Ajouter une intrigue dans votre langueSinger Tony loves dancer Lola in 1940s New York, but sinister Rico brings her to his nightclub in Havana.Singer Tony loves dancer Lola in 1940s New York, but sinister Rico brings her to his nightclub in Havana.Singer Tony loves dancer Lola in 1940s New York, but sinister Rico brings her to his nightclub in Havana.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Primetime Emmy
- 1 victoire et 1 nomination au total
Ralph Clift
- Customer
- (as Ralph M. Clift)
Avis à la une
First off...I'm a Manilow fan, so my review of this movie can be considered a bit skewed. But, seeing that probably only people who ARE Manilow fans will be viewing this movie, I guess that's OK. For you Fanilows, please change the rating above to an 8, simply because Barry looks good in this and his charm shines through his mediocre acting ability. Obviously, the plot revolves around his 1978 mega-hit "Copacabana." If you know the song, you know the movie, but there are a few twists in the storyline. Annette O'Toole is FABULOUS as Lola--she's sweet and sexy, and doesn't have a bad voice herself. Mr. Bologna does an OK job as Rico, but it seems he's playing the same part as he did in "My Favorite Year." I kept waiting for him to ask if they were serving tongue at the Tropicana! Barry is the real star here. He shines in his songs "Sweet Heaven" and "Who Needs to Dream" and there are nice snippets of him playing some of his album-cut classic tunes as a piano bar performer throughout. The movie itself is a nice way to spend about an hour and a half of your time, but is necessary viewing for all Barry Manilow fans.
Underrated tribute to 40s screwball comedies and musicals. First rate score, excellent performances, and beautiful period settings. The feature film lighting is also quite remarkable for this time as most TV movies adopted flat TV lighting. Manilow interprets his own material far better than any of the Tonys in the
various stage musical versions that followed in later years. He's sort of a male Barbara Streisand with an underplayed comic edge, versatile acting skills, and a great voice. Too bad musicals were (and still are) dead by 1985. The
showcase number, "Who Needs to Dream" is both the highlight and the biggest
disappointment because it should have been staged better, even on a low
budget. It's reminiscent of Gene Kelly's famous "Singin' In The Rain" but without the rain and painfully static camera shots--cutting back and forth, back and forth between Tony and Lola. Tony (Barry) moves around a bit more toward the end,
but one is left with the impression this was the last scene they shot when they were out of money or time to do it right. The DVD version offers a beautiful transfer but, sadly offers no commentary or extra features.
various stage musical versions that followed in later years. He's sort of a male Barbara Streisand with an underplayed comic edge, versatile acting skills, and a great voice. Too bad musicals were (and still are) dead by 1985. The
showcase number, "Who Needs to Dream" is both the highlight and the biggest
disappointment because it should have been staged better, even on a low
budget. It's reminiscent of Gene Kelly's famous "Singin' In The Rain" but without the rain and painfully static camera shots--cutting back and forth, back and forth between Tony and Lola. Tony (Barry) moves around a bit more toward the end,
but one is left with the impression this was the last scene they shot when they were out of money or time to do it right. The DVD version offers a beautiful transfer but, sadly offers no commentary or extra features.
it was just SO great to see Barry in his first movie, i LOVED it so much.. he was excellent , ive been a fan of his for over 25 years and it was so neat and awesome to see him in the movie , he is so very talented and this showed off his talents perfectly !!!
I saw this movie when it first came out in and again several years later, on CBS also. Well the 2nd time around it was horribly butchered clearly to put its run time under 2 hours and stuff it full of commercials. I've been trying to find it that longer version for years cause yeah hey, Barry's on screen for more than an hour; I can live with that .
Okay Barry's passable actor. He's not as good as Gene Kelly but not as dismal as Neil Diamond (Two minutes of the "Jazz Singer" remake with Diamond on screen was all I could stomach). It has the distinction of being of 4 TV movie musical I could tolerate. The musical numbers are above average and the setting (refetrring to the time period) has a more authentic look than many movies over the last 20 years taking place in the 40s or 50s. Baring that sad ending; it brought back to mind MGM musicals.
My gripe with this movie, why I'm giving it an 8 is Tony, the character Barry plays--What (acting) reach is he doing??? He's playing himself! Manilow nut me has read books about him, every article I could get my mitts on and the background story is his life with a little tweaking here and there. Wish he had put himself in another movie genre first. As good entertain as it was, the chosen role for his debut was not a very good one.
Okay Barry's passable actor. He's not as good as Gene Kelly but not as dismal as Neil Diamond (Two minutes of the "Jazz Singer" remake with Diamond on screen was all I could stomach). It has the distinction of being of 4 TV movie musical I could tolerate. The musical numbers are above average and the setting (refetrring to the time period) has a more authentic look than many movies over the last 20 years taking place in the 40s or 50s. Baring that sad ending; it brought back to mind MGM musicals.
My gripe with this movie, why I'm giving it an 8 is Tony, the character Barry plays--What (acting) reach is he doing??? He's playing himself! Manilow nut me has read books about him, every article I could get my mitts on and the background story is his life with a little tweaking here and there. Wish he had put himself in another movie genre first. As good entertain as it was, the chosen role for his debut was not a very good one.
I have loved Barry Manilow's music since 1978. Someone really should have told him that he cannot act as his performance in this is embarrassing and excruciating to watch. His movie career hardly took off since, did it? Not recommended except to the fans who think he can do no wrong.
Le saviez-vous
- AnecdotesDuring a late 1985 appearance on "The Tonight Show with Johnny Carson", shortly before the movie aired on TV, Manilow actually revealed the ending to the movie, leading much of the audience to groan. However, he mistakenly thought they groaned not because he revealed the ending, but because of what actually happened to his character at the end, leading Manilow to comment, "It's only a movie."
- Citations
Tony Starr: [Improving a musical arrangement for Lola] We'll change the keys! That always works.
- ConnexionsFeatured in The 38th Annual Primetime Emmy Awards (1986)
- Bandes originalesOverture
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