Buddies

A film I happened to see late at night on Channel 4 (UK) while channel hopping a few years back. My attention was grabbed within minutes. Its the most moving and realistic film to deal with the way AIDS affects lives. This film does not rely on Hollywood sentimentality. No big budget scenes and special effects. In fact the quality was almost that of a home made movie. But then again, the film was meant to put you so much closer to the actors and the story. So what better way that apparently watching someones home movie? It works. See how people are forced to questions their own prejudices, sees how others live and how their values and beliefs may not be the same as yours, but are just as valid. If you get to the end and never have at least the starting of a tear in your eye at any point, then you heart must truly be made of stone. Wish I knew if it was available on DVD or even VHS somewhere.

I have been vocal before how many in the media and governing political parties spread misinformation and lies about Aids in the early 1980s.

Conservative and religions groups had a vested interest in labelling Aids as a gay only disease. Thousands of hetrosexuals, intravenous drug users, haemophiliacs contracted Aids/HIV because they thought they would be safe. It would not affect them.

Buddies released in 1985 very much as this in the heart of this movie. Gay men with Aids were denied help from government funding. Having to rely on charity.

Robert Willow (Geoff Edholm) is in hospital dying of Aids. His life as gay man was difficult, ostracised from his family when he came out.

David Bennett (David Schachter) is a young gay man in a relationship and with a supportive family. He has volunteered to be a hospital buddy and he is nervous about it.

David and Robert are contrasting personalities. It shows up when they discuss Gay Parades. It is not David's things, he wants to keep his personal life private. Gay activism is not his thing.

Over time they get close and learn to understand each other. This includes David showing an interest in gay politics.

By making David a typesetter who is researching about Aids. It allows writer/director Arthur J Bressan Jr to explore the political implications for Aids. Robert gets angry to learn that Aids is meant to be God's revenge from some anti gay groups.

As in the British television series It's A Sin shown in 2021. Robert dies without his friends being with him. A hospital mix up meant, David could not be contacted.

Buddies was a small scale film made on a very low budget. It only played on the independent film circuit.

Both Edholm and Bressan jr later died of Aids. Because of the the time it was made, it is an important document of that era. Hollywood would later revisit the themes in Longtime Companion in 1989.

A gay man (in a happy monogamous relationship) becomes a buddy with another man dying of AIDS. They slowly become closer and closer...

I was one of the few people to actually see this in a movie theatre back in 1985. It played at a VERY small art house cinema and was the first film ever made to deal with AIDS. It was written and directed by a gay man (Arthur Bressan Jr.) who, sadly, died of AIDS two years later.

It was shattering. At the time I was a closeted gay man with no gay friends and knew nothing about AIDS. This movie really opened my eyes. It didn't scare me from coming out though--it does have the gay, HIV- couple who clearly love each other. The acting was great and it all built up to a powerful climax that left me crying (I wasn't alone--everyone else in the theatre was in tears also).

This is a powerful, depressing film but it should be required viewing for everyone! It's also sad that Bressan is no longer with us. He had the courage to make this film and it is well-written and directed. This has disappeared completely since 1985 and was overshadowed by "Longtime Companion" in 1990. That's too bad--I'd love to see this again.

Powerful and moving. A 10.

As a child of that generation, a peer who survived, I couldn't help but getting very wet cheeks about 10 minutes into the reel. This isn't just a downer/dying film though, it's actually quite uplifting, even erotic and funny for a few seconds. They don't hire actors like these and they don't produce movies like these today. There aren't stories like these today, and that's a very good thing. Still, like other remembrances of the things that brought humanity so far down in the last century, look at this and learn, and remember. Never forget this, the deeply human experience. This isn't a story about a cause or an idea, it's a high-res (before that term existed) depiction of an intimate, loving relationship between two people. This movie is way ahead of it's time,and the current time, early 2016.

The faults to be found with this film are probably all in the technical production value, it was shot in the early 80's and the sound is a little hard to grasp at times. But the cinematography, acting, story and soundtrack are monumental.

Necessarily crude but no less potent for that. In fact, as Koresky points out, its amateurishness only serves to give the film an extremely sensitive quality. One of those movies that feels like a UFO sighting; rarely seen, alien in conception and creation. You sense how open and urgent it feels, which counts for a lot and I was moved by it even in spite of its rudimentary aspects