NOTE IMDb
6,6/10
29 k
MA NOTE
Un groupe de personnes au hasard est invité à une projection d'un film mystérieux, pour se retrouver piégé dans le théâtre avec des démons voraces.Un groupe de personnes au hasard est invité à une projection d'un film mystérieux, pour se retrouver piégé dans le théâtre avec des démons voraces.Un groupe de personnes au hasard est invité à une projection d'un film mystérieux, pour se retrouver piégé dans le théâtre avec des démons voraces.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Geretta Geretta
- Rosemary
- (as Geretta Giancarlo)
Giuseppe Mauro Cruciano
- Hot Dog
- (as Giuseppe Cruciano)
Eliana Miglio
- Edith, woman in tent (Horror Film)
- (as Eliana Hoppe)
Avis à la une
My status as a film buff seems to exist in two separate states. On the one hand, I will wax lyrical about the subtle genius of Godard, Fassbinder, and Bertolucci. I'll watch pretentious European art-house cinema of the most stereotypical variety without even a hint of irony. I will regard Ingmar Bergman as a literal god-figure to worshiped in all of his glory. On the other hand, I will spend forty-plus dollars on a blu-ray of Dario Argento's Phenomena and gush over the sheer lunacy of B-movies. Demons (or Demoni, in its native Italy) is everything a geek like me could want. Gratuitous gore and violence, questionable dubbing, explosions, and a kick-ass eighties soundtrack. Co-written and produced by Italian horror maestro Dario Argento (Suspiria, Deep Red), Demons came from Argento's desire to create a purely commercial film after tasting such success with 1978's Dawn of the Dead. Thus, Demons is a film with little in the way of a coherent plot or deep characterization. And yet somehow it manages to be wholly appealing at the same time. The plot, which follows the spread of a zombie-like form of demonic possession spreading through a Berlin movie theater, exists solely to facilitate the numerous action and scare sequences. The score by Argento regular Claudio Simonetti (of Goblin fame) manages to be exciting, creepy, and perfectly suited to adrenaline-soaked visuals. This film is entertainment, pure and simple. To anyone looking to get into B-movies or Italian horror (or better yet, both) I highly recommend this film as it's a very accessible entry point into both genres. Just sit back, open a can of Coke, shut your brain off, and prepare to have the time of your life.
For an 80s gore-fest, you couldn't want anything more. This is another one of those "kitchen sink" movies that's in the same vein as "From Dusk Till Dawn". Put the same scenario in a movie house, back in the 80s, substitute the vampires with demons, and you pretty much get the picture. You can definitely see the influence here. With that said, if you liked "From Dusk.." and don't mind dubbing, then you should be right at home with "Demons".
There isn't a whole lot there in the way of plot. Some random folks are invited to a screening in an old movie theater. As the movie that they are viewing gets more and more violent, real life starts to imitate art and pretty soon, they discover that they are locked inside and what we're watching becomes a survival flick. That's pretty much it.
As far as gore, there is PLENTY of the red stuff with enough eye-gouging, throat ripping, and blood spurting to satisfy even the most ravenous gore hound. To say much more would give away a lot of the surprises, but it's well worth a rental. Check it out.
There isn't a whole lot there in the way of plot. Some random folks are invited to a screening in an old movie theater. As the movie that they are viewing gets more and more violent, real life starts to imitate art and pretty soon, they discover that they are locked inside and what we're watching becomes a survival flick. That's pretty much it.
As far as gore, there is PLENTY of the red stuff with enough eye-gouging, throat ripping, and blood spurting to satisfy even the most ravenous gore hound. To say much more would give away a lot of the surprises, but it's well worth a rental. Check it out.
Demons (Demoni) is directed by Lamberto Bava and Bava co-writes the screenplay with Dario Argento, Dardano Sacchetti and Franco Ferrini. It stars Urbano Barberini, Natasha Hovey, Karl Zinny, Paola Cozzo, Fiore Argento and Geretta Giancarlo. Music is by Claudio Simonetti and cinematography by Gianlorenzo Battaglia.
