NOTE IMDb
5,5/10
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MA NOTE
Charles, 16 ans, adore photographier. La photo d'une jolie fille se retrouve dans son appareil. Plus tard, il voit Laura, plus âgée, chanter dans un bar. Il prend de nombreuses autres photos... Tout lireCharles, 16 ans, adore photographier. La photo d'une jolie fille se retrouve dans son appareil. Plus tard, il voit Laura, plus âgée, chanter dans un bar. Il prend de nombreuses autres photos d'elle et finit par la revoir.Charles, 16 ans, adore photographier. La photo d'une jolie fille se retrouve dans son appareil. Plus tard, il voit Laura, plus âgée, chanter dans un bar. Il prend de nombreuses autres photos d'elle et finit par la revoir.
- Réalisation
- Scénario
- Casting principal
Judith Baldwin
- Stephanie
- (as Judy Baldwin)
Kene Holiday
- Walt Cronin
- (as Kene Holliday)
Jack Clinton
- Bartender
- (as Jack R. Clinton)
Avis à la une
John Cryer plays a young photographer who's older brother is intent on making him a man when Cryer's affections lay elsewhere.
Shot around San Francisco's more popular areas (there are no apartments on the aging SF docks, and never were) with some fictional locations, the film, to me, feels like a budget version of Ferris Bueller's Day Off. Cryer even feels and looks a little like Mathew Broderick, only the film with Broderick came out two years after this one.
The truth is it's a nice little film with some token nudity for the young male audience, and in spite of that it has charm, notably with the taxi add sequence.
For the geeky young photographers, gamers, science club and chess club types, this film is for us. It's designed to encourage the young shy types with solo shy oriented hobbies and pass to, as a fellow SF Studios intern once told me, "don't ever deny yourself to anyone..." I wish I had followed that advice thirty years ago, ah, but the Saudis and Turks had different plans, but I digress.
Anyway, it's a good hearted film that some of the more conservative might find ever so slightly offensive, but again the film means well.
Check it out on a weekend night if you have nothing better to do. If nothing else it'll remind you of how San Francisco used to be at one time.
Shot around San Francisco's more popular areas (there are no apartments on the aging SF docks, and never were) with some fictional locations, the film, to me, feels like a budget version of Ferris Bueller's Day Off. Cryer even feels and looks a little like Mathew Broderick, only the film with Broderick came out two years after this one.
The truth is it's a nice little film with some token nudity for the young male audience, and in spite of that it has charm, notably with the taxi add sequence.
For the geeky young photographers, gamers, science club and chess club types, this film is for us. It's designed to encourage the young shy types with solo shy oriented hobbies and pass to, as a fellow SF Studios intern once told me, "don't ever deny yourself to anyone..." I wish I had followed that advice thirty years ago, ah, but the Saudis and Turks had different plans, but I digress.
Anyway, it's a good hearted film that some of the more conservative might find ever so slightly offensive, but again the film means well.
Check it out on a weekend night if you have nothing better to do. If nothing else it'll remind you of how San Francisco used to be at one time.
It's not that it's an 80s film that makes it so bad, even though I dislike nearly everything about that decade. I mean, it has John Cryer and Demi Moore in it. They were leaders at that time. Both of these actors had quite extensive movie lists from the decade of the eighties. For some reason. Demi, especially, was awful. Her fake singing voice was OK, but her character seemed to be based on Madonna's character in that movie about Susan.
Her style was like a leftover from the eighties, nothing fresh and nothing cute. Just kind of messy.
Just when I thought it couldn't get worse, the last ten minutes of the movie came on...GOOD GRIEF, what a terrible movie!
Her style was like a leftover from the eighties, nothing fresh and nothing cute. Just kind of messy.
Just when I thought it couldn't get worse, the last ten minutes of the movie came on...GOOD GRIEF, what a terrible movie!
