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IMDbPro

Stop Making Sense

  • 1984
  • Tous publics
  • 1h 28min
NOTE IMDb
8,7/10
23 k
MA NOTE
Stop Making Sense (1984)
A24 presents the 40th anniversary re-release of the greatest concert movie of all time.
Lire trailer1:51
2 Videos
91 photos
MusiqueConcertDocumentaireDocumentaire musical

En décembre 1983, David Byrne, leader des Talking Heads, s'avance sur une scène vide, lance une cassette audio et entame une version envoûtante de Psycho Killer. Les membres du groupe arrive... Tout lireEn décembre 1983, David Byrne, leader des Talking Heads, s'avance sur une scène vide, lance une cassette audio et entame une version envoûtante de Psycho Killer. Les membres du groupe arrivent un par un, pour créer un concert mythique.En décembre 1983, David Byrne, leader des Talking Heads, s'avance sur une scène vide, lance une cassette audio et entame une version envoûtante de Psycho Killer. Les membres du groupe arrivent un par un, pour créer un concert mythique.

  • Réalisation
    • Jonathan Demme
  • Scénario
    • Jonathan Demme
    • Talking Heads
  • Casting principal
    • David Byrne
    • Bernie Worrell
    • Alex Weir
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,7/10
    23 k
    MA NOTE
    • Réalisation
      • Jonathan Demme
    • Scénario
      • Jonathan Demme
      • Talking Heads
    • Casting principal
      • David Byrne
      • Bernie Worrell
      • Alex Weir
    • 107avis d'utilisateurs
    • 77avis des critiques
    • 94Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 1 nomination au total

    Vidéos2

    40th Anniversary Trailer
    Trailer 1:51
    40th Anniversary Trailer
    Stop Making Sense
    Trailer 1:49
    Stop Making Sense
    Stop Making Sense
    Trailer 1:49
    Stop Making Sense

    Photos91

    Voir l'affiche
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    + 85
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    Rôles principaux10

    Modifier
    David Byrne
    David Byrne
    • Self - Vocals and Guitar
    Bernie Worrell
    Bernie Worrell
    • Self - Keyboards
    Alex Weir
    • Self - Guitar and Vocals
    Steven Scales
    • Self - Percussion
    • (as Steve Scales)
    Lynn Mabry
    • Self - Backing Vocals
    Ednah Holt
    • Self - Backing Vocals
    • (as Edna Holt)
    Tina Weymouth
    Tina Weymouth
    • Self - Bass-Percussion-Vocals
    Jerry Harrison
    Jerry Harrison
    • Self - Guitar-Keyboards-Vocals
    Chris Frantz
    Chris Frantz
    • Self - Drums and Vocals
    Talking Heads
    Talking Heads
    • Themselves
    • (non crédité)
    • Réalisation
      • Jonathan Demme
    • Scénario
      • Jonathan Demme
      • Talking Heads
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs107

    8,722.9K
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    Avis à la une

    10MichaelCarmichaelsCar

    Pure cinema

    'Stop Making Sense' is more than simply a concert film. It is pure cinema. It engages all of the senses, it creates a mood, it establishes an atmosphere, it has narrative logic, and it jolts the viewer with electric energy. You can't sit still while watching this. You can't keep your head from bobbing, or your mouth from moving, if you know the words to the songs.

    Twenty years later, the sound and image of Talking Heads still feels new, maybe even post-new. It's frightening to look at this film and then consider that all of the Talking Heads are now in their fifties, and David Byrne's hair is as white as Steve Martin's. Byrne's music has mellowed just as people mellow with age, and his fascinating career along with the direction it's taken is emblematic of the excitement that youth brings to an artist's work. To watch 'Stop Making Sense' is to be alive, and for someone who never had and probably never will have the opportunity to see Talking Heads live, and even for those who have, it is a blessing to have a film such as this to preserve the unmatched innovation and energy of this band. Watching David Byrne perform in this film is an awesome sight. Schwarzenegger and Stallone were never this thrilling.
    10Kerryokie

    This film is an easy 10

    I just saw this movie tonight at the OKC Museum of Art for the first time in 30 years. It was even more fun than when I first saw it which may be because of the crowd I watched it with. The audience was comprised of a diverse mix of people ranging in age from teens to the 70s or 80s. The crowd had a blast throughout the film and cheered and applauded after each song with audience participation increasing as the film progressed. It felt like being at a live concert, so I can imagine what it must have been like to be at one of their live concerts in 1984. I found I was smiling throughout the film. A blast from the past and a blast all around.

