario
    • Nicholas Gage
    • Steve Tesich
  • Casting principal
    • Kate Nelligan
    • John Malkovich
    • Linda Hunt
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    1,7 k
    MA NOTE
    • Réalisation
      • Peter Yates
    • Scénario
      • Nicholas Gage
      • Steve Tesich
    • Casting principal
      • Kate Nelligan
      • John Malkovich
      • Linda Hunt
    • 35avis d'utilisateurs
    • 12avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos49

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    + 43
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    Rôles principaux38

    Modifier
    Kate Nelligan
    Kate Nelligan
    • Eleni
    John Malkovich
    John Malkovich
    • Nick
    Linda Hunt
    Linda Hunt
    • Katina
    Oliver Cotton
    Oliver Cotton
    • Katis
    Ronald Pickup
    Ronald Pickup
    • Spiro
    Rosalie Crutchley
    Rosalie Crutchley
    • Grandmother
    Glenne Headly
    Glenne Headly
    • Joan
    Dimitra Arliss
    Dimitra Arliss
    • Ana (Czechoslovakia)
    Steve Plytas
    Steve Plytas
    • Christos
    Peter Woodthorpe
    Peter Woodthorpe
    • Grandfather
    Jon Rumney
    Jon Rumney
    • Lukas
    Alison King
    • Lukas' Wife
    Leon Lissek
    Leon Lissek
    • Antoni
    Stefan Gryff
    • Tasso
    Andrea Laskari
    • Nikola
    Lisa Rose
    • Olga
    Claudia Gough
    • Fotini
    Maria Calvente
    • Alexandra
    • Réalisation
      • Peter Yates
    • Scénario
      • Nicholas Gage
      • Steve Tesich
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs35

    6,91.7K
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    Avis à la une

    FPMJR

    An overly one-sided propaganda film.

    While the general storyline was moving and probably based on a series of true events, I had to believe that it was primarily made as an anti-communist piece of propaganda.

    Having said that, I did enjoy the film and the style in which it was directed.
    10HOLYDIVER575

    I first this film over thirty years ago and I still weep

    I weep because my family is portrayed in this film. It reminds me of the pain they went through but refused to speak about. A story that received no fanfare but brought pain to many. I see through the eyes of the director and the words of Nick Gage what they went through. A beautiful, love letter to a strong mother.
    7macduff50

    A lot of the comments miss the point

    This film seems to have unjustly attracted a lot of nonsensical comments, mostly from left of center commentators; and it's sadly revealing how the facts cited by other viewers are not even addressed, but simply ignored by the left-ist commentators. Those who accuse the film of being anti-communist propaganda mostly use ad hominem arguments, and insult and invective. But ask yourself: what good is a political view which assumes itself (because it is self-described as "revolutionary") to be above ordinary moral or political criticism? If that were true, then there could never be any way to judge the value of the actions performed in its name.

    In short, this is a reasonably good film, with a fine performance by Kate Nelligan, and much less good work by other members of the cast. The direction is not inspired, and the flashback structure of the film seeks to maximize the emotional effects without stopping to consider just how powerful those effects are all by themselves, that is, the use of that structure betrays the fear of the film-makers that the story might not have the impact they wanted it to have.

    The original book is stronger, but it too is flawed by Nicholas Gage's failure to ask himself about how it was that the communists picked on his mother, even though he presents some of the evidence that answers the question. It's clear from the book that some members of his family -- I think his grandfather, but it's been a long time since I read the book -- had serious disputes with other people in the village in the 20s and 30s and perhaps even earlier, and that there may even have been a murder involved; naturally, Gage is not all that clear on the point. The communists, men, most of them, couldn't go after the grandfather, so, brave souls that they were, went after the most vulnerable: the Gage womenfolk. Despicable, but that is often the tenor of village and peasant life.

    And to me, this was the message of the book, that the politics of revolution were, in many cases, simply another weapon in the never-ending village war between its own members. The problem with the film is that it never really clarifies this central aspect of the drama, and so the power of Nelligan's performance is marooned. It affects, but it's almost in a vacuum, and Malkovich's portrayal of Gage, which I thought quite good, is similarly detached; but the flaw lay in the original book, which ducks important questions because Gage, North American that he is, simply doesn't understand the deeper currents of village life.

    Worth a look, no matter its flaws. No work of art is ever perfect, and this one gets high marks for trying.
    Maegnas

    Taking sides? At least admit to it...