I've been trying to get my paws on this one for years now but they don't ever give it on TV .ill have to get the DVD whenever i got the cash.this has everything i love about movies-it is a child from the eighties,its got jon cryer-an icon of teen pictures of the decade-it is a sweet love story,the one you-well,i-wish could happen in real life.demi moore would never be sweeter. well,maybe in One Crazy Summer. at the time i watched it-hell,even now as i write-i had gone thru my first crush on an older woman(in my case,my ninth grade math teacher-she was 23 and i fifteen)and i felt i was the only one who though of that kind of relationships,so when i saw a Hollywood movie dealing with it in such a great way i fell for it all the way.it will remain one of my all time favorites until the day i die,a throwback to an era full of possibilities,however practically unattainable.
Jon Cryer plays Charles a teenager more into photography than dating per say or things more "normal" teenagers are interested in. Until one day a beautiful very young Demi Moore happens to set in front of his lens for a picture and our hero falls in love and develops a big crush upon first site.
What actually interested me at first to check this film out was flipping channels I thought the young Demi Moore was Jennifer Connelly at first. I still kept watching the film out of curiosity and immediately liked it though. Pre social media and what not. It's a very cute coming of age film. I really liked Charles and actually Demi's character of Laura as well. Charles kind of reminded of myself in a lot of ways.
Its rare nowadays to see likeable movie characters.
What actually interested me at first to check this film out was flipping channels I thought the young Demi Moore was Jennifer Connelly at first. I still kept watching the film out of curiosity and immediately liked it though. Pre social media and what not. It's a very cute coming of age film. I really liked Charles and actually Demi's character of Laura as well. Charles kind of reminded of myself in a lot of ways.
Its rare nowadays to see likeable movie characters.
I've seen this film about five times now and I never cease to be delighted by its charms.
Where do I start? Firstly Jon Cryer is truly excellent as the precocious adolescent amateur photographer who spouts sophisticated adult dialogue but is really naive on the romantic front. The way he blushes at the right moment is very credible. He plays the blushing virgin with gusto - we don't doubt for a moment that he's never had sex or kissed a girl.
Firstly I must admit here to being a major fan of Demi Moore's films in the 80's. I've seen all of them from that period and I adore the characters she plays - Moore is what I call 'value added'. Whatever role she plays she brings something special, whether it is a brilliant range in temperament, downcast eyes, the husky voice, the tearful eyes the shiny hair. Most Hollywood actresses can't manage this, but Demi manages to be the girl next door and screen siren all in one.
Anyway she plays this aspiring niteclub singer with bad taste in 80's clothes and even worse taste in music. To her credit she doesn't sing any of the songs as they were recorded by other people, so she just lip syncs along quite nicely. That song 'Hotheaded' is actually quite catchy in that Michael Bolton, Bar 'rawk' sort of way. Overall her character, Laura Victor comes over as a really likable human being. And the final scene at the airport is truly touching. Moore's says two simple words 'thank you' and we know she means it.
Another to reason to love this film is that it was filmed entirely on location in San Francisco, and studio interiors are very few and far in between. Most of the shots are on real locations which adds to the movie's overall charm. This combined with the corny dialogue: that scene where she barges into the High School language laboratory dressed in a coctail waitress (read hooker!) outfit in very high heels and pulls Cryer out of the language lab is really funny - especially when she says "F*** Off ez Vous" to the French teacher.
Some of the scenes are chauvinistic, including the one with frat boys and the hired hooker - which really doesn't have any relevance to the overall plot. And I agree with a previous poster who says that Cryer's on screen mother is one of the most irritating characters to appear in movies. That line about the sausage of Cryer's brother going cold is truly risible. When I watch this film I try very hard to ignore the flaws!
This is corny, cheesy and highly entertaining. It really captures the spirit of the 80's. I'll never stop watching it - I love it.
