Blackout: L'obsession d'un flic

Superior TV film opens with a murdered mother and her kids set up as if they were celebrating the youngest's birthday, which was when the murders took place. The father/husband, Ed Vincent, is missing and assumed the culprit. Detective Steiner (Richard Widmark) becomes obsessed with finding Vincent. Meanwhile, a guy picks up a hitcher only to wreck shortly thereafter. One man dies, the other (Keith Carradine) has no memory and needs facial reconstruction surgery. The survivor eventually recovers and marries his nurse (Kathleen Quinlan). Years later, a still obsessed Steiner receives an anonymous tip in the form of a newspaper clipping. He's thus led to believe that the survivor is in fact Ed Vincent, and sets out to be sure.

Great film, I really enjoyed it. Supported by a strong cast, the characters are all fleshed out and feel real. The film also plays with your expectations, turning them around time and time again. This in turn ratchets up the tension. There are some creepy moments as well, like sinister phone calls and the scenes with the zipper-faced maniac on the prowl. Speaking of that, I loved the mask, and wished it had been used more. It comes off too soon during the finale. Two other minor quibbles: I didn't find Quinlan's character sympathetic, and there's one bothersome contrivance involving a radio towards the end.

Highly recommended film with a strong central theme.

Blackout is an HBO TV film that stars Richard Widmark as a dedicated cop who catches a grisly case of a family massacre along the lines of the infamous John List case. A wife and two children are slaughtered and the husband has skipped. Widmark pursues the case even into his retirement. I'm guessing seeing something like that will give you a twisted dedication.

The latest lead takes him to another town a few hundred miles away where Keith Carradine was an amnesia patient and no memory of his after surviving a fiery car crash and needing much plastic surgery. He marries his nurse Kathleen Quinlan and now they have three children seven years after the other incident.

Could he be Widmark's quarry? No evidence, no forensic evidence to go either way. There's another complicating factor, a serial rapist starts operating in the area whom the cops suspect is Carradine. At least one cop is pursuing that. Michael Beck has not forgotten that Carradine snatched Quinlan from him. He'd love to get him out of the way.

Widmark as the veteran cop dominates this film. Only at the beginning and the end does this film merit being called a slasher flick. Otherwise it's a good nail biting mystery.

A woman and her three children are brutally murdered-and her husband mysteriously disappeared.The police chief who handled the case remains obsessed with tracking down the killer.An anonymous tip points him in the direction of a totally disfigured amnesiac."Blackout" is a pretty good thriller.The action is slow-paced,but there is plenty of suspense.The acting is pretty good and there are some horrifying moments.Check it out.7 out of 10.

"Blackout" is similar to at least a bunch of other films, in that someone has no recollection of who they are or their past history. Obsessed detective, Richard Widmark, believes he finally has found his prime suspect in a seven year old murder investigation. Problem is their identity cannot be confirmed because of reconstructive surgery following a horrific car accident, and they remember nothing. The film tries to cast doubt on Widmark's suspicions, even so far as suggesting he planted evidence to help his cause. This TV movie is way above average, with an intriguing script, creative photography, and convincing acting, especially from suspect Keith Carradine. Although the audience has several theories to choose from, the conclusion is both frightening and logical. - MERK

A TV presentation that was better than expected and managed to throw up a good amount of jarring suspense and genuine twists in a customary murder mystery thriller set-up. Director Douglas Hickox (father of director Anthony Hickox) gets the goods out of his first-rate cast consisting of Richard Widmark, Keith Carradine, Kathleen Quinlan and Michael Beck. Widmark's hardened ex-cop and Quinlan's concerned wife are pure class. Carradine is terrifically convincing in the lead role.

After the discovery of a brutally murdered mother and her children, the search begins for the father, but he seems to have disappeared. Six years later the cop who was in charge of the case is retired by the force, but still looking into the case. In the mail he receives an anonymous letter with an article that features a man who recovered from a devastating car accident, but had lost his memory about his past. Now his starting a new life with a family, but could he be the killer?

In the air are a disturbing and glum vibe, and the opening sequence cements it. What begins is quite slow-going in a melodrama format, but the gradually tight build-up psychologically toys around with the viewer of what to possibility to believe. It's resourcefully written and relies on Hickox's competently accomplished directorial timing to get the most out of mysterious avenues and intense flourishes. Never does it fall into anything cheap or uninspired, and the red herrings are pulled off effectively and the intensity grows to lead onto the final revelation. The enliven score is well-placed and sorrowfully orchestrated for maximum impact.

The TV feature 'Blackout' is one to look out for.