Ajouter une intrigue dans votre langueDocuments the preparation and rehearsals for Sting's first solo concert, as well as his supporting band's opinions on their leader and his controversial efforts.Documents the preparation and rehearsals for Sting's first solo concert, as well as his supporting band's opinions on their leader and his controversial efforts.Documents the preparation and rehearsals for Sting's first solo concert, as well as his supporting band's opinions on their leader and his controversial efforts.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Michael Apted
- Self
- (voix)
- (non crédité)
- …
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The version of "I Burn for You" is outstanding - Omar Hakim is incredible on drums in this version. I much prefer the video version of the song to the one on the "Bring on the Night" CD. Also, the scenes showing the component parts of "Children's Crusade" and how they fit together provide a whole new appreciation for the song. I also enjoy the lighter moments in the movie - for example, showing the entire band eating meals and joking around with each other is refreshing. With all of the garbage being released on DVD these days (see the bargain bin at any large volume discount store) - I cannot believe Bring on the Night has not been released on DVD yet! Please do so soon!
This is not a revealing doco. It's a celebration of the artist, Sting. On this tour he manages to round up some fine Jazz musicians and slot them right into his creative process. A few insightful moments are delivered but in the end it has nothing new to offer but a free peak into the workings of another creative mind in progress.
10szola
When this first came out 20 years ago I wasn't convinced Sting was as good as some (and he) would have us believe. After watching it, however, I had no doubts that this guy was a musical genius. Arrogant at times, but more often confident, he gambled his future on going solo, departing from perhaps the best rock group of its or any other time, the Police, and then rolled the dice again by allowing a film crew to capture the evolution of his new band from its inception. Shot on location primarily in and around Paris, the documentary-music-concert is full of revealing footage, showing the master at work as he directs his accomplished charges down a new path. The video is also filled, thanks to the wonderfully adroit editing of director Michael Apted, with light and spontaneous moments, banter and jockeying, as the musicians get to know themselves both as professionals and as people. In addition, candid and sometimes unpredictable interviews with Sting, the players, the band's manager, photographer, and others are strategically spliced into the body of the work. Fortunately free of the tantrums or heated exchanges so common in today's reality TV, this is nonetheless as authentic a portrait of music life behind the scenes as exists anywhere. The triumphant culmination is the concert where Sting unveils the band as well as his new material to an enthusiastic French audience. There are some surprises along the way, a questionable shot or two, but overall this is a real treat and one of its kind.
Apted is a marvelous documentarian - he caught the spirit of rehearsals, and the personal, creative dynamics between gifted musicians. Unfortunately, he also captured Sting and his manager Miles Copeland during a variety of candid and staged interviews. The two of them have the worst personalities you'll ever see in a documentary - arrogant, pompous, pretentious and in Copeland's case, just down right mean spirited to the point where you feared for the man's emotional stability. It was a real eye opener to see that a supposedly 'spiritual' talent of Sting's stature would employ such a truly tacky, nasty piece of work such as Miles Copeland. If you love Sting's music as I do, you'll not rent this thing because you'll never listen to him the same way again.
This is a terrific documentary about the organization and workings of a band being formed from very talented players. And yes Miles Copeland might seem arrogant but in reality he's just being real. The other members of the band wouldn't get paid as much or draw the same audience without Sting headlining. That's one of the primary points of the film. But despite that, you appreciate that the amazing performances are solely due to the COMBINED talent of the players - not just Sting. I just wish I could find a place to buy a copy.
The ending is also very touching. This is a great movie to watch if you are a fan of Sting, Branford Marsalis, Kenny Kirkland or any of the other musicians.
The ending is also very touching. This is a great movie to watch if you are a fan of Sting, Branford Marsalis, Kenny Kirkland or any of the other musicians.
Le saviez-vous
- AnecdotesThe film won the Grammy Award for "Best Music Video, Long Form" at the Grammy Awards in 1987 for video director Michael Apted and artist & video producer Sting.
- GaffesDuring the last song, "Message in a Bottle", Sting plays a cream Fender Telecaster. For the last verse through the end of the song, he is playing a black Fender Stratocaster. When he says, "Goodnight," and walks off stage, he is seen taking off the cream Telecaster. The song is clearly pieced together from separate performances.
- ConnexionsEdited into Sting: I Burn for You (1985)
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 1 890 571 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 132 112 $US
- 10 nov. 1985
- Montant brut mondial
- 1 890 571 $US
- Durée1 heure 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Bring on the Night (1985) officially released in India in English?
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