A wonderfully nutty spiced Spaghetti Horror, plot has a group of people trapped in a Berlin movie theatre that suddenly comes under attack by ravenous demons.
It could reasonably be argued that Bava's movie has some cheeky narrative depth underneath the gloop and schlock, this is after all purposely set in a movie theatre and features a film that basically becomes real, sort of. But really it's a pic that's set up for like minded horror buffs to feast upon, to jump head first into its feverish horror comic book glee.
The script is as poor as the dubbing is, with a roll call of cardboard cut out characters and loose end scenarios jettisoned in readiness for the next plasmatic explosive sequence. Yet the care free abandon of the gruesome killings on show, and the rapid pace of it all, ensures it's a fun packed ride.
Even the musical score is schizo as it ranges from typical 1980s synth plods to heavy metal thunder - joyous. 7/10
A wonderfully nutty spiced Spaghetti Horror, plot has a group of people trapped in a Berlin movie theatre that suddenly comes under attack by ravenous demons.
It could reasonably be argued that Bava's movie has some cheeky narrative depth underneath the gloop and schlock, this is after all purposely set in a movie theatre and features a film that basically becomes real, sort of. But really it's a pic that's set up for like minded horror buffs to feast upon, to jump head first into its feverish horror comic book glee.
The script is as poor as the dubbing is, with a roll call of cardboard cut out characters and loose end scenarios jettisoned in readiness for the next plasmatic explosive sequence. Yet the care free abandon of the gruesome killings on show, and the rapid pace of it all, ensures it's a fun packed ride.
Even the musical score is schizo as it ranges from typical 1980s synth plods to heavy metal thunder - joyous. 7/10
In West Berlin, a stranger wearing a mask randomly distributes tickets for the reopening of the Metropol movie theater on the streets for different persons, including a blind man. Cheryl (Natasha Hovey) gets two tickets in the subway and invites her friend Kathy (Paola Cozzo) to skip their music class and go to the movie theater to watch the film. The viewers come to the restored Metropol without having any information about the film they will see in the advance screening. While waiting for the beginning of the preview, a woman sees an exposed promotional mask of a demon and accidentally scratches her face with the object. When the film begins, the foregoing woman transforms in a monster in the same way it is happening on the screen with the characters of the film, in a kind of weird connection. She attacks the audience, and each viewer that is infected by a monster, is contaminated and transformed in another monster, threatening the rest of the defenseless persons. Sooner the survivors realize that they are trapped in the locked building.
The first time I saw "Demons" was in the mid 80's. I recall that it made me feel very uncomfortable. Then I saw this film many other times on VHS and today (04 November 2010) I have just seen it on DVD. This claustrophobic and sick film is a scary horror movie indeed. The story recalls "The Night of the Living Dead", only using gruesome demons instead of zombies. The disgusting make-up and special effects are excellent and compensate the weak performances of most of the cast. Bigas Luna used part of this idea in his 1987 "Angustia". The music score is awesome and this movie is only recommended for fans of trash-movies and is a classic in the genre. My vote is seven.
Title (Brazil): "Demons – Filhos das Trevas" ("Demons – Sons of the Darkness")
The first time I saw "Demons" was in the mid 80's. I recall that it made me feel very uncomfortable. Then I saw this film many other times on VHS and today (04 November 2010) I have just seen it on DVD. This claustrophobic and sick film is a scary horror movie indeed. The story recalls "The Night of the Living Dead", only using gruesome demons instead of zombies. The disgusting make-up and special effects are excellent and compensate the weak performances of most of the cast. Bigas Luna used part of this idea in his 1987 "Angustia". The music score is awesome and this movie is only recommended for fans of trash-movies and is a classic in the genre. My vote is seven.
