Un androïde apparemment indestructible est envoyé de 2029 à 1984 pour assassiner une serveuse dont le fils qui n'est pas encore né mènera l'humanité à une guerre contre les machines, tandis ... Tout lireUn androïde apparemment indestructible est envoyé de 2029 à 1984 pour assassiner une serveuse dont le fils qui n'est pas encore né mènera l'humanité à une guerre contre les machines, tandis qu'un soldat de cette guerre est envoyé pour la protéger à tout prix.Un androïde apparemment indestructible est envoyé de 2029 à 1984 pour assassiner une serveuse dont le fils qui n'est pas encore né mènera l'humanité à une guerre contre les machines, tandis qu'un soldat de cette guerre est envoyé pour la protéger à tout prix.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 9 victoires et 8 nominations au total
- Punk
- (scènes coupées)
- Policeman
- (as William Wisher Jr.)
Résumé
Avis à la une
An ontological, paradoxical and dystopian forecast of a future world that probably won't have time travel, but may well see machines used to ill affect - we are, after all, our own worst enemies.
An outstanding piece of film making that perpetually stands the test of time.
`The Terminator' is a classic good versus evil struggle, with little in the way of greys clouding the issue. The terminator is an unstoppable brutal remorseless killer, and it perfectly suits Arnold Schwarzenegger's limited acting abilities. His few lines, including the infamous `I'll be back' are all well judged and timed, and give a great feeling of precision and inhumanity to his character. Coupled with his chiselled features, he's the best choice for the role. Michael Biehn is playing a character type that he'd reprise two years later in Cameron's `Aliens' - the human tough guy: he's got the fight, but still the ability to love and care for people. His features are well chosen for this and although his delivery of lines is hardly exceptional - they tend to come out in the same tone of voice - he's able to carry his part. Linda Hamilton is the woman-thrown-into-chaos, somewhat reminiscent of Sigourney Weaver's Ripley character in `Alien', although Hamilton doesn't have Weaver's strength of presence. All the actors are, for an action science fiction, above average and so never distract.
It's the script, with Cameron's force behind it that lifts the movie from mediocrity. Yes, there's a certain amount of corniness - the `we loved a life time' element for example - but the movie has a real sense of conviction present. The movie believes in itself and, through its passion, will make you believe too. There's a general sense of darkness in the movie - rarely do we see daylight, and, when we do, it's often the soft light of dawn. There's a nice sense of tension in the action scenes, helped not only by Cameron's camera work but also by an excellent electronic score (including a fantastic brooding credit sequence). Sure some of the SFX look clunky in these days of `Attack of the Clones' and `The Fellowship of the Ring', but they still work. There's a certain sense of inevitability, intertwined with hope, permeating the picture that creates a mood I particularly enjoyed and that's harder to find in the current crop of science fiction movies.
`The Terminator' is not a perfect picture. The movie lags in some parts, and the romance element is fairly contrived. Despite all that the movie brims with energy and promise, a script that mostly delivers, characters you can enjoy, and the ultimate Arnie role. Well worth catching. 8/10.
Linda Hamilton Returns to Her Iconic 'Terminator' Role
Linda Hamilton Returns to Her Iconic 'Terminator' Role
Le saviez-vous
- AnecdotesWhile shooting this film, James Cameron often resorted to what he called "guerilla filmmaking" as a way of getting around acquiring permits needed to film certain scenes. This involved the production crew and actors quickly arriving at a specified location, shooting the scene and leaving before the police arrived. As a result, some of the people seen in a few shots are actual everyday citizens completely unaware they're in a movie. This was also used for re shoots with Cameron even calling and waking Arnold Schwarzenegger once at 3am to meet him at a location already in full costume to quickly re-shoot a scene. Cameron also used this tactic to film the very last scene where Sarah drives off into the desert. Waiting for the heat to rise to the point that ripples could be filmed a highway patrolman appeared. Producer Gale Ann Hurd convinced him they were working on a UCLA film project and he allowed them to finish.
- GaffesWhen Sarah is in the night club she has to put change into the pay phone to call 911.
While 911 calls are free, many pay phones in the 1980s required you to insert a coin in order to obtain a dial tone.
- Citations
The Terminator: [59:15] I'm a friend of Sarah Connor. I was told she was here. Could I see her please?
Desk Sergeant: No, you can't see her she's making a statement.
The Terminator: Where is she?
Desk Sergeant: [uses his pencil to point to the bench] Look, it may take a while. Want to wait? There's a bench over there.
[points to bench]
The Terminator: [looks around, examining the structural integrity of the room, then looks back at him] I'll be back!
- Crédits fousThe opening credits run while large outlines of the two halves of THE TERMINATOR cross each other. After the last directorial credit is shown, the title THE TERMINATOR zooms backward, is filled by metallic blue, and reveals itself.
- Versions alternativesNBC edited 7 minutes and time-compressed 4 minutes of this film for its 1987 network television premiere.
- ConnexionsEdited into The Terminator: 'Terminated' Scenes (2001)
- Bandes originalesYou Can't Do That
Performed by Tryanglz
Written by Ricky Phillips
Published by Ricky Lynn Phillips Music (BMI)
Meilleurs choix
The Amazing Arnold
The Amazing Arnold
- How long is The Terminator?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Terminator
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 400 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 38 371 200 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 020 663 $US
- 28 oct. 1984
- Montant brut mondial
- 78 371 200 $US