Deux dératiseurs/tueurs à gages caricaturaux et déjantés tuent le propriétaire d'une société d'alarme anti-effraction, et traquent le partenaire qui les a embauchés, sa femme, et un expert e... Tout lireDeux dératiseurs/tueurs à gages caricaturaux et déjantés tuent le propriétaire d'une société d'alarme anti-effraction, et traquent le partenaire qui les a embauchés, sa femme, et un expert en informatique accusé à tort du meurtre, qui raconte l'histoire en flash-back depuis la ch... Tout lireDeux dératiseurs/tueurs à gages caricaturaux et déjantés tuent le propriétaire d'une société d'alarme anti-effraction, et traquent le partenaire qui les a embauchés, sa femme, et un expert en informatique accusé à tort du meurtre, qui raconte l'histoire en flash-back depuis la chaise électrique.
- Réalisation
- Scénario
- Casting principal
- Cheap Dish
- (as Carrie Hall-Schalter)
Avis à la une
The screenplay was written by two of modern cult cinema's biggest icons; Ethan and Joel Coen. Hot off their success with Blood Simple (which, incidentally, I didn't like much); this was the second film to feature the brothers' as writers. Despite them having the writing credit, this really doesn't feel like a Coen Brothers film; and that is testament to Sam Raimi's direction. Raimi perhaps goes a little bit too over the top at times, and the film does almost feel like a series of slapstick sketches threaded together by a thin plot. We get treated to some of his early directorial skill, with several really well implemented scenes; my favourite being the one where we see one of the rat catchers kicking a door in from both the inside view and on a TV screen showing the security camera. The unknown cast is decent enough, but it's only really Bruce Campbell that stands out, and that's more because of his later performances than because of prowess here. Still, it's always fun to see Bruce in a movie, and that remains true here. On the whole, this is a good film; but I'd only really recommend it to Raimi/Campbell fans, and people that will appreciate that it's more of a prelude to greater things to come than a great cult flick.
This film has Sam Raimi written all over it. His crazy zoom camera shots, the inclusion of Bruce Campbell as "the heel"... and the very over-the-top silliness. The only other time the Coens really tread this path was with "The Hudsucker Proxy" (which is, in all fairness, the better film)... and that, too, had Raimi's involvement.
I suggest this film is worth seeing. While not the Coens' best, not Raimi's best, it's an interesting little film, bizarre, and a good showcase of early work from those involved.
After the unexpected success of "Evil Dead" in 1982-'83, Embassy Pictures, which had released "Escape From New York," among others, contacted the young Sam Raimi about possibly directing a comedy written by two up-and-comers named Joel and Ethan Coen. Raimi read the riotous script and was eager to put it on film, keeping in close contact with the Coens so he could capture the zany spirit of the script intact. Operating on an extremely tight budget, and with constant interference from the studio, "The XYZ Murders" (the film's original title) was finished sometime in 1984 -- and promptly shelved. Never liking or understanding the humor of the movie, the executives at Embassy (being pressured to find a hit because the studio was floundering) told Raimi, "No, this is another one of your CULT movies, we don't WANT that." (These are not, by the way, my words; this is all from an interview in "Fangoria" Sam Raimi did in 1985 or '86. **EDIT 2018: the interview is in issue #64, 1987, page 33**) So, the studio, trying to keep afloat, re-edited the final cut of the movie, releasing it as "Crimewave." It did not, of course, work, as Embassy Pictures went bankrupt that same year, but not because of this film -- Embassy was finished long before they released this, actually.
If there was some way Raimi and the Coens could, I wish they would go back to this movie and either remake it or re-release it in its intended form. "Crimewave" was good, but you could tell it had been butchered (which gave it its uneven tone). In the "Fangoria" interview, Raimi confessed he regretted the way "The XYZ Murders" turned out -- so why not re-do it now that he can probably do anything he wants (thanks to the "Spider-Man" series)?
What a shame that a struggling movie studio took a great, unique, funny movie and turned it into a curiosity. I'm sure, as we all know, THAT never happens anymore.
Le saviez-vous
- AnecdotesBruce Campbell commented that the film "wasn't released, it escaped".
- GaffesWhile the majority of the exterior shots were filmed in Detroit, towards the beginning of the film, the night time distant shot of the city (in red glow) right before the storm hits, is clearly Chicago, as the Sears Tower is quite prominent in the shot.
- Citations
Renaldo the Heel: I've never seen you here before. I like that in a woman.
- Crédits fousAfter the credits, we see the box (with Mrs. Trend inside) in Uruguay.
- Versions alternativesThe region 2 DVD version is missing some seconds of Arthur's death scene. Vic no longer warns him of an impending over-pass, and Arthur's speech before he dies is cut completely.
- ConnexionsFeatured in Ghost Cars at the Winchester Mystery House (1995)
- Bandes originalesRialto
Written by Joseph LoDuca (as Joe LoDuca)
Meilleurs choix
- How long is Crimewave?Alimenté par Alexa
Détails
Box-office
- Budget
- 3 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 5 101 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 571 $US
- 27 avr. 1986
- Montant brut mondial
- 5 101 $US