    This is not a comment to the movie itself. The bits I have seen show at least an accurate portrayal of rural Greece in the late 40's along with the political "turmoil" of the time. Acting was above average in general, although some members of the cast, notably Malkovich, could have done a slightly better job.

    So, is this propaganda? Of course it is BUT with more grains of truth than your average propaganda film, especially an American made. Yes, Mr Gatzoyannis (unless he is ashamed to use his real family name and resorts to "Gage") had lost his mother during the civil war. He is supposed to be one-sided, who wouldn't? He wrote a book about it, good for him. Someone made a film based on it, good for them. And now, many of us are bickering about what it is, propaganda or not, who are the good and who are the bad ones and so on...

    A commentator before said that war is the end of civilization. True! A civil war though makes an "ordinary" war look quite civilized and "noble". Americans surely have their experience, they have gone through a terrible civil war. We, Greeks, have our experience which, sadly, is more "fresh" - lots of people that lived through it are still around to talk about it. Kids being taken from their mothers' arms to be transported..where? Brother killing brother (literally!) and generally bringing down whatever was once dear. Who's the bad guy? Which brother gets moral high ground? The one who took to mountains, kidnapped young ones to put them through a grim life behind the Iron Curtain, laid waste to his land and his home? Or the other, who after suffering all that, imprisoned those left behind (the majority of which were not part of the armed struggle and suffered along too), exiled them to desolate barren islands (there are more than we need of those in the Aegean), made them "dance" with cats in a sack (interesting how democracy, or "democracy", can be as horrendous as communism or any other totalitarian regime) and generally held them at the "border" of society until 1974. Who gets praise and who gets blame? You don't know? I think you do!

    History was always written by victors, this is no exception. What is an exception in this case is that this particular "victor" (Gage) abstained his country's drama until it "suited" him to be a part of it. Having lost a loved one, a parent, in war is no unique to him, millions of people did! Did he live the ongoing "plague" that the civil war was? From the comfort of his house, half a world away. It is almost as if I, who have never been to the US, write a book about the drama of the Indians. Whatever moral high ground he possessed he lessened being that "distanced" from the whole scenery of it and its consequences. In short, this book and film portray HIS side, not his ideology's side but his personal side. It is easy to place blame, very hard to do so for one side only!

    I will not go into the politics of that period, that is for another place and another time. Decent film, worth a viewing if not for anything else for an accurate portrayal of the "scenery". No stars awarded as I have not seen it all, just bits and pieces.
    battlehill

    Eleni and truth

    I have seen this movie and it is very gripping and entertaining, unfortunately it does not tell the whole story of Greece and what the resistance actually was and who they were fighting. In particular this story is one that as usual suffers from lies of omission and the simplification of very complex political issues into good vs. evil. Perhaps Eleni was faced with an evil leader of the left, however do we know who and why the left was actually fighting. Quickly, Greece had a King and Aristocracy that was controlled by a military dictator before WWII, Greece was pivotal to British interests in Egypt (Suez Canal and Middle East Oil -Iran) and basically Great Britain backed this military dictator. When WWII broke out the king and dictator fled and it was the Greek people who fought the Germans and Italians, England actually fought with them at the end also. Problem, average Greek person did not want King or fascist dictator back (this is the communist group - which they were really leftist not Stalin communist). Greeks wanted to govern themselves and this is not what Great Britain - they wanted King and dictator back and guess who won . The King came back until the late 50's and 60's were Greek people won their independence. On mean idiot that was communist does not mean that all of the things the left was fighting for were wrong - this is pure and simple propaganda.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Additional flashback scenes were filmed featuring Alfred Molina as Nick's father Christos (played by Steve Plytas in the 1980s scenes). Although Molina was credited as "Young Christos" in press materials, and his scenes were shown in publicity photos, his role was almost completely cut from the final version, and his name does not appear in the credits. Molina's only remaining footage in the released film is a single shot of Christos taking a photograph of Eleni, Nikola and family, with his face partially obscured by his camera.
    • Connexions
      Featured in At the Movies: Silver Bullet/Twice in a Lifetime/Remo Williams: The Adventure Begins/Dim Sum (1985)

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    FAQ

    • How long is Eleni?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 5 mars 1986 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Елені
    • Lieux de tournage
      • Athènes, Grèce
    • Sociétés de production
      • CBS Entertainment Production
      • CBS Theatrical Films
      • Eleni Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 12 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 305 102 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 27 875 $US
      • 3 nov. 1985
    • Montant brut mondial
      • 305 102 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 54 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.85 : 1

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