Un inconnu surgit de nulle part pour devenir un joueur légendaire au talent presque divin.Un inconnu surgit de nulle part pour devenir un joueur légendaire au talent presque divin.Un inconnu surgit de nulle part pour devenir un joueur légendaire au talent presque divin.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 4 Oscars
- 3 victoires et 9 nominations au total
Avis à la une
A wonderful, magical fairy tale, and morality play. This is the type of movie that as a new father, I cannot wait until my son is old enough to watch this with me.
I know much has been made about Redford being too old to play Roy Hobbs. But much of the story asks you to believe in incredible things, so to me, this is a minor issue.
Everything about this movie is first rate. The cast which includes Redford, Glenn Close, Kim Basinger, Wilford Brimley and a pair of terrific performances turned in by Robert Duval and Darren McGavin.
It is easy to see that all of the actors trust the material and believe in their characters.
Barry Levinson tells the story in a straight forward style, he doesn't try to build any false suspense or surprise twists. When you watch this movie you know exactly what is going to happen long before it does, but you don't care, because it unfolds intelligently and without pretense.
My two favorite components of this movie are the cinematography by Caleb Deschanel and the beautiful, moving score composed by Randy Newman. I first enjoyed Mr. Deschanel's work on "Being There", and felt Mr. Newman's score for "Ragtime" was the best score of 1981.
"The Natural" is so much more than a baseball movie. It is a story about faith, good and evil, right and wrong, fathers and sons. It is about all that is good in baseball and in life.
10 out of 10
I know much has been made about Redford being too old to play Roy Hobbs. But much of the story asks you to believe in incredible things, so to me, this is a minor issue.
Everything about this movie is first rate. The cast which includes Redford, Glenn Close, Kim Basinger, Wilford Brimley and a pair of terrific performances turned in by Robert Duval and Darren McGavin.
It is easy to see that all of the actors trust the material and believe in their characters.
Barry Levinson tells the story in a straight forward style, he doesn't try to build any false suspense or surprise twists. When you watch this movie you know exactly what is going to happen long before it does, but you don't care, because it unfolds intelligently and without pretense.
My two favorite components of this movie are the cinematography by Caleb Deschanel and the beautiful, moving score composed by Randy Newman. I first enjoyed Mr. Deschanel's work on "Being There", and felt Mr. Newman's score for "Ragtime" was the best score of 1981.
"The Natural" is so much more than a baseball movie. It is a story about faith, good and evil, right and wrong, fathers and sons. It is about all that is good in baseball and in life.
10 out of 10
My son and I have watched this movie twice together. I can't think of any other movie we have watched twice--together. I'm 60 and my son is 26. There is the element of magic, of fairy-tale, of other-worldliness; there is the element of the naturalness, the character of Robert Redford; there is the element of baseball, the great sport-love of millions of boys in North America--and me back in the 1950s when I was growing up and dreamed of going to the majors; there's a touch of the sexual with Kim Basinger and Barbara Hershey----one could go on listing the pluses that this movie brings to the viewers. But I think what makes the movie in the end is the magic of Roy Hobbs as he hits a baseball further and harder than anyone ever has or(probably) ever will. Hobbs is the quintessence of the baseball hero