NOTE IMDb
6,0/10
8,5 k
MA NOTE
Alors qu'un sanglier sauvage terrorise le désert australien, le mari de l'une des victimes est rejoint par un chasseur et un fermier à la recherche de la bête.Alors qu'un sanglier sauvage terrorise le désert australien, le mari de l'une des victimes est rejoint par un chasseur et un fermier à la recherche de la bête.Alors qu'un sanglier sauvage terrorise le désert australien, le mari de l'une des victimes est rejoint par un chasseur et un fermier à la recherche de la bête.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 5 nominations au total
Alan Becher
- Counsel
- (as Alan Beecher)
Peter Schwarz
- Lawyer
- (as Peter Schwartz)
Avis à la une
It's not that scary with an abrupt ending and features some really annoying characters but Razorback is still overall a good thriller. Gregory Harrison and Bill Kerr are both great. There's a few effectively suspenseful scenes and it's surprisingly extremely well filmed with some really gorgeous shots. There are some laughably bad moments and the music by Iva Davies is really good.
Judging by the external reviews, quite a few people appear to hate this film. I can see why, but I think they're coming at it from the wrong angle.
I see it as - intentionally - trying to send up the whole genre of vengeful animals horror flicks. In truth, neither sharks nor grizzlies, and certainly not razorback hogs, are smart enough to conceptualize, let alone carry out, acts of vengeance on humankind. The film simply takes the "rules" of this particular genre and applies them to a ludicrously unfit vehicle: a giant pig. And there are some pretty funny scenes, notably one where the monster eats a nasty watchdog that's chained to the side of a house; naturally, the corner of the house to which the chain is attached comes off and Joe Couch Potato is left sitting in a wall-less abode, staring quizzically as his television disappears into the outback.
Treat it as comedy, and the film makes a lot more sense.
I see it as - intentionally - trying to send up the whole genre of vengeful animals horror flicks. In truth, neither sharks nor grizzlies, and certainly not razorback hogs, are smart enough to conceptualize, let alone carry out, acts of vengeance on humankind. The film simply takes the "rules" of this particular genre and applies them to a ludicrously unfit vehicle: a giant pig. And there are some pretty funny scenes, notably one where the monster eats a nasty watchdog that's chained to the side of a house; naturally, the corner of the house to which the chain is attached comes off and Joe Couch Potato is left sitting in a wall-less abode, staring quizzically as his television disappears into the outback.
Treat it as comedy, and the film makes a lot more sense.
The best thing about this Australian production is Russell Mulcahey's direction which gives this admittedly doofy material a veneer of class. (Although he does have a tendency to overuse the fog machine.)
What this film has going against it however is Gregory Harrision's ineffectual performance as the "hero". I remember him spending most of the film getting beaten up and/or falling down.
If this had focused on the "Moby Dick" aspect of the storyline, that has a grizzled old man searching the outback for the killer boar that killed his baby, it would have been a bit stronger in the storyline department. As it is now, it's OK.
What this film has going against it however is Gregory Harrision's ineffectual performance as the "hero". I remember him spending most of the film getting beaten up and/or falling down.
If this had focused on the "Moby Dick" aspect of the storyline, that has a grizzled old man searching the outback for the killer boar that killed his baby, it would have been a bit stronger in the storyline department. As it is now, it's OK.
Call me stupid, but this is actually one of my favorite horror flicks. The story's about a giant wild boar munching on Aussies in the outback. Our hero goes in search of his wife...she's missing out there. Many interesting ideas come forth in this movie. I especially like the kangaroo killing brothers Benny and Dicko (hehe). The way the movie portrays them is interesting, contrasting the life of the outback trash to the much more civilized life of Bill, the hero. I also enjoyed the use of weird settings(the desert with that "horse") to create atmosphere. Overall, I enjoyed this flick a lot, and I think most horror fans would if they look beneath the seemingly ridiculous plot.
I first saw this film over 20 years ago and it has remained a favourite of mine ever since.The plot is a little bizarre but the performances and cinematography are excellent in evoking a nightmare world of loss,desperation and pain.I wouldn't automatically bracket this film as a "Horror" at all but more a violent depiction of loss and the need for revenge.The grandfather obsessively searching for the Razorback is brilliant-pain,loss and terrifying determination.For me the only down is the ending which I felt strays into "schlock horror" territory too much.It could have been much better and more interesting in keeping with the rest of the film but,overall,it doesn't do the film too much harm.Quirky,bizarre,nightmarish and crazy-nice one.
Le saviez-vous
- AnecdotesAfter the release of the film, Russell Mulcahy received a surprise phone call from Steven Spielberg who was curious on how he achieved some of the effects in the dream sequence such as the shot of the two moons. Mulcahy promptly hung up, as he initially believed one of his friends was pulling a prank on him. Spielberg called back and managed to convince Mulcahy he was the real deal, as he had become used to younger filmmakers not believing that he'd be interested in their work.
- GaffesThe car Beth is driving is a Ford. It has the brand tag in the front of the car in some scenes and then in other scenes, the brand tag isn't there.
- Citations
Jake Cullen: [to Beth] There's something about blasting the shit out of a razorback that brightens up my whole day.
- Versions alternativesThe original Australian version of the film was edited down to secure a more commercial M rating (known as the "theatrical version") by removing 4 scenes of graphic violence. The cut scenes included footage of explicit gore and blood-spurts in the death of 3 of the characters plus the final killing of the razorback itself. The UK Anchor Bay and Australian Umbrella releases contain the theatrical version, though the 4 deleted scenes are available as extras on the Australian DVD.
- ConnexionsEdited into Razorback: Grisly Deleted Scenes (2005)
- Bandes originalesBlue Eyes
Written by Elton John and Gary Osborne
Released by the Rocket Record Company Limited
Used by permission of Happenstance Limited and Big Pig Music Limited
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- How long is Razorback?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Sjekac
- Lieux de tournage
- Broken Hill, Nouvelle-Galles du Sud, Australie(and environs)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 500 000 $AU (estimé)
- Montant brut aux États-Unis et au Canada
- 150 140 $US
- Week-end de sortie aux États-Unis et au Canada
- 89 331 $US
- 18 nov. 1984
- Montant brut mondial
- 150 463 $US
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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