    From David Byrne's surreal, quirky, fun antics on stage to Tina Weymouth dancing as she played guitar and the camera shots of the Jonathan Demme film, the band and film crew get everything right to provide us with a perfect concert film that is not to be missed. See it on the biggest screen you can with surround sound if possible. I have long thought the soundtrack CD was one of the best ever produced, the concert film holds up just as well. "O-o-oh what a day that was!"
    10nolesce

    Incredible film

    I saw this movie when it was released. In our town (Sarasota, Florida then) it was a midnight movie in the theater next to 'The Rocky Horror Picture Show'. I played in a band at the time and was a fan of the Talking Heads so I was stoked to see the film. A band-mate and I went opening night and were blown away. People were dancing in the aisles by about the third song. We went back the next night and several nights there after with our girlfriends and others and had a blast. Our friends weren't particularly fans of the talking heads but they loved the movie. Most of us though the first time through just watched in awe. and when you left after just watching it and absorbing it you were speechless (ar at best unintelligible) for about 20 minutes after. It truly was that kind of film. As said elsewhere after seeing it you wonder why no other concert films have even attempted to emulate "Stop Making Sense". I suppose they figured they would just look lame or they just didn't get it.(or maybe some of both). If you don't want to buy it at least rent it (then you WILL want to buy it). This is the concert film all the others want to be when they grow up.
    davidbyrne77

    The best, the weirdest, what else?

    I bought this film without ever having seen it. I liked the Talking Heads and had heard about the movie. Suffice it to say that I was amazed! The genious of starting with just a bare stage with David Byrne singing his sublime live version of Psycho Killer, then adding equiptment and band members was so weird, so brilliant. The energy and stamina shown by Mr. Byrne in this film borders on creepy. Was there a mountain of coke backstage, or is he a marathon runner? Not for me to know. How he was able to bend that far backwards during Once In A Lifetime I'll never know! All in all a real concert experience, combining the brilliance and showmanship of the Talking Heads with a master director like Jonathan Demme. It's no wonder that their compilation, Sand In The Vaseline, includes two live tracks seen on the film.
    SDN-2

    Great film making as well as great music

    After getting my DVD player, this is one of the first discs I bought. I first saw this movie in the eighties as a fan of the music and was completely floored by a band at their peak. Since then, I've grown to appreciate good cinema as much as music, and I now look at Stop Making Sense from a slightly different perspective.

    The movie stands up by any measure of cinematic quality - the direction, the photography, the lighting, the set design, the editing, the performances of the 'actors'. Everything is unquestionably good. A couple of illustrations -

    During 'Once in a Lifetime', the camera holds on David Byrne, framing him from the waist up, and doesn't leave him until the very last moments of the song. His performance is absolutely enthralling. I've been trying to think of a movie where an actor holds one shot for so long, and I can't.

    The photography and lighting during 'What a Day That Was' are beautiful. The stark white up-lighting reduces a large auditorium and stage to a claustrophobic collage of shadows. The effect is not unlike some scenes in Charles Laughton's 'Night of the Hunter'.

    In contrast to some other views posted here, I think the Tom Tom Club's appearance adds a colourful punctuation to the flow of the movie.

    The DVD is one of the very few I've come across where the commentary is worth listening to. It switches between all four band members plus Jonathan Demme, and the anecdotes are constantly interesting and often very funny. As a package, this is one of the most satisfying DVD's I own. All the extras are worthwhile and well presented, unlike most 'Special Editions' which are crammed full of junk you wouldn't normally give a second look.

    It's a pity that, by its nature, Stop Making Sense will only ever appeal to a small audience, because it deserves to be revered by fans of cinema as well as music. The rock movie genre has only a handful of classics to its name, but Stop Making Sense is its Citizen Kane, its Exorcist, its Godfather, its Star Wars. It really is that good.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The footage was culled from several different shows. In order to minimize the amount of cameras in the frame, one show was shot completely from one side of the stage, and the next night was shot from the other side.
    • Gaffes
      The concert was edited together from three shows and, it being a "live" show, things not planned happened. The first night, David Byrne put on the baseball cap that was thrown on stage from the audience; the next night, it can be seen next to the drums so that he can put it on again.
    • Citations

      David Byrne: Thanks! Does anybody have any questions?

    • Versions alternatives
      Video release is 12 minutes longer and features three additional songs not included in original theatrical version.
    • Connexions
      Edited into Talking Heads: Girlfriend Is Better (1984)
    • Bandes originales
      Psycho Killer
      Written by David Byrne, Tina Weymouth and Chris Frantz

      Performed by Talking Heads

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    FAQ20

    • How long is Stop Making Sense?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 28 août 1985 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official site
    • Langues
      • Anglais
      • Français
    • Aussi connu sous le nom de
      • Talking Heads: Stop Making Sense
    • Lieux de tournage
      • Pantages Theater - 6233 Hollywood Blvd., Hollywood, Los Angeles, Californie, États-Unis(concert venue)
    • Sociétés de production
      • Talking Heads
      • Arnold Stiefel Company
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 200 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 10 306 902 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 41 666 $US
      • 21 oct. 1984
    • Montant brut mondial
      • 13 137 104 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 28 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo(original release)
      • Dolby Atmos
    • Rapport de forme
      • 1.37 : 1(original ratio)

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