Bonus: watch out for Jennifer Tilly and Tim Robbins in bit parts playing Cryer's classmates. Robbins was 28 when he played this role. Teenage high school student he ain't! But it's still good to see him in this. Also the very catchy song 'Eiffel Tower' by Malcolm McClaren and the McClarenettes.
Moore wears some wacky clothes and has that 80's penchant for long evening gloves with hundreds of bangles, very Material Girl! I love that cabin on the boardwalk apartment she lives in while working at Jakes's as a singer. Very bohemian, very cool, very 1984!
Where do I start? Firstly Jon Cryer is truly excellent as the precocious adolescent amateur photographer who spouts sophisticated adult dialogue but is really naive on the romantic front. The way he blushes at the right moment is very credible. He plays the blushing virgin with gusto - we don't doubt for a moment that he's never had sex or kissed a girl.
Firstly I must admit here to being a major fan of Demi Moore's films in the 80's. I've seen all of them from that period and I adore the characters she plays - Moore is what I call 'value added'. Whatever role she plays she brings something special, whether it is a brilliant range in temperament, downcast eyes, the husky voice, the tearful eyes the shiny hair. Most Hollywood actresses can't manage this, but Demi manages to be the girl next door and screen siren all in one.
Anyway she plays this aspiring niteclub singer with bad taste in 80's clothes and even worse taste in music. To her credit she doesn't sing any of the songs as they were recorded by other people, so she just lip syncs along quite nicely. That song 'Hotheaded' is actually quite catchy in that Michael Bolton, Bar 'rawk' sort of way. Overall her character, Laura Victor comes over as a really likable human being. And the final scene at the airport is truly touching. Moore's says two simple words 'thank you' and we know she means it.
Another to reason to love this film is that it was filmed entirely on location in San Francisco, and studio interiors are very few and far in between. Most of the shots are on real locations which adds to the movie's overall charm. This combined with the corny dialogue: that scene where she barges into the High School language laboratory dressed in a coctail waitress (read hooker!) outfit in very high heels and pulls Cryer out of the language lab is really funny - especially when she says "F*** Off ez Vous" to the French teacher.
Some of the scenes are chauvinistic, including the one with frat boys and the hired hooker - which really doesn't have any relevance to the overall plot. And I agree with a previous poster who says that Cryer's on screen mother is one of the most irritating characters to appear in movies. That line about the sausage of Cryer's brother going cold is truly risible. When I watch this film I try very hard to ignore the flaws!
This is corny, cheesy and highly entertaining. It really captures the spirit of the 80's. I'll never stop watching it - I love it.
Bonus: watch out for Jennifer Tilly and Tim Robbins in bit parts playing Cryer's classmates. Robbins was 28 when he played this role. Teenage high school student he ain't! But it's still good to see him in this. Also the very catchy song 'Eiffel Tower' by Malcolm McClaren and the McClarenettes.
Moore wears some wacky clothes and has that 80's penchant for long evening gloves with hundreds of bangles, very Material Girl! I love that cabin on the boardwalk apartment she lives in while working at Jakes's as a singer. Very bohemian, very cool, very 1984!
Le saviez-vous
- AnecdotesThe film was originally to star Sally Field and Matthew Broderick in 1981, but production shut down after director Martin Ritt had a heart attack.
- GaffesDuring the bachelor party, Charles suggests the guys all go to the nightclub to give his brother privacy with the "paid escort" in the hotel room. But at the nightclub both she and Charles' brother are sitting enjoying the show with the gang.
- Citations
Ken: Have a girl, Chuck?
Charles Cummings: No thanks, I'm full.
- ConnexionsFeatures Ms. Pac-Man (1982)
- Bandes originalesHard Livin' Without You
Written by Randy Jackson
Produced by Jack Douglas
Additional production by Randy Jackson and Bill Dooley
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- How long is No Small Affair?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- No Small Affair
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 4 994 094 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 273 469 $US
- 11 nov. 1984
- Montant brut mondial
- 4 994 094 $US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Pris sur le vif (1984) officially released in India in English?
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