Oliver Twist

OLIVER TWIST films live or die by their Olivers and this ultra-faithful six-hour British mini, dies with two inadequate Olivers. Not that the rest of the cast does much better. No one seems able to sustain the heightened characterizations Dickens needs, giving us a sort of loud, generic hamminess that quickly wears out its welcome. Even so, it's a treat to (just once) get all the story (the Artful Dodger has some surprising character turns), and it's certainly preferable to a recent mini-series which added a 'clarifying' preface. Memorable versions by Frank Lloyd, David Lean & Carol Reed each lose almost half of the story; for the better say I. With early Dickens, small sins of omission do wonders for story construction, especially in keeping Oliver in personal danger for the climax.

I have seen virtually all of the version of Oliver Twist. This one is difficult to come by now in the UK, I had to buy a dutch DVD and use an old DVD player. However, I was not disappointed as this is by far the most complete and definitive version of Oliver Twist. This version adheres very closely to the novel. Usually in Oliver adaptations you have the workhouse stuff at the beginning, then as soon as Oliver gets to London it is virtually then a story about Fagin and Bill Sykes and it uses the gritty romance of these characters to carry the rest of the story home. But it is not a story of Fagin, it is called Oliver Twist. And more specifically, Oliver Twist, the Parish Boy's Progress. This version really keeps Oliver and his challenges and progress through his young life as central to the story. We learn in full depth about his scheming relative Monks and all of his family relations as they come to learn about each other, stuff that is sometimes left out entirely but which is absolutely essential for the story to make sense. Fagin was just as cruel a human being as Bill Sykes and spends the entire novel trying to exploit him for his own ends. Often this is lost in Oliver adaptations which romanticise the life of the thieves as if they were dodgy but well-meaning members of the underclass.

But it is not simply because it the most faithful that this version is in my opinion the definitive. The production and casting is just perfect too. There is no greater Bill Sykes than Michael Atwell (sorry oliver reed), Amanda Harris is fantastic as Nancy, and Eric Porter does a great Fagin too. Ben Rodska is perhaps not as easily lovable as Mark Lester but he is very sweet and does a great job.

This to my mind is the only version of Oliver worth watching now. Oliver! 1968 will have a fond place in many peoples hearts, and has great music and the perfect Mr Bumble (Harry Secombe). But at the end of the day it is not truly Oliver Twist. Alec Guinness perhaps does the perfect Fagin in David Lean's 1948 version. But make sure you see this for the complete Oliver experience. The story and characters will make so much more sense to you.

An almost perfect version of Oliver Twist. The biggest problems with any Oliver adaptation is Monks' storyline, everything with the Maylies, and Oliver being related to Brownlow... all of which is a key part of this book faithful miniseries, which is part of why I love BBC adaptations of literary classics. However, all that unnecessary and contrived backstory and subplots are of Dickens' doing, not really the writers of the series.

Oliver being related to Brownlow feels incredibly contrived, convenient, and forced, and I think it is a better story if Brownlow simply takes pity on the half starved and sickly Oliver because he is a good person, instead of the weird bloodline spiritual connection alluded to in the book. As much maturity and realism Dickens created, these elements are stupid and silly.

I also must say, with everyone in the supporting cast being PERFECT, Nancy, Bill, Fagin, Brownlow, Mr Bumble and Ms Corney, The Dodger... but the one casting choice that was lacking something was Oliver himself. The first actor who plays the younger Oliver was good, and I really wish they kept him through the whole thing, because the older version of him was incredibly boring, and left next to no impression. His accent is oddly muddled, what I think may be Irish, it was a little distracting, and like I said, he had little to no personality whatsoever, which didn't exactly make me sympathize with him like you are supposed to.

I have to say that Jackie Coogan is still my favorite Oliver, with his big puppy dog eyes, scruffy hair, and adorable persona. He is one of the only Olivers to shine through what is arguably a rather bland character. I guess he is sort of like Alice of Wonderland in that way, being the character everything is happening too, guiding you from one place to the next, meeting a variety of characters. You almost see things through his eyes.

Anyway, all that didn't bog down the series as much as my biggest problem with this series, that being the horribly boring romance between Rose and Harry, which feels like it came straight from an annoying Jane Austen story. It was almost unbearable. Compare this to the romance between Bill and Nancy, and you have some ACTUAL drama on display, that isn't the typical period piece crap that a theater kid would fawn over. Ugh, I really hated it.

I love the story of Oliver Twist, I have since I was 9 years old, and watched the 2005 version all the way through. After that, from the age of 9-13, I watched every version out there, all except two or so, which is what I have done with all my favorite stories growing up.

I saw this miniseries when I was 9, and liked it okay, being a huge fan of other faithful BBC literary miniseries adaptations as a kid, like "The Secret Garden" and "A Little Princess". I watched this version again the other day, and liked it more than I had done before, enough to where I want to watch through all 5 something hours of it all over again.

The BBC is great because they let things play out, as if you are actually watching the lives of human beings, not a movie that is hyper focused with getting from point A to point B. And the TV video tape picture quality of these BBC serials is the definition of "cozy" for me. Not one of my favorite BBC literary adaptations from around this time, nor my favorite version of Oliver, but one of the best and most faithful adaptations to date, which I suppose that is a little for better or worse in this instance.

I've seen a bunch of the others. This takes its time setting the long suffering Oliver and the terribly low characters persecuting him. The ending is more earned than the confines of appears in other versions. Great script and solid production for BBC 85.

I thought that this was an exceptional production, particularly because it starred a young Scott Funnell. At such a young age, his performance was nothing less than remarkable, evoking emotions on a primeval level. I cannot speak more highly of this young superstar, except to say that he has a bright future ahead, matched only by his aspirations and delusions of grandeur. The supporting cast put in an admirable performance too, despite the show stopping form displayed by the Funnell. It was something i wish i did in my youth. Watch this because you will soon find that nothing can match it for sheer pluck and tenacity.