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IMDbPro

Came a Hot Friday

  • 1985
  • PG
  • 1h 41min
NOTE IMDb
6,4/10
236
MA NOTE
Came a Hot Friday (1985)
AventureComédie

Ajouter une intrigue dans votre langueThis eccentric rural New Zealand tale follows two con men as they attempt to trick a small town into their illegal gambling scheme.This eccentric rural New Zealand tale follows two con men as they attempt to trick a small town into their illegal gambling scheme.This eccentric rural New Zealand tale follows two con men as they attempt to trick a small town into their illegal gambling scheme.

  • Réalisation
    • Ian Mune
  • Scénario
    • Ronald Hugh Morrieson
    • Ian Mune
    • Dean Parker
  • Casting principal
    • Peter Bland
    • Phillip Gordon
    • Michael Lawrence
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    236
    MA NOTE
    • Réalisation
      • Ian Mune
    • Scénario
      • Ronald Hugh Morrieson
      • Ian Mune
      • Dean Parker
    • Casting principal
      • Peter Bland
      • Phillip Gordon
      • Michael Lawrence
    • 7avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 7 victoires au total

    Photos5

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux26

    Modifier
    Peter Bland
    Peter Bland
    • Wes Pennington
    Phillip Gordon
    • Cyril Kidman
    Michael Lawrence
    • Don Jackson
    Billy T. James
    Billy T. James
    • The Tainuia Kid
    Marshall Napier
    Marshall Napier
    • Sel Bishop
    Don Selwyn
    • Norm Cray
    Marise Wipani
    Marise Wipani
    • Esmerelda
    Erna Larsen
    • Dinah
    Philip Holder
    • Dick
    Tricia Phillips
    • Claire
    Bruce Allpress
    Bruce Allpress
    • Don's Dad
    Michael Morrissey
    • Morrie
    Roy Billing
    Roy Billing
    • Darkie Benson
    Hemi Rapata
    • Kohi
    Bridget Armstrong
    Bridget Armstrong
    • Aunt Agg
    Stephen Tozer
    • Cop
    Leslie Gregory
    • New Plymouth Bookie
    Alistair Douglas
    • Vicar
    • Réalisation
      • Ian Mune
    • Scénario
      • Ronald Hugh Morrieson
      • Ian Mune
      • Dean Parker
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs7

    6,4236
    1
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    5
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    7
    8
    9
    10

    Avis à la une

    4przgzr

    A salad made of The Sting, Jiri Menzel and Mel Brooks is hard of digestion

    I haven't seen too many movies from New Zealand. Those that I've seen have been so good that I rarely miss a chance to see another one. Once Were Warriors, Whale Rider, Piano, Smash Palace, Rain, Starlight Hotel... very different movies, but each of them at least good, never a waste of time, offering things to think and discuss about, having messages...

    But all what's good comes to end. Came a Good Friday is a movie that doesn't fit in almost anything I've said about NZ movies.

    I like comedies. Maybe I've expected too much, but I've smiled three times and never opened my mouth for laughter.

    The basic idea is manifestly similar to The Sting, but as Friday was made after a novel written before Hill made his movie the authors can't be blamed for stealing. Instead of that, we can be surprised that they decided to make it after The Sting became so famous and people can compare the movies.

    Hill's plot takes place in a big American town, Mune's in New Zealand village, so the characters are very different. Interesting thing is that Hill's more than 2 hours long movie doesn't look so congested by characters, though settled in Chicago, while Mune seems to have need to show every single person who might live in this village. At least half of them were the burden that disabled better understanding and developing of the other half.

    This insistence in offering a wide spectrum of different people that are rather typical (or cliché?) for such a milieu makes us remember Czechoslovakian cinematography from 60's and 70's, from Menzel to Chytilova, or even 90's and a bit more urban like Sverak, Steindler or Hrebejk. Their humor also wasn't loud, intense, it was in fact often bitter or sad. But the plot of their movies was deeply local and realistic, and didn't try to force us to laugh by a story that first like deja vu repeats funny idea from Sting, and later introduces a Maor character that would fit in Mel Brooks or Abrahams-Zucker movies and no way in early Forman. Swedish and Italian 70's and 80's movies also often depicted many characters in provincial cities, but usually concentrated on few of them (with mostly local people in major roles); these movies were frequently dramas with strong social ground and not pale comedies where both social and personal relations are used only as clichés.

