Ajouter une intrigue dans votre langueDocuments the preparation and rehearsals for Sting's first solo concert, as well as his supporting band's opinions on their leader and his controversial efforts.Documents the preparation and rehearsals for Sting's first solo concert, as well as his supporting band's opinions on their leader and his controversial efforts.Documents the preparation and rehearsals for Sting's first solo concert, as well as his supporting band's opinions on their leader and his controversial efforts.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Michael Apted
- Self
- (voix)
- (non crédité)
- …
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This is a terrific documentary about the organization and workings of a band being formed from very talented players. And yes Miles Copeland might seem arrogant but in reality he's just being real. The other members of the band wouldn't get paid as much or draw the same audience without Sting headlining. That's one of the primary points of the film. But despite that, you appreciate that the amazing performances are solely due to the COMBINED talent of the players - not just Sting. I just wish I could find a place to buy a copy.
The ending is also very touching. This is a great movie to watch if you are a fan of Sting, Branford Marsalis, Kenny Kirkland or any of the other musicians.
The ending is also very touching. This is a great movie to watch if you are a fan of Sting, Branford Marsalis, Kenny Kirkland or any of the other musicians.
They don't get much better than this. This is one of those films that after viewing, you want to thank the producers for capturing and preserving the events for all of us to repeatedly enjoy.
I came to this project knowing little of Sting and his music and being more familiar with the work of the Saxophonist, Brandford Marsalis, of the renown New Orleans Marsalis music family. I later learned that Sting was receiving much of the same criticisms Mr. Marsalis and his fellow musicians were receiving for joining in on this project of merged rock/jazz/blues/funk idioms. However, as we all know, the critics travel at a slower speed than the artists and often require time to catch up. One need only reflect on Gershwin's 'Porgy and Bess,' 'Charlie Parker with Strings,' or any other project that breaks from traditional established patterns.
Twenty years later, this is still some of the best music made. It rocks in the full sense of the word. This group of personnel were only together for a relatively short period of time, but fortunately, we have this event and period captured on video. When the pianist in this film, Kenny Kirkland, past away at such a young age in 1998, I was reminded of the great work of all the musicians in this film.
I came to this project knowing little of Sting and his music and being more familiar with the work of the Saxophonist, Brandford Marsalis, of the renown New Orleans Marsalis music family. I later learned that Sting was receiving much of the same criticisms Mr. Marsalis and his fellow musicians were receiving for joining in on this project of merged rock/jazz/blues/funk idioms. However, as we all know, the critics travel at a slower speed than the artists and often require time to catch up. One need only reflect on Gershwin's 'Porgy and Bess,' 'Charlie Parker with Strings,' or any other project that breaks from traditional established patterns.
Twenty years later, this is still some of the best music made. It rocks in the full sense of the word. This group of personnel were only together for a relatively short period of time, but fortunately, we have this event and period captured on video. When the pianist in this film, Kenny Kirkland, past away at such a young age in 1998, I was reminded of the great work of all the musicians in this film.
Good documentary featuring Sting and his new band doing a lot of rehearsing in a grand old domicile. We are treated not only to the final touches of putting together a new set of songs, but a peek into the more relaxed moments together and a rousing concert finale. An eye opening look into the inner workings of a jazz band and the mind of a talented entertainer.
This is not a revealing doco. It's a celebration of the artist, Sting. On this tour he manages to round up some fine Jazz musicians and slot them right into his creative process. A few insightful moments are delivered but in the end it has nothing new to offer but a free peak into the workings of another creative mind in progress.
Overall it's very interesting to follow the start of Sting's "new" music career after The Police. I think a lot of fans might have been disappointed, since the music he started playing after leaving The Police was completely different from what he used to do. However, I think this movie really shows what a incredible and talented musician Sting is. "Bring on the night" is a film that all fans of Sting & The Police MUST see. It's interesting to hear Sting talking about some of his experiences considering music. Yes, he seems a little arrogant in person - almost depressed. But his stage prescens is one of a kind. His voice sounds better and more clean than when he was in The Police and it's fun to see him play other instruments than bass guitar, like piano and electric guitar. Not many people know that he also plays the saxophone, oboe, banjo and several other instruments and is in fact very scilled in playing them.
Le saviez-vous
- AnecdotesThe film won the Grammy Award for "Best Music Video, Long Form" at the Grammy Awards in 1987 for video director Michael Apted and artist & video producer Sting.
- GaffesDuring the last song, "Message in a Bottle", Sting plays a cream Fender Telecaster. For the last verse through the end of the song, he is playing a black Fender Stratocaster. When he says, "Goodnight," and walks off stage, he is seen taking off the cream Telecaster. The song is clearly pieced together from separate performances.
- ConnexionsEdited into Sting: I Burn for You (1985)
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 1 890 571 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 132 112 $US
- 10 nov. 1985
- Montant brut mondial
- 1 890 571 $US
- Durée
- 1h 37min(97 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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