L'amour braque

The plot is really very simple but the dialogue is completely nonsensical!! It's as if every character has had a stroke and can't put together a simple sentence. You could almost get as much out of the movie if you muted it all the way through. The style reminds me of "A Clockwork Orange" with the hyperactive characters, only more difficult to understand the dialogue. I had to add this movie to my collection solely for the incredible Sophie Marceau. As usual we get to see plenty of skin from one of the most beautiful and sexy women ever on film. She is truly a work of art in my opinion, every flawless inch! Dostoyevsky is my favorite author, but I'm not too sure he would want to be credited with this film.

This movie is totally insane, all the characters are weird and the actors even sophie marceau are at their worst ,i tried to find a single person that would be a bit normal but there was none, stay away for sure

Calling this film insane would be insulting the medium of cinema. No film can be deemed insane because the actual truth is that the real lunatics are all those human beings who are insane enough to call films insane. L'Amour braque is a hard to crack puzzle in the garb of an unintelligible film. It is a film which necessitates multiple viewing sessions in order to fathom its complexity. Of course, it is violent although there are various allusions to Dostoyevsky (people please remember Raskolnikov) All the credit for this film's hard to understand nature goes to an unusual down to earth Polish filmmaker based in Paris. Monsieur Andrzej Zulawski is a prolific filmmaker who often casts his girl friend Sophie Marceau in his films. She is a radiating beauty in this film too. There is more than meets the eye in the performance by Tcheky Karyo. L'Amour braque is a high commendable superior visual experience of honesty, richness and professionalism.

Indescribable. Zulawskis rendition of Dostojewski steps over the borders. This is surreal theater from it's most outside, most avant-garde, and yes, it's most autonomous perspective. The viewer is entertained, no doubt; and everything he sees is staged for his entertainment; but never is there a doubt that this is a form art that lives beyond the category of entertainment. To prove that such an art is possible, Zulawski makes his actors transform into lifeless figures that recite paradox phrases; and with that, he makes them the vulnerable animals that people really are, behind their masks. If you look at the dark sides, you can also find innocence, but you won't find reason or rationality – only sheer emotion, usually struggling with one's minds rational side, but the latter is entirely lost here. Still, the protagonists find ways to give their lives a philosophical fundament, and they spent the whole of the film arguing about them, thereby feeling pain, enduring humiliation, reaching for freedom. Harshly uncompromising, ever unforgettable.

Yes, the movie is insane indeed. If you can get your hands on a copy, which is hard to find, you will be rewarded with witnessing a cinematic style that is unmatched in its manic intensity. Acting, camera work, editing, will leave you spinning. Violent, loud, orgasmic, insane. A good introduction to Zulawski's fascinating body of work.