Un jeune garçon et ses amis marginaux partent à l'aventure pour trouver un objet de magie noire à la puissance ultime avant un tyran diabolique.Un jeune garçon et ses amis marginaux partent à l'aventure pour trouver un objet de magie noire à la puissance ultime avant un tyran diabolique.Un jeune garçon et ses amis marginaux partent à l'aventure pour trouver un objet de magie noire à la puissance ultime avant un tyran diabolique.
- Réalisation
- Scénario
- Casting principal
Grant Bardsley
- Taran
- (voix)
Freddie Jones
- Dallben
- (voix)
Susan Sheridan
- Eilonwy
- (voix)
Nigel Hawthorne
- Fflewddur
- (voix)
John Byner
- Gurgi
- (voix)
- …
Lindsay Rich
- Fairfolk
- (voix)
Brandon Call
- Fairfolk
- (voix)
Gregory Levinson
- Fairfolk
- (voix)
Eda Reiss Merin
- Orddu
- (voix)
Adele Malis-Morey
- Orwen
- (voix)
Billie Hayes
- Orgoch
- (voix)
Phil Fondacaro
- Creeper
- (voix)
- …
Peter Renaday
- Henchman
- (voix)
James Almanzar
- Henchman
- (voix)
Wayne Allwine
- Henchman
- (voix)
Steve Hale
- Henchman
- (voix)
Phil Nibbelink
- Henchman
- (voix)
Avis à la une
There were many good things going on in the Black Cauldron. First, there were NO SONGS, which really helped move things along. Second, the villain was truly frightening, the supporting cast was a lot of fun, and the movie's breakneck pace held my interest and entertained me throughout. But, there were some bad things as well. Taran wasn't really a character at all. Every important thing that happened to him was by luck or accident. And at the end of the story he's right back where he started. Also, the plot was little more than a succession of action sequences, with little sense holding it together. The heroes simply fell out of one situation into the next, perhaps the result of squeezing two full-length novels into one movie. And don't get me started on the ending. Our hero stumbles through the picture so that -- his furball sidekick can become the true hero of the piece. Yech. Still, I was entertained, and I'd see it again. But for those looking for the REAL Black Cauldron, read "The Chronicles of Prydain" by Lloyd Alexander. You'll be glad you did.
I get tired of hearing people say that this is one of the worst Disney films ever. This film is energetic and action packed.
Simply because the movie is on the bleak side it has gotten unjust criticism. Sure Disney was not at a high point during this time but this movie was better than many others made during the 80's. Oliver and Company is good and I like it more than this but that's because I have more memories from it than BC. The Great Mouse Detective was alright but not anywhere as remotely good as these two films.
I haven't seen The Black Cauldron many times but it is a good Disney film. People who have a problem with the darkness of the film let me put it this way, "Don't watch it and don't show it to your young children!" If you think they can handle it later on than go ahead but don't knock the movie just because it's not what you think Disney should be.
The Black Cauldron is geared more towards a male audience but I am sure some girls may enjoy it as well.
If you haven't seen The Black Cauldron and your a big Disney fan at least give it a shot.
Simply because the movie is on the bleak side it has gotten unjust criticism. Sure Disney was not at a high point during this time but this movie was better than many others made during the 80's. Oliver and Company is good and I like it more than this but that's because I have more memories from it than BC. The Great Mouse Detective was alright but not anywhere as remotely good as these two films.
I haven't seen The Black Cauldron many times but it is a good Disney film. People who have a problem with the darkness of the film let me put it this way, "Don't watch it and don't show it to your young children!" If you think they can handle it later on than go ahead but don't knock the movie just because it's not what you think Disney should be.
The Black Cauldron is geared more towards a male audience but I am sure some girls may enjoy it as well.
If you haven't seen The Black Cauldron and your a big Disney fan at least give it a shot.
"The Black Cauldron" certainly doesn't fall into the genre of animated Disney family favorite, but instead feels much like the more grim and complicated fantasy films that were made in the eighties. Does it stack up to such films as "Return To Oz" and "The Dark Crystal"? Well, although not as complex as the aformentioned, this film is not without its charm.
The story of Taran, the pig-keeper's journey from gawky boy to gawky boy-hero apparently works better as told through the course of five books, and indeed it is the plot that feels put together, with a lot cut out of it for it's slim 1:20 running time. Also suffering because of the short time is any character development, or a reason why the charcter of Dallben (an old minstrel) are in the film at all. However, this film still has a lot going for it.
The film has a wonderful pacing to it with some fantastic action scenes. It is adventurous and fun. An engaing film for any fantasy fan. What really makes the film though is it's terrifying and dastardly villain, The Horned King. He is basically a Skeletor knock off with absolutely no sense of humor. He looks like he stepped right out of an Iron Maden album cover, and that is a monumental good thing. The true threat felt by the presence of this decidedly un-Disney character keeps the tension of the film high.
