Après l'assassinat de ses parents, un adolescent tourmenté se déchaîne comme un Père Noël en raison de son séjour dans un orphelinat où il a été maltraité par la Mère Supérieure.Après l'assassinat de ses parents, un adolescent tourmenté se déchaîne comme un Père Noël en raison de son séjour dans un orphelinat où il a été maltraité par la Mère Supérieure.Après l'assassinat de ses parents, un adolescent tourmenté se déchaîne comme un Père Noël en raison de son séjour dans un orphelinat où il a été maltraité par la Mère Supérieure.
- Réalisation
- Scénaristes
- Stars
Geoff Hansen
- Father (Jim)
- (as Jeff Hansen)
Jonathan Best
- Billy at 5
- (as Jonathon Best)
Avis à la une
This killer Santa movie got quite the infamous reputation upon its release due to excessive violence. The film differs from a lot of slasher films in that it spends half of its running time showing the back story of the killer, as we watch him endure a parade of horrors from childhood through his teenage years. In the end, it leaves him mentally unbalanced, with a particularly skewed vision of who Santa Claus is and what he's supposed to do.
Once he dons the Santa suit and goes on his killing spree, the film drops any attempt at story as we watch him move from one scenario to the next, killing those he encounters, or as he thinks of it, "punishing the naughty." It's all pretty dopey, but the lead (Robert Brian Wilson) gives it his all, and some of the gore effects are memorable. Also with Charles Dierkop, Tara Buckman, and scream queen Linnea Quigley. Followed by several sequels, and remade in 2012.
Once he dons the Santa suit and goes on his killing spree, the film drops any attempt at story as we watch him move from one scenario to the next, killing those he encounters, or as he thinks of it, "punishing the naughty." It's all pretty dopey, but the lead (Robert Brian Wilson) gives it his all, and some of the gore effects are memorable. Also with Charles Dierkop, Tara Buckman, and scream queen Linnea Quigley. Followed by several sequels, and remade in 2012.
Watching SILENT NIGHT, DEADLY NIGHT today, it's difficult to believe that it was quite controversial when first released in theaters. In reality, it's just another slasher film with a holiday theme. The controversy arose from its depiction of a killer Claus, and its daring to use Christmas time as a backdrop.
Far from being blasphemous, it's purposefully absurd, and the not-so-merry madman (Charles Dierkop) is perfectly "suited" for the subject matter: revenge against those on his naughty list. The entire mood of SN, DN lets us know immediately that it's not to be taken seriously, at all. Linnea Quigley's "death-by-antlers" scene alone should be enough of a tip-off that the whole affair is tongue-in-rosy-cheek. Speaking of Ms. Quigley, she just can't seem to keep her clothes on. Not even in December! Brrr! Anyway, just settle in for a nice cozy evening of jingle kills...
Far from being blasphemous, it's purposefully absurd, and the not-so-merry madman (Charles Dierkop) is perfectly "suited" for the subject matter: revenge against those on his naughty list. The entire mood of SN, DN lets us know immediately that it's not to be taken seriously, at all. Linnea Quigley's "death-by-antlers" scene alone should be enough of a tip-off that the whole affair is tongue-in-rosy-cheek. Speaking of Ms. Quigley, she just can't seem to keep her clothes on. Not even in December! Brrr! Anyway, just settle in for a nice cozy evening of jingle kills...
All is definitely not well in Santa's grotto, for he is coming to town, and this time he's got an axe! Infamous for its mix of festive cheer, brutal violence, and ensuing moral outrage, Silent Night, Deadly Night functions as a savage critique of the empty sentiments of Christmas by attacking both Christian conservatism and the never-ending misery machine of Catholicism. Exploring the worst-case scenario of the effects of childhood trauma, abuse, and the darkness that can lie beneath festive surfaces, the film does so while maintaining a dark sense of misplaced humour that relieves any form of bleakness and ultimately creates some of the film's most memorable moments. The splashes of gore and plenty of nudity give the film a video nasty edge, but the director, Charles Sellier Jr, delivers a quickly paced, much more muted experience, where bland camerawork, meagre sets, and an almost featureless Utah locale add to the feeling that you are watching a low-budget docu-drama. The performances from the cast are generally entertaining, ranging from sympathetic to overly dry, while the score's heavy reliance on jingling bells is quick to irritate. Judged on its own terms, Silent Night, Deadly Night is an otherwise relatively thoughtful slasher; however, it's undone by an impossibly low budget, a general lack of talent, and a director with no feel for the material, survives mainly as a historical curiosity nowadays, but then again, nothing relieves the pressure of a heavy Christmas dinner like an axe to the chest.