Title (Brazil): "Demons – Filhos das Trevas" ("Demons – Sons of the Darkness")
If you love gory horror flicks I am not sure why you haven't seen this classic. From Lamberto Bava comes one of his most memorable films and a total must-see for the gore hounds.
Cheryl (Natasha Hovey) is given a ticket to the new theatre called Metropol by some creepy dude (Michele Soavi) with a mask that's a mix between PHANTOM OF THE OPERA and THE TERMINATOR. So, Cheryl takes her friend Kathy (Paolo Cozzo) so they can skip class and watch a movie. Within the theatre there is a mask that through a pimp named Tony (Bobby Rhodes in a role that is downright hilarious) and his two prostitutes Carmen (Fabiola Toldedo)and Rosemary (Geretta Geretta) we see Rosemary get cut by the mask. Uh-oh!!! Soon violent, starving demons take over the theatre by storm.
Amazingly gory and not for the weak stomached. The acting is so bad it is memorable, which is much like the film. Another funny note is one of the people in attendance at the theatre is a blind man named Werner (Alex Serra).
The demons were created by Sergio Stivaletti. The music is awesome with a score by Claudio Simonetti and soundtrack that includes Billy Idol, Motley Crue and Accept to name a few. Written by Dario Argento (who also produced), Bava, Dardano Sacchetti and Franco Ferrini. Must say it is sort of a paper-thin story, but it sets everything up nicely for the great and bloody effects done by Stivaletti.
Cheryl (Natasha Hovey) is given a ticket to the new theatre called Metropol by some creepy dude (Michele Soavi) with a mask that's a mix between PHANTOM OF THE OPERA and THE TERMINATOR. So, Cheryl takes her friend Kathy (Paolo Cozzo) so they can skip class and watch a movie. Within the theatre there is a mask that through a pimp named Tony (Bobby Rhodes in a role that is downright hilarious) and his two prostitutes Carmen (Fabiola Toldedo)and Rosemary (Geretta Geretta) we see Rosemary get cut by the mask. Uh-oh!!! Soon violent, starving demons take over the theatre by storm.
Amazingly gory and not for the weak stomached. The acting is so bad it is memorable, which is much like the film. Another funny note is one of the people in attendance at the theatre is a blind man named Werner (Alex Serra).
The demons were created by Sergio Stivaletti. The music is awesome with a score by Claudio Simonetti and soundtrack that includes Billy Idol, Motley Crue and Accept to name a few. Written by Dario Argento (who also produced), Bava, Dardano Sacchetti and Franco Ferrini. Must say it is sort of a paper-thin story, but it sets everything up nicely for the great and bloody effects done by Stivaletti.
Le saviez-vous
- AnecdotesThe building used for the exteriors of the Metropol theater still stands in Berlin. It's a club called Goya that's been host to several horror conventions thanks to its appearance in this film.
- GaffesAt the end scene during the motorcycle chase, Nina's demonic character is not wearing any demonic makeup.
- Crédits fousThere is a jump-scare about halfway through the credits as a character turns demonic.
- Versions alternativesUK cinema and video versions were cut by 1 min 5 secs by the BBFC with edits to eye gougings, a hand being mutilated in the wheel of a bike, a demon vomiting blood and bile on a woman, closeups of a woman's teeth falling out during her transformation into a demon and a scene where cocaine is scraped off a woman's breast with a razor-blade. Some cuts were restored for the 2000 DIVID release (minus 42 secs from the cocaine scene) though the Platinum DVD, released at the same time, mistakenly featured the uncut print. The cuts were fully waived in 2004 for the reissued 'Director's Cut' Platinum DVD.
- ConnexionsEdited into Cent une tueries de zombies (2012)
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Détails
Box-office
- Budget
- 1 800 000 $US (estimé)
- Montant brut mondial
- 2 932 $US
- Durée
- 1h 28min(88 min)
- Couleur
- Rapport de forme
- 1.66 : 1
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