It is this contrast, between the unconventionally ghoulish villans (definatly enspirered by Bakshi's animated adaptation of "Lord of the Rings") and the stock Disney characters makes the audience care more-so for the cutesy characters than usual. This is especially true for the cutsey character of Gurgi, who is much more tollerable than almost all other Disney sidekicks and especially more tollerable than a certain J*r J*r B*nks that we have all been over exposed to lately.
So I would recommend "The Black Cauldron", it's a fun and well animated adventure film. Compleatly scary and strange for Disney to make, but still very very good for other reasons nonetheless.
The story of Taran, the pig-keeper's journey from gawky boy to gawky boy-hero apparently works better as told through the course of five books, and indeed it is the plot that feels put together, with a lot cut out of it for it's slim 1:20 running time. Also suffering because of the short time is any character development, or a reason why the charcter of Dallben (an old minstrel) are in the film at all. However, this film still has a lot going for it.
The film has a wonderful pacing to it with some fantastic action scenes. It is adventurous and fun. An engaing film for any fantasy fan. What really makes the film though is it's terrifying and dastardly villain, The Horned King. He is basically a Skeletor knock off with absolutely no sense of humor. He looks like he stepped right out of an Iron Maden album cover, and that is a monumental good thing. The true threat felt by the presence of this decidedly un-Disney character keeps the tension of the film high.
It is this contrast, between the unconventionally ghoulish villans (definatly enspirered by Bakshi's animated adaptation of "Lord of the Rings") and the stock Disney characters makes the audience care more-so for the cutesy characters than usual. This is especially true for the cutsey character of Gurgi, who is much more tollerable than almost all other Disney sidekicks and especially more tollerable than a certain J*r J*r B*nks that we have all been over exposed to lately.
So I would recommend "The Black Cauldron", it's a fun and well animated adventure film. Compleatly scary and strange for Disney to make, but still very very good for other reasons nonetheless.
I must say first that my opinion on this film is slightly biased. I was one of the handful of people to have seen this film on its initial theatrical run. I was also 11 and a boy (a target audience of this film). I owned the Gurgi and Hen Wen plushes, got excited by the preview on the "Pinocchio" video, etc.,etc.
After seeing the movie, I remember being entertained (maybe not enthralled) by the film and was saddened by Gurgi's sacrifice at the end.
Years passed. And passed. And passed. And people seemed to have forgotten "Black Cauldron" in the wake of "Little Mermaid" and her successors.
I must admit that I became somewhat obsessed with finding out why Disney thought of the film so poorly and why everyone gave me "blank stares" when I mentioned it. To say the least, I longed for a video release of the film.
A year or two ago, I got my wish, and now that I'm older and "wiser" I'm able to make a better judgement of the film. Is it Disney's worst film ever? Absolutely not. "Black Cauldron" is probably the finest animated film of the 1980's ("Little Mermaid" not withstanding). It IS a scary film for young kids (hence the PG rating) but I think audiences today are able to deal with that more than they were back in 1985 (just look at "Dinosaur," "Road to El Dorado," and the upcoming "Titan AE" which are all rated PG). The story may not be up to Disney standards, but for a film of its genre (i.e fantasy) it has a very compelling and understandable story. The animation has its highs and lows. But this film was made by a large number of people over a long period of time, so it is inevitable that there should be some fluctuation in quality.
Lastly, I too have read Lloyd Alexander's books, and I too adore them. No, Disney's film does not even begin to compare to the books, but what movie does?
On its own terms, "Black Cauldron" stands as a remarkable achievement in animation, and a film for those people who don't just think cartoons are "babysitters for kids."
After seeing the movie, I remember being entertained (maybe not enthralled) by the film and was saddened by Gurgi's sacrifice at the end.
Years passed. And passed. And passed. And people seemed to have forgotten "Black Cauldron" in the wake of "Little Mermaid" and her successors.
I must admit that I became somewhat obsessed with finding out why Disney thought of the film so poorly and why everyone gave me "blank stares" when I mentioned it. To say the least, I longed for a video release of the film.
A year or two ago, I got my wish, and now that I'm older and "wiser" I'm able to make a better judgement of the film. Is it Disney's worst film ever? Absolutely not. "Black Cauldron" is probably the finest animated film of the 1980's ("Little Mermaid" not withstanding). It IS a scary film for young kids (hence the PG rating) but I think audiences today are able to deal with that more than they were back in 1985 (just look at "Dinosaur," "Road to El Dorado," and the upcoming "Titan AE" which are all rated PG). The story may not be up to Disney standards, but for a film of its genre (i.e fantasy) it has a very compelling and understandable story. The animation has its highs and lows. But this film was made by a large number of people over a long period of time, so it is inevitable that there should be some fluctuation in quality.
