Ajouter une intrigue dans votre langueThe great case of Jarndyce and Jarndyce drags on, an obsession to all involved. Then a question of inheritance becomes a question of murder.The great case of Jarndyce and Jarndyce drags on, an obsession to all involved. Then a question of inheritance becomes a question of murder.The great case of Jarndyce and Jarndyce drags on, an obsession to all involved. Then a question of inheritance becomes a question of murder.
- Victoire aux 3 BAFTA Awards
- 3 victoires et 3 nominations au total
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10phwbooth
This version of Bleak House is the best adaptation of a classic novel known to me. The representation of the court of Chancery as a 'character' in the drama is magnificent. The acting is marvellous, from the sinister Tulkinghorn, to the Dedlocks, Smallweed, Crooke, Miss Flyte, and the two young lovers. But it is the spider's web of chancery that holds the whole thing together, and the cinematography is superb. What mistake did the BBC make about copyright that meant that this version could not be seen in the UK on either video or DVD for many years? I tried to find out from them, but faced a stone wall. In the end I got a DVD copy from Canada.
Watching this series reminded me of how strongly Dickens has influenced us. Bleak House doesn't have the fame of Great Expectations, Oliver Twist or David Copperfield, but some of the characters and scenes have entered our consciousness forever. Miss Flite and her birds, Mr. Chadband and his wearisome speechifying ("It is the ray of rays, the sun of suns... It is the light of Terewth."), Mr. Skimpole, who would be a fascist if ever he could work up the energy: they are some of our mental furniture. The camera-work is up to the challenge of bringing the verbose story to life, just see the scene of Tulkinghorn's murder with the Roman soldier painted on the ceiling pointing down at the proceedings.
The BBC assembles its casts carefully. Denholm Elliott as Jarndyce and Diana Rigg as Lady Dedlock are excellent, Peter Vaughan is a fine Tulkinghorn, Charlie Drake repulsive as Smallweed, and T. P. McKenna does Skimpole superbly. Suzanne Burden is appropriately self-effacing as Esther.
The BBC assembles its casts carefully. Denholm Elliott as Jarndyce and Diana Rigg as Lady Dedlock are excellent, Peter Vaughan is a fine Tulkinghorn, Charlie Drake repulsive as Smallweed, and T. P. McKenna does Skimpole superbly. Suzanne Burden is appropriately self-effacing as Esther.
There will always be inevitable comparisons to which adaptation of Bleak House people prefer, this or 2005. From a personal point of view, there is no real preference as both adaptations are outstanding in their own way. And not just as adaptations, but also on their own as well, which is every bit as important. The book is compelling, atmospheric and rich in characterisation. It is a mammoth book, and one of Dickens' least accessible(from first-time personal experience, the law stuff took its time to get completely). Both are well-made, tell the story extremely well indeed and brilliantly written and acted, the 2005 adaptation's characterisation is a little richer but this adaptation is a little more atmospheric.
Not everybody will find the 70s-80s Dickens serial adaptation their cup of tea. They may find them slow, long and with a lot of talk. That isn't the case with me. Of the ones seen, they respect their source material(even with omissions and changes here and there), are detailed, very evocative and Dickenesian and are well-made, written and acted. And that is the case with this Bleak House exactly. The costumes and sets look beautiful and very detailed, succeeding also in capturing the bleak nature of the book. They are also full of atmosphere and don't come across as too clean. The music is a pleasing mix of haunting overtones and delicate chamber-music-like, and fit with each scene excellently(if occasionally a little overdone in the final episode, some may prefer the more understated nature of the 2005 adaptation).
Bleak House(1985) scores very highly in the writing stakes too. Throughout the dialogue is intelligently adapted, there are scenes with a lot of talk but they weren't that tedious to me. The heartfelt tragedy, poignancy, sharp observations and nobility of Dickens' writing comes through loud and clear- some of Dickens' other books were also whimsical and had some nice comic scenes, The Old Curiosity Shop springs to mind- and the writing in the adaptation is distinctively Dickenesian in style. Bleak House(1985) is highly successful in how it tells this great story, characters are splendidly drawn and crucial scenes have their impact.
The adaptation is long, nearly seven hours, but there's a lot of characterisation and plotting going on so interest is always maintained. Things can unfold slowly, the first episode in particular, but that shouldn't be a turn-off. The book is also huge and has so much to tell, the long length was necessary and so was the pacing. Adaptation-wise, even with the omissions of a few minor characters, it is faithful in spirit to the book and to Dickens. The acting is very fine from all, three at least even are outstanding. Diana Rigg's Lady Dedlock is haunting and aristocratic as well as haughty and anguished. Denholm Elliot is a noble, gentle and moving Mr Jarndyce. And Peter Vaughan is splendidly sinister as Tulkinghorn. Coindentally, those characters were also performed the best in the 2005 adaptation as well.
