Un androïde apparemment indestructible est envoyé de 2029 à 1984 pour assassiner une serveuse dont le fils qui n'est pas encore né mènera l'humanité à une guerre contre les machines, tandis ... Tout lireUn androïde apparemment indestructible est envoyé de 2029 à 1984 pour assassiner une serveuse dont le fils qui n'est pas encore né mènera l'humanité à une guerre contre les machines, tandis qu'un soldat de cette guerre est envoyé pour la protéger à tout prix.Un androïde apparemment indestructible est envoyé de 2029 à 1984 pour assassiner une serveuse dont le fils qui n'est pas encore né mènera l'humanité à une guerre contre les machines, tandis qu'un soldat de cette guerre est envoyé pour la protéger à tout prix.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 9 victoires et 8 nominations au total
- Punk
- (scènes coupées)
- Policeman
- (as William Wisher Jr.)
Résumé
Avis à la une
An ontological, paradoxical and dystopian forecast of a future world that probably won't have time travel, but may well see machines used to ill affect - we are, after all, our own worst enemies.
An outstanding piece of film making that perpetually stands the test of time.
Linda Hamilton Returns to Her Iconic 'Terminator' Role
Linda Hamilton Returns to Her Iconic 'Terminator' Role
Le saviez-vous
- AnecdotesWhile shooting this film, James Cameron often resorted to what he called "guerilla filmmaking" as a way of getting around acquiring permits needed to film certain scenes. This involved the production crew and actors quickly arriving at a specified location, shooting the scene and leaving before the police arrived. As a result, some of the people seen in a few shots are actual everyday citizens completely unaware they're in a movie. This was also used for re shoots with Cameron even calling and waking Arnold Schwarzenegger once at 3am to meet him at a location already in full costume to quickly re-shoot a scene. Cameron also used this tactic to film the very last scene where Sarah drives off into the desert. Waiting for the heat to rise to the point that ripples could be filmed a highway patrolman appeared. Producer Gale Ann Hurd convinced him they were working on a UCLA film project and he allowed them to finish.
- GaffesWhen Sarah is in the night club she has to put change into the pay phone to call 911.
While 911 calls are free, many pay phones in the 1980s required you to insert a coin in order to obtain a dial tone.
- Citations
The Terminator: [59:15] I'm a friend of Sarah Connor. I was told she was here. Could I see her please?
Desk Sergeant: No, you can't see her she's making a statement.
The Terminator: Where is she?
Desk Sergeant: [uses his pencil to point to the bench] Look, it may take a while. Want to wait? There's a bench over there.
[points to bench]
The Terminator: [looks around, examining the structural integrity of the room, then looks back at him] I'll be back!
- Crédits fousThe opening credits run while large outlines of the two halves of THE TERMINATOR cross each other. After the last directorial credit is shown, the title THE TERMINATOR zooms backward, is filled by metallic blue, and reveals itself.
- Versions alternativesNBC edited 7 minutes and time-compressed 4 minutes of this film for its 1987 network television premiere.
- ConnexionsEdited into The Terminator: 'Terminated' Scenes (2001)
- Bandes originalesYou Can't Do That
Performed by Tryanglz
Written by Ricky Phillips
Published by Ricky Lynn Phillips Music (BMI)
Meilleurs choix
The Amazing Arnold
The Amazing Arnold
- How long is The Terminator?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Terminator
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 400 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 38 371 200 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 020 663 $US
- 28 oct. 1984
- Montant brut mondial
- 78 371 200 $US