Lastly, I too have read Lloyd Alexander's books, and I too adore them. No, Disney's film does not even begin to compare to the books, but what movie does?
On its own terms, "Black Cauldron" stands as a remarkable achievement in animation, and a film for those people who don't just think cartoons are "babysitters for kids."
Always curious about The Black Cauldron, I finally got around to it after seeing a DVD at the rental store. Despite a lot of grating elements, I ended up liking it overall.
The movie starts off on the wrong foot. The voices come across as recorded at low fidelity, and when combined with the sometimes hard-to-understand British accents, can be somewhat off-putting. Issues with voice and script become even more pronounced with characters such as Gurgi and his Gollum-esquire speech patterns. Indeed, the second time I watched the DVD I threw the English subtitles on, and not just for Gurgi.
Other problems with voicing include an exceedingly dull lead actor for Taran (he simply can't emote), and an overly chirpy female lead for Eilonwy.
Most other elements of the film proved passable if predictable in the Disney mold of plot, hero design, sidekicks, etc. Where it branches out for the better is in avoiding any and all musical interludes and along the way offering some scenarios and graphic effects that are more mature than most other Disney animated feature films (though later in the '90s the likes of The Lion King, Hunchback, and Tarzan would also tangle with mature themes).
Animation is also spectacularly mixed in quality, an odd distinction among Disney films but a distinction nonetheless. Usually solid, there are high points such as external shots of a dark castle or a visceral chase sequence. There are also low points such as unnatural shifts in hair color that overemphasize different environments, or obvious spots where animation was rushed (a rock slide sequence).
Yet for all these lows and highs, as an animation fan I ended up siding with the high points. Many sequences are inviting to re-watch, even if the entirety of the movie may not be. For all the talk of failure that continues to surround this movie, one can see in the film itself elements of a more mature Disney that could have been extremely promising with a more seasoned batch of animators and a world less hostile to PG animated fare.
The movie starts off on the wrong foot. The voices come across as recorded at low fidelity, and when combined with the sometimes hard-to-understand British accents, can be somewhat off-putting. Issues with voice and script become even more pronounced with characters such as Gurgi and his Gollum-esquire speech patterns. Indeed, the second time I watched the DVD I threw the English subtitles on, and not just for Gurgi.
Other problems with voicing include an exceedingly dull lead actor for Taran (he simply can't emote), and an overly chirpy female lead for Eilonwy.
Most other elements of the film proved passable if predictable in the Disney mold of plot, hero design, sidekicks, etc. Where it branches out for the better is in avoiding any and all musical interludes and along the way offering some scenarios and graphic effects that are more mature than most other Disney animated feature films (though later in the '90s the likes of The Lion King, Hunchback, and Tarzan would also tangle with mature themes).
Animation is also spectacularly mixed in quality, an odd distinction among Disney films but a distinction nonetheless. Usually solid, there are high points such as external shots of a dark castle or a visceral chase sequence. There are also low points such as unnatural shifts in hair color that overemphasize different environments, or obvious spots where animation was rushed (a rock slide sequence).
Yet for all these lows and highs, as an animation fan I ended up siding with the high points. Many sequences are inviting to re-watch, even if the entirety of the movie may not be. For all the talk of failure that continues to surround this movie, one can see in the film itself elements of a more mature Disney that could have been extremely promising with a more seasoned batch of animators and a world less hostile to PG animated fare.
Le saviez-vous
- AnecdotesThe first Disney animated film that's not a musical, does not contain any songs neither performed by characters, nor in the background.
- GaffesTaran unchains the gate barring their escape from the castle. In subsequent shots, the lock and chains reappear and then, finally disappear.
- Crédits fousThere are no opening or cast and crew credits.
- Versions alternativesThe version of the film released to theaters omits numerous fully animated scenes that include shots of graphic violence as Taran fights his way out of the castle and shots of Eilonwy sporting ripped garments as she's hanging for her life with Taran and Fflewddur. The most well-known deleted scene, due to a clumsy jump that it left in the film's soundtrack and a cel of the infamous scene appearing online, is that of a man being mauled by one of the Cauldron-born.
- ConnexionsEdited from Fantasia (1940)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Le Chaudron noir
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 44 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 21 288 692 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 180 110 $US
- 28 juil. 1985
- Montant brut mondial
- 21 289 357 $US
- Durée
- 1h 20min(80 min)
- Couleur
- Rapport de forme
- 2.39 : 1
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