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Vigil

  • 1984
  • Not Rated
  • 1h 30min
NOTE IMDb
6,8/10
945
MA NOTE
Vigil (1984)
DrameMystère

Ajouter une intrigue dans votre langueA lonely girl living on an isolated, mist-cloaked farm is confronted with the changes wrought by a stranger that arrives.A lonely girl living on an isolated, mist-cloaked farm is confronted with the changes wrought by a stranger that arrives.A lonely girl living on an isolated, mist-cloaked farm is confronted with the changes wrought by a stranger that arrives.

  • Réalisation
    • Vincent Ward
  • Scénario
    • Vincent Ward
    • Graeme Tetley
    • Fiona Lindsay
  • Casting principal
    • Penelope Stewart
    • Frank Whitten
    • Bill Kerr
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    945
    MA NOTE
    • Réalisation
      • Vincent Ward
    • Scénario
      • Vincent Ward
      • Graeme Tetley
      • Fiona Lindsay
    • Casting principal
      • Penelope Stewart
      • Frank Whitten
      • Bill Kerr
    • 15avis d'utilisateurs
    • 12avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 2 nominations au total

    Photos41

    Voir l'affiche
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    Rôles principaux19

    Modifier
    Penelope Stewart
    • Elizabeth Peers
    Frank Whitten
    Frank Whitten
    • Ethan Ruir
    Bill Kerr
    Bill Kerr
    • Birdie
    Fiona Kay
    • Lisa Peers (Toss)
    Gordon Shields
    • Justin Peers
    Arthur Sutton
    Bob Morrison
    Snow Turner
    Lloyd Grundy
    Bill Liddy
    Joseph Ritai
    Maurice Trewern
    Josie Herlihy
    Eric Griffin
    Sadie Marriner
    Emily Haupapa
    Bill Brocklehurst
    Debbie Newton
    • Réalisation
      • Vincent Ward
    • Scénario
      • Vincent Ward
      • Graeme Tetley
      • Fiona Lindsay
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs15

    6,8945
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    6
    7
    8
    9
    10

    Avis à la une

    7christopher-underwood

    thoughtful, worthwhile and ultimately optimistic.

    A beautifully photographed movie where the characters seem more than usually shaped by their surroundings. The unremitting cold wet climate in the unforgiving New Zealand hills forces those making a life there to spend more of an effort than your average city dweller. The father dies, the grandfather goes crazy, the mother seeks another life or another partner and the little girl accepts it all because it is all she has known. I was reminded of Samuel Beckett and also of Werner Herzog and perhaps there is something of each of them here. The constant and wearing daily effort just to stay alive and an urge to test oneself further, almost to build castles in the sky. As with the writer there is also just enough humour to keep us engaged and to distract us occasionally from the absolute desperation and futility of those efforts. Not an easy or speedy watch but thoughtful, worthwhile and ultimately optimistic.
    9Harbert1

    A moody, arresting piece filled with the unexpected.

    Vincent Ward's work in this film reminded me of the use of images by Bergman in his early films. Rough country, silhouetted figures, unexpected angles and movement, an avoidance of bright colour.

    We have to struggle to get to know the characters a little, and that is what I found was drawing myself in to the film. Ward could be accused of not telling the story fully enough. I found that his style kept me wondering what might happen next.
    5showtrmp

    Certainly not like anything else

    SPOILER: I don't know when I've seen a film that was so beautiful and yet so utterly baffling. It's not like any other movie you'll ever see. Every single image is stark and brutal--the director, Vincent Ward, is trying to enter a primitive painting and make drama out of it. And he has a perfect setting--a sheep farm in New Zealand--that comes from Thomas Hardy's accounts, in which nature wages an unending, unfathomable conspiracy against the characters. It's in the actual story Ward tells that he gets into trouble. His 12-year-old heroine, Toss (Fiona Kay) witnesses her farmer father's death from an accidental fall (as he tries to rescue a sheep) and the camera sits on her impassive face for the first of several eternities. Her restless mother (Penelope Stewart) seizes the opportunity to put the farm up for sale. Her dotty grandfather (Bill Kerr) is like every dotty grandfather in the movies--he putters around, muttering feisty-old-goat aphorisms and tinkering with whimsical machines--and quickly becomes insufferable. Ethan, (Frank Whidden) the hunter who carried the father's corpse back to the farm, shows up again looking to replace the father. Toss and her mother are both attracted and repelled by him.

    In one remarkable sequence, we see Toss experimenting with Ethan's gun. She looks through the gun sights and begins tracking Ethan through the house, as if she were ambushing James Bond. When Ethan sees her, he steps boldly toward her and removes the sight, which she had taken off the gun and is holding to her eye like a telescope. We are in D.H. Lawrence sexual-awakening territory now, but the combination of Lawrence and Hardy doesn't ignite the way it should--the director's austere manner (keeping everything at a distance) begins to seem remote and rather obscure. The scenes don't follow from each other; each one goes off on its own, and the characters shift attitudes and allegiances to no clear purpose. The performers start doing a lot of staring and squinting into the camera (for LONG periods) only Stewart makes any impression, as she's the only one who actually engages with the person she's speaking to (and the only one who seems to have any grasp on reality.) The last fourth of the movie is unspeakably depressing. We finally realize that this is the kind of film where explanations and logic are left out, and the resultant confusion is presented as "depth". Fascinating and infuriating, in just about equal measure.
    7briancham1994

    Slow and ponderous

    This film is a portrayal of a lonely and isolated childhood. It really has a dreary feel with all the darkness and fog. It is good at setting a tone of uncertainty and foreboding.
    9PaulGJackson

    Beautifully rendered

    Well this film is hard to categorize, but let's just say it is filled with gorgeous and wondrous textures and images. The stark scenery is brilliantly captured by the camera here.

    Classic Vincent Ward palette of delectable images and haunting music. - Bravo!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      First ever film from New Zealand to be selected to screen in competition at the Cannes Film Festival.
    • Citations

      Ethan Ruir: What are you after?

      Elizabeth Peers: I want you to keep your hands off my daughter.

    • Connexions
      Featured in Century of Cinema: Cinema of Unease: A Personal Journey by Sam Neill (1995)

    Meilleurs choix

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    FAQ17

    • How long is Vigil?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 15 août 1986 (États-Unis)
    • Pays d’origine
      • Nouvelle-Zélande
    • Sites officiels
      • Hanway Films
      • Official New Zealand Film Study Guide - Vers 1.0
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Vigil - Zeit der Stürme
    • Lieux de tournage
      • Nouvelle-Zélande
    • Sociétés de production
      • John Maynard Productions
      • Film Investment Corporation of New Zealand
      • New Zealand Film Commission
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 30min(90 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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