Ajouter une intrigue dans votre langueDocuments the preparation and rehearsals for Sting's first solo concert, as well as his supporting band's opinions on their leader and his controversial efforts.Documents the preparation and rehearsals for Sting's first solo concert, as well as his supporting band's opinions on their leader and his controversial efforts.Documents the preparation and rehearsals for Sting's first solo concert, as well as his supporting band's opinions on their leader and his controversial efforts.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Michael Apted
- Self
- (voix)
- (non crédité)
- …
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Apted is a marvelous documentarian - he caught the spirit of rehearsals, and the personal, creative dynamics between gifted musicians. Unfortunately, he also captured Sting and his manager Miles Copeland during a variety of candid and staged interviews. The two of them have the worst personalities you'll ever see in a documentary - arrogant, pompous, pretentious and in Copeland's case, just down right mean spirited to the point where you feared for the man's emotional stability. It was a real eye opener to see that a supposedly 'spiritual' talent of Sting's stature would employ such a truly tacky, nasty piece of work such as Miles Copeland. If you love Sting's music as I do, you'll not rent this thing because you'll never listen to him the same way again.
Good documentary featuring Sting and his new band doing a lot of rehearsing in a grand old domicile. We are treated not only to the final touches of putting together a new set of songs, but a peek into the more relaxed moments together and a rousing concert finale. An eye opening look into the inner workings of a jazz band and the mind of a talented entertainer.
The version of "I Burn for You" is outstanding - Omar Hakim is incredible on drums in this version. I much prefer the video version of the song to the one on the "Bring on the Night" CD. Also, the scenes showing the component parts of "Children's Crusade" and how they fit together provide a whole new appreciation for the song. I also enjoy the lighter moments in the movie - for example, showing the entire band eating meals and joking around with each other is refreshing. With all of the garbage being released on DVD these days (see the bargain bin at any large volume discount store) - I cannot believe Bring on the Night has not been released on DVD yet! Please do so soon!
They don't get much better than this. This is one of those films that after viewing, you want to thank the producers for capturing and preserving the events for all of us to repeatedly enjoy.
I came to this project knowing little of Sting and his music and being more familiar with the work of the Saxophonist, Brandford Marsalis, of the renown New Orleans Marsalis music family. I later learned that Sting was receiving much of the same criticisms Mr. Marsalis and his fellow musicians were receiving for joining in on this project of merged rock/jazz/blues/funk idioms. However, as we all know, the critics travel at a slower speed than the artists and often require time to catch up. One need only reflect on Gershwin's 'Porgy and Bess,' 'Charlie Parker with Strings,' or any other project that breaks from traditional established patterns.
Twenty years later, this is still some of the best music made. It rocks in the full sense of the word. This group of personnel were only together for a relatively short period of time, but fortunately, we have this event and period captured on video. When the pianist in this film, Kenny Kirkland, past away at such a young age in 1998, I was reminded of the great work of all the musicians in this film.
I came to this project knowing little of Sting and his music and being more familiar with the work of the Saxophonist, Brandford Marsalis, of the renown New Orleans Marsalis music family. I later learned that Sting was receiving much of the same criticisms Mr. Marsalis and his fellow musicians were receiving for joining in on this project of merged rock/jazz/blues/funk idioms. However, as we all know, the critics travel at a slower speed than the artists and often require time to catch up. One need only reflect on Gershwin's 'Porgy and Bess,' 'Charlie Parker with Strings,' or any other project that breaks from traditional established patterns.
Twenty years later, this is still some of the best music made. It rocks in the full sense of the word. This group of personnel were only together for a relatively short period of time, but fortunately, we have this event and period captured on video. When the pianist in this film, Kenny Kirkland, past away at such a young age in 1998, I was reminded of the great work of all the musicians in this film.
This may be one of if not THE best rock documentary ever! While most "rock-umentaries" just show a long, drawn-out concert, this one goes from Sting's leaving The Police, to forming an entirely brand new band, to Sting's first solo concert. Some people criticize this movie because some of the interviewees are blunt, pretentious, offensive, or whatever. Well, I'm sorry, do you want a truthful documentary or do you want fiction? If you want to see the making of a REAL rock band, this is a must see film. And if you don't like the music, then seriously, there must be something wrong with you!
Le saviez-vous
- AnecdotesThe film won the Grammy Award for "Best Music Video, Long Form" at the Grammy Awards in 1987 for video director Michael Apted and artist & video producer Sting.
- GaffesDuring the last song, "Message in a Bottle", Sting plays a cream Fender Telecaster. For the last verse through the end of the song, he is playing a black Fender Stratocaster. When he says, "Goodnight," and walks off stage, he is seen taking off the cream Telecaster. The song is clearly pieced together from separate performances.
- ConnexionsEdited into Sting: I Burn for You (1985)
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 1 890 571 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 132 112 $US
- 10 nov. 1985
- Montant brut mondial
- 1 890 571 $US
- Durée
- 1h 37min(97 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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