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Savage Steve Holland's sensational 'Better Off Dead...' is another one of my favourite teen films. I had seen this movie decades ago but didn't catch the name. I've been looking for the nameless film for years and only recently I found out the title and got it immediately.

Ah, the nostalgic 80s when kids knew how to be young rather than spend their days on the cellphone or behind the computer. The film delightfully spoofs those teen angst movies that were so popular at the time. Lane's ex-girlfriend giving him an excuse that she dumped him for someone better looking and more popular, Lanes failed suicide attempts, Lanes cartoons are among some of the most amusing sequences.

Holland gives the film a unique treatment. 'Better Off Dead...' has an innovative quality that makes it one of a kind. It includes the adorable claymated romantic Hamburgers, cartoons, a stalking paperboy, a ski competition on one leg, a little brother who's a silent genius and an international language. Holland put a lot of heart in the writing and some of the lines had me rolling on the floor laughing.

The acting is splendid. The character Lane seems tailor-made for John Cusack. I've always thought of Cusack as an underrated actor and 'Better Off Dead...' is one of the few movies that does justice to his talents (even though this is perhaps one of his first roles). A vivacious Diane Franklin is supercute and she has the loveliest smile. The chemistry between her and Cusack is undeniable and both have excellent comic timing. David Ogden Stiers and Kim Darby are hilarious as the nutty parents. Curtis Armstrong provides some morbidly funny moments.

To say it in one sentence, 'Better Off Dead...' is one of the rarest examples of teen movies at its best. It already is a classic and while many of us watch it for nostalgic reasons, others may like it simply for the heart and humour.

John Cusack's girlfriend has just dumped him for the biggest jerk in school, and John deals with the depression, anger, and frustration in humorous ways. Slowly, he finds himself bonding with French exchange student Diane Franklin, a beautiful and clever young woman, that helps to build up Cusack's self-image so he can win his girlfriend back.

Better Off Dead follows a familiar basic storyline. Main likeable character is dealt a bad hand in life, pulls themselves up by their bootstraps, and ends up triumphing over the people who pushed them down. This formula led to such films as "Animal House", "Revenge of the Nerds", and "Porky's". Not that these films are bad, they are just similar in basic plot.

Better Off Dead however, adds a bizarre surreal quality unaccomplished by these other films. Perhaps this is due to the claymation hamburger sequence, or the unlikely skiing competition at the end of the film.

Or perhaps it's due to the parade of familiar faces from other 80's films. John Cusack's best friend is none other than Curtis Armstrong, best known as "Booger" in the Revenge of the Nerds movies. Next door neighbor and consummate slob Dan Schneider is recognizable as "Dennis" from the TV show "Head of the Class". Cusack's boss at the fast food joint is played by Chuck Wallace, the title character from "Porky's". And with a bit part, yet one the funniest in the whole film, Yano Anaya reprises his "Grover Dill" persona from "A Christmas Story" in the form of a vengeful paperboy. I WANT MY TWO DOLLARS!!!!

Also has some of the funniest lines in 80's teen comedy, such as Franklin's accidental misuse of the word "testicles", and the comment made by an onlooker when Cusack tumbles into a trash truck.

Definitely better than the majority of 1980's teen comedies.

I've seen "Better Off Dead..." in late 2017. I have a tendency to avoid teen comedies or coming-of-age films once I passed into adulthood. To my defense, most teen films done lately are atrocities, to say the least, with dumb down characters, playing on stereotypes and modern social issues in the wrong way. Not ten minutes in and I instantly regretted not seeing this movie earlier. It has such a wacky take on teenage days in the 80's, with a hint of surreal and supernatural.

"Better Off Dead..." is about a high school student, played by boy-wonder John Cusack, who gets dumped by his girlfriend, leaving him with suicidal inclinations while trying to win her back by extreme measures. The characters are simply excellent, just mildly stereotyping the teen genre, with a memorable newspaper boy and his eternal yell "I want my two dollars!"

Savage Steve Holland's debut film would assure him as a cult director, but sadly once the 90's emerged, he would fall into an abyss of mediocraty.

"Better Off Dead..." is a unique teen movie that captures the vibe of the 80's and is an essential watch in a period where the "brat-pack" ruled.

BETTER OFF DEAD is an impressively energetic debut feature for writer/director Savage Steve Holland. First time director Holland is conspicuously the new kid on the block as he saturates his film with so many ideas, a clear giveaway that he is yet to trust himself enough to release the reigns enough to let his movies breath. The results are spectacularly manic but it really works. Amidst the zany comedy and plentiful sight gags (the cereal boxes with all the giveaways cut out, for example), Holland throws in some amusing cel animation, a stop-motion fantasy sequence, and a cameo from Barney Rubble. Yet despite all the mania, the film's comedy has a level of discipline and restraint that ensures all the jokes land and humorous plot points established early on are satisfyingly resolved.

One of my favourite characters in the film is super-enthusiastic maths teacher Mr Kerber, played by late-great character actor Vincent Schiavelli. Telling maths formula jokes to his spellbound class, Schiavelli spins comedy gold using that discomfortingly warm tone that made him such a sought-after talent. His is one of several casting choices that are pitch perfect: John Cusak as the self-involved teen who wants to end it all when his vapid girlfriend (Amanda Wyss) dumps him for someone more popular; Laura Waterbury as the odious loud-mouthed neighbour and gas guzzling mother of shy bullish nerd Ricky Smith (perfectly played by Dan Schneider); Kim Derby as the timid clueless stay-at-home mom who makes slime-ridden meals that seem somehow sentient and slide off the plate by themselves (her "Frawnch" dinner party host is unforgettable); Curtis Armstrong ostensibly reprising his role from REVENGE OF THE NERDS gets the lion's share of one-liners and he delivers them with so much aplomb; Chuck Mitchell reprising his PORKY'S role is perfect as bad-tempered burger baron Rocko; Diane Franklin as the hapless frustrated French exchange student who is both a fairy godmother and the surprise love interest; monster child Scooter Stevens who wields newspapers as weapons and to whom two dollars means the world; and the super talented David Ogden Stiers as the priggish father attempting to bridge the generation gap with his checked-out son.

BETTER OFF DEAD is not for everyone and the film is most likely best enjoyed by those who lived through the 80s and understand its cultural peccadilloes, but if you have watched your fair share of 80s comedies like SCREWBALLS, 16 CANDLES, BACHELOR PARTY, PORKY'S, NATIONAL LAMPOON'S VACATION, REAL GENIUS, ZAPPED, or POLICE ACADEMY, you might wanna give BETTER OF DEAD a chance. Who knows, after seeing how everybody wants some, you may just want some too!

Better off Dead is definitely one of John Cusack's better 80's teen movies and far superior to the dull 'Say Anything'. The surreal situations and characters (the dreadful cook mother, the homicidal paper boy, Lane's best friend) are wonderful and recall the best work of the Coen brothers, while Cusack's hangdog performance is excellent, standing alongside 'the grifters' and grosse pointe blank as one of the best of his career. It stands as one of the most interesting and original teen movies to ever grace the genre and it is a great shame that writer/director Savage Steve Holland never hit these highs again, spending the remiander of his career languishing in TV hell.

I cannot praise this film enough.

**** out of five