    Though I, except in extremely rare occasions, never quit watching a movie once I decide to see it, I was really tempted this time.
    Wizard-8

    Not awful, but not all that funny

    The New Zealand film industry has made some really interesting and entertaining movies over the decades, but this movie is the first real misstep I've experienced from that country. Let me make it clear that it's not awful or merely bad. The production values are first rate; it's amazing how they stretched out a certainly low budget. The performances are good, with the entire cast (especially Billy James) giving very enthusiastic performances. The entire enterprise moves at a very brisk pace, with no slow spots. So what's the problem? Well, I simply didn't laugh that much. To be more exact, I didn't laugh at all, though I did smile a few times. The movie's heart is in the right pace, but its soul isn't really all that humorous. It could just be me, judging from some of the other user comments here, but I wasn't all that tickled. Certainly this is far from the worst comedy movies I have seen in my life, but all the same I was kind of disappointed.
    8glenn-299

    Excellent fun

    This is an an enjoyable, pleasant, simple romp through the New Zealand country side and bush in the 1940s; Marshall Napier steals the show as the bad guy - Billy T James would have done, for his eccentric performance as the Tainui Kid, but you need subtitles to understand him. The script is crisp and has some great one-liners but some of the acting is a little on the amateur side and Ian Mune's direction, as always, lacks any real spark. The quality of the story lifts the film above that. Incidentally, for the benefit of a previous poster, Billy T James, as the Tainui kid, is a Maori, not an 'Aboriginal' which is not a socially respectable term anyway. Aborigines are found in Australia, a couple of thousand miles away.
    9avatar6

    I Came, I saw, I laughed a LOT!

    When I wasn't clutching at my stomach or peering through tears in my eyes, all because I was laughing so hard, I was actually able to watch the film. What great fun! There are some classic moments that truly epitomize humor in the film industry. The New Zealand team that produced this film should be proud of such a silly accomplishment. Great film, lots of laughs. This is one that I will enjoy over and over!
    10hhbooker2-1

    Rip-Roaring Down Under Comedy!

    This is a rollicking comic adventure set in 1949 against a background of horse-racing and crap games in a seedy backwater not unlike Woop Woop, Australia. Wes and his sidekick. Cyril are two down under confidence men who have been than successful in cheating bookies over hill and dale in New Zealand. The bad luck gets worse when they arrive in a dusty run down town in a rattle-trap junker of an automobile that is in critical need of a primer and paint-job after they arrive at the local gin-mill that offers dance and a so-called "casino." Before the dice stop rolling, Wes and Cyril find themselves at odds with local law enforcement and the casino boss. Just as Wes wins with a last toss of the "bones," the town constable shows up and raids the joint, the casino boss took off with the money which the boys try to recover later with a dim-witted overgrown lughead known as the "Tainula Kid," an absolute zero on the scale of one to ten. In and out of the picture we glimpse a character that appears to be a Mexican Vaquero, who comes into full view at the end of the motion picture, really an Aboriginal who believes he is Latin American and missing a few screws. The bad guy dies in an explosion and everyone lives happily ever after except for Wes and Cyril who have to motor to the next village for slim pickings. The "Tainula Kid" ends up with a shinny red rag-top (convertible) and the local girl while he buys his father a new artificial leg. Who would have expected such great comedy in New Zealand like this? Maybe in Australia? This is a must-rent-see video!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Final theatrical feature film of actor Prince Tui Teka who played a saxophonist.
    • Gaffes
      The brand of green plastic roofing visible above the saxophonist's balcony was not in use in the 1940s.
    • Citations

      Wes Pennington: [singing while urinating into a river] Pour the devil's poison into God's cleansing river/It's of no further use to man when it's filtered through the liver!

    • Connexions
      Featured in Century of Cinema: Cinema of Unease: A Personal Journey by Sam Neill (1995)

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    Détails

    Modifier
    • Date de sortie
      • 4 octobre 1985 (États-Unis)
    • Pays d’origine
      • Nouvelle-Zélande
    • Site officiel
      • Official Press Kit
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Hot Friday
    • Lieux de tournage
      • Waverley Racecourse, Taranaki, Nouvelle-Zélande(setting: New Plymouth Racecourse)
    • Sociétés de production
      • Mirage Films
      • New Zealand Film Commission
      • Challenge Film Corporation
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 882 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 41min(101 min)
    • Couleur
      • Color
    • Mixage
      • Dolby
    • Rapport de forme
      • 1.78 : 1

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