Chiller

I liked this made for TV movie about a cryogenetically frozen body being brought back to life. Michael Beck plays the cold-hearted lad who dies ten years ago and was frozen by his mother waiting for a chance for science to bring him back via new medical technology. His cylinder goes on the fritz and action must be taken quickly to see if science has the answers now that it did not have ten years earlier. Beck is revived but not the same person. It seems that whilst his body is living again, a chasm only fills the void vacated by his soul's departure. Beck comes back with no regard for human and animal life and only wants to appease whatever appetites he might have at that very moment. Now, this is some pretty absurd stuff I grant you, but director Wes Craven and some good acting save it from being terrible. In fact it does get one thinking about some things. The acting is uniformly good with Beck doing a good job and Oscar winner Beatrice Straight and Paul Sorvino as a cleric really bringing home the bacon. They both do stellar jobs with this material and give it some much needed credibility. Sorvino is very convincing in his role. Some good character acting by Dick O'Neill and Anne Seymour add to the mix, and the addition of beautiful Jill Schoelen doesn't hurt either. Kudos also to Craven for not going overboard as many others might be apt to do. Beck is a man with no supernatural abilities per se but rather just soulless is his approach to another chance to "live."

With this endeavour, director Wes Craven will not, in all probability, please many enthusiasts of his other films, the majority of which involve a good deal of violence and bloodletting, but he does a workmanlike job with this account of storage cryogeny which goes awry. Wealthy Marian Creighton (Bernice Straight) has kept her son Miles (Michael Beck) in cryogenic suspension for ten years since his death from a liver disease, and when a computer failure results in his sudden thawing, his mother decides upon immediate liver transplant surgery for him, a procedure not available at the time of his demise. Although this surgery is successful, and Miles resumes his former station as CEO of the family corporation, an issue arises as to how one might know of the possible lack of his spirit, or soul, whereas the other two elements of life, body and mind, have plainly been restored. The destructive behaviour of Miles is such that his mother and her clerical friend Reverend Penny (Paul Sorvino) begin to doubt that they should thank a higher power for delivering Marian's son to her, and a metaphysical inquiry becomes dominant in the film. Beatrice Straight gives, as ever, an excellent performance in her role, Paul Sorvino is tastefully nuanced as the troubled prelate, and Michael Beck obviously savours his part as the fulsome Miles, but Craven cannot seem to distance himself from his cinematic terror bromides, most of which become red herrings for a scenario which largely focusses upon ontology.

Chiller (1985)

** (out of 4)

Wes Craven's made for TV flick is frozen from the get go and never goes anywhere. In the film, a man returns to life after being frozen for ten years and guess what he does? If you guessed he goes on a killing spree then you've just saved yourself 80-minutes. Just looking at the film you can tell Craven didn't have much hope in the film because you can't see any of the typical Craven trademarks. The story itself is rather lame and it's nothing new so there's not much to get excited over. There isn't any gore since this was made for television but there's also no suspense, no humor and no good performances. Paul Sorvino has a small role but even he's sleepwalking.

Corporate executive Miles Creighton (Michael Beck, "The Warriors") is brought back to life after a decade of cryogenic freezing. But everybody watching this at home can tell that something is now missing from his personality: it's his soul. He's now a conscience-free creep who thinks nothing of slaughtering the family dog, peeping on his younger sister (the lovely Jill Schoelen, "The Stepfather"), or firing longtime family friend / employee Clarence Beeson (Dick O'Neill, "Wolfen"). A concerned Reverend (Paul Sorvino, "GoodFellas") comes to realize the truth about Miles, but Miles' mother Marion (the wonderful Beatrice Straight, "Poltergeist") has blinders on when it comes to her son.

A somewhat forgotten effort from fright master Wes Craven (of "A Nightmare on Elm Street" fame), this mid-80s TV movie lacks the intensity and impact this might have had, had Craven made it for theatrical release. Written & produced by J. D. Feigelson ('Dark Night of the Scarecrow'), this sci-fi / horror film is of course mild with its horror elements due to the nature of the TV medium. At its best, it's mildly involving, although it does boast some good makeup effects by Stan Winston ("Aliens") and presents a philosophical musing on the nature of the soul. It's still amusing to watch an entertainingly icy cold Beck do these horrible things. The supporting cast includes such other familiar faces as Alan Fudge ("My Demon Lover"), Craig Richard Nelson ("My Bodyguard"), Laura Johnson (Cravens' "Red Eye"), Anne Seymour ("Trancers"), Joseph Whipp (Cravens' "Scream"), and Brian Libby ("Silent Rage"), but Straight is the definite standout as the devoted mother in need of a wake-up call.

The tale is overall pretty routine, with the cliched use of the "one final scare" at the ending. It's watchable enough, but I would only really recommend it to Craven completists.

Six out of 10.

This 80s film has a very good concept. What if you died and were cryogenically frozen immediately after, then thawed out years later. Would you be "soul-less?" Watch the film to find out.

Some very creepy moments but it's basically a dated 80s TV movie. Why bother releasing a film to DVD if there is no desire to enhance it? To make money I know, but, it's just wrong. The picture quality is awful and that's enough to make you want to shut it off. The "film" could stand a remake with a much broader scope because of it's interesting premise. There are a dime a dozen horror films out there but I don't think this approach to terror has often surfaced. What makes the film all the more relevant is the fact that man-kind could actually come face to face with this issue for real.