Suzanne Burden plays Esther with backbone instead of being insipid or too meek, if not as warm as Anna Maxwell Martin. And Jonathan Moore is delightful as Guppy. All the characters are beautifully performed, much pleasure can be seen in those of the Smallweeds, Mrs Flite, Inspector Bucket, Sir Leicester Dedlock, Krook, Harold Skimpole and Jo too. All in all, a superb adaptation. 10/10 Bethany Cox
Not everybody will find the 70s-80s Dickens serial adaptation their cup of tea. They may find them slow, long and with a lot of talk. That isn't the case with me. Of the ones seen, they respect their source material(even with omissions and changes here and there), are detailed, very evocative and Dickenesian and are well-made, written and acted. And that is the case with this Bleak House exactly. The costumes and sets look beautiful and very detailed, succeeding also in capturing the bleak nature of the book. They are also full of atmosphere and don't come across as too clean. The music is a pleasing mix of haunting overtones and delicate chamber-music-like, and fit with each scene excellently(if occasionally a little overdone in the final episode, some may prefer the more understated nature of the 2005 adaptation).
Bleak House(1985) scores very highly in the writing stakes too. Throughout the dialogue is intelligently adapted, there are scenes with a lot of talk but they weren't that tedious to me. The heartfelt tragedy, poignancy, sharp observations and nobility of Dickens' writing comes through loud and clear- some of Dickens' other books were also whimsical and had some nice comic scenes, The Old Curiosity Shop springs to mind- and the writing in the adaptation is distinctively Dickenesian in style. Bleak House(1985) is highly successful in how it tells this great story, characters are splendidly drawn and crucial scenes have their impact.
The adaptation is long, nearly seven hours, but there's a lot of characterisation and plotting going on so interest is always maintained. Things can unfold slowly, the first episode in particular, but that shouldn't be a turn-off. The book is also huge and has so much to tell, the long length was necessary and so was the pacing. Adaptation-wise, even with the omissions of a few minor characters, it is faithful in spirit to the book and to Dickens. The acting is very fine from all, three at least even are outstanding. Diana Rigg's Lady Dedlock is haunting and aristocratic as well as haughty and anguished. Denholm Elliot is a noble, gentle and moving Mr Jarndyce. And Peter Vaughan is splendidly sinister as Tulkinghorn. Coindentally, those characters were also performed the best in the 2005 adaptation as well.
Suzanne Burden plays Esther with backbone instead of being insipid or too meek, if not as warm as Anna Maxwell Martin. And Jonathan Moore is delightful as Guppy. All the characters are beautifully performed, much pleasure can be seen in those of the Smallweeds, Mrs Flite, Inspector Bucket, Sir Leicester Dedlock, Krook, Harold Skimpole and Jo too. All in all, a superb adaptation. 10/10 Bethany Cox
10peacham
"Bleak House" is hands down the finest adaptation of a Charles Dickens Novel ever put on screen. Alway one of My favorite novels,I was exteremely pleased with this Television Mini Series. The late, great Denholm Elliot was perfectly cast as the noble John Jardyce and Diana Rigg was sheer perfection as the doomed Ladty Dedlock. The film captures the essence of Dickens era and is extremely faithful to the book,oly making minor plot cuts that do not effect the story. over all a brilliant,moving and atmosphereic film.
Atmospheric, evocative, any superlative you'd like to mention applies to this excellent adaptation.
The cinematography is such you can believe you're eavesdropping in on the London of the period, everything is perfect, with scenes often looking like paintings .
The acting is a true masterclass, this is far better than the later BBC adaptation, with performances more nuanced, and Diana Rigg and Denholm Elliott giving the definitive Lady Dedlock and John Jarndyce respectively.
Do seek this out on dvd if you've not seen it, you'll thank me for it.
The cinematography is such you can believe you're eavesdropping in on the London of the period, everything is perfect, with scenes often looking like paintings .
The acting is a true masterclass, this is far better than the later BBC adaptation, with performances more nuanced, and Diana Rigg and Denholm Elliott giving the definitive Lady Dedlock and John Jarndyce respectively.
Do seek this out on dvd if you've not seen it, you'll thank me for it.
Le saviez-vous
- AnecdotesLast television drama role of Gerald Flood (Coroner).
- ConnexionsEdited into Masterpiece Theatre: Bleak House: Part 1 (1985)
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