It isn't hard to see why this movie offended so many people. I mean, it's a slasher movie about CHRISTMAS, and it actually has SANTA as the killer. However, I feel the movie deals with an interesting question. What if you suffered some traumatic event right at Christmas, and the event was somehow bound up with one of the major icons of the holiday? This is what happens to 5-year-old William, who, on Christmas Eve, sees his mother raped and both parents murdered by a street thug dressed as Santa Claus -- right after his semi-senile grandfather tells him that Santa Clause punishes those who are naughty. I think the first part of this movie does an effective job of showing the preadolescent William's struggle to deal with this event as he is raised in a Catholic orphanage and brought face to face with Christmas every year.
I was particularly impressed with the portrayal of the Mother Superior. Although she was most definitely from the Old School of discipline, beating children, locking them in closets for extended periods, and such, I somehow was able to believe she was sincerely trying to do the right thing and cared about the children -- that she was not simply a sadistic hag. There was also an interesting conflict between her and a younger nun, who believed in gentler, more progressive methods.
Alas, the whole thing turns rather formulaic when William puts on the Santa suit and goes on his killing spree. So, as a serious exploration of the question we started with, it falls very short of what it could be. As a slasher movie, though, it's definitely above average.
I was particularly impressed with the portrayal of the Mother Superior. Although she was most definitely from the Old School of discipline, beating children, locking them in closets for extended periods, and such, I somehow was able to believe she was sincerely trying to do the right thing and cared about the children -- that she was not simply a sadistic hag. There was also an interesting conflict between her and a younger nun, who believed in gentler, more progressive methods.
Alas, the whole thing turns rather formulaic when William puts on the Santa suit and goes on his killing spree. So, as a serious exploration of the question we started with, it falls very short of what it could be. As a slasher movie, though, it's definitely above average.
In 1971, on the Christmas Eve, a family heads to a nursing home to visit the catatonic grandfather of the 5-year-old Billy and the baby Ricky. While his parents go with the baby to discuss the treatment with the doctor in the office, Billy is left alone with grandpa. Out of the blue, he awakens and tells Billy to be afraid of Santa Claus since he punishes who is naughty. While driving back home, a killer posing of Santa Claus lures Billy's father that pull over his car on the road and Billy witnesses the killer murdering his parents. A few years later, Billy and his brother are raised in an orphanage run by the tyrannical Mother Superior (Lilyan Chauvin) that believes that punishment is the better way to educate children. Sister Margaret (Gilmer McCormick) feels that Billy needs psychological support but the Mother Superior does not agree. In 1984, when Billy (Robert Brian Wilson) turns 18 years old, Sister Margaret finds a job in a toy store for Billy. On the Christmas Eve, Billy´s chief Mr. Sims (Britt Leach) asks Billy to replace the employee that plays Santa Claus for the clients and their children since he is injured. The Santa suit associated to alcoholic drink trigger his insanity and Billy begins his murder rampage punishing naughty people.
"Silent Night, Deadly Night" is a bold 1984 horror movie that challenges the Christmas symbol of Santa Claus. The scene on the beginning of the feature with Billy witnessing the murder of his parents is also very brutal and cruel. The deaths and the special effects are original and do not disappoint fans of slaher genre. My vote is seven.
Title (Brazil): "Natal Sangrento" ("Bloody Christmas")
"Silent Night, Deadly Night" is a bold 1984 horror movie that challenges the Christmas symbol of Santa Claus. The scene on the beginning of the feature with Billy witnessing the murder of his parents is also very brutal and cruel. The deaths and the special effects are original and do not disappoint fans of slaher genre. My vote is seven.
Title (Brazil): "Natal Sangrento" ("Bloody Christmas")
Le saviez-vous
- AnecdotesOpened on the same weekend as Les griffes de la nuit (1984) and briefly out-grossed it by around $161,800 as this film was playing in more than twice as many theaters as "Nightmare." By the second weekend, sales dropped by about 45%.
- Gaffes(at around 8 mins) The convenience store that is held up by the man in the Santa suite isn't modified from its 1984 look at all to fit the look of a store from 1971 when this part of the film takes place. This is most noticed when reading the price signs, which advertise prices that are too high for the time period. The poster in the doorway advertises a 6 pack of Pepsi cans for $1.99, which is over three times more then it would have been in 1971, and the sign above the check out counter advertises $1.00 ice bags. Also the Visa and MasterCard logo stickers in the windows have the 1980's logo, MasterCard was "Master Charge" until 1979 and Visa was "BankAmericard" until 1976.
- Citations
Killer Santa: 31 bucks. Merry fucking Christmas.
- Versions alternativesTheatrical version was cut for pacing and gore the latter to obtain an "R" rating.
- ConnexionsEdited into Douce nuit, sanglante nuit 2 (1987)
- Bandes originalesSlayrider
Written by Morgan Ames and Lee Montgomery
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Budget
- 1 065 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 2 491 460 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 432 800 $US
- 11 nov. 1984
- Montant brut mondial
- 2 491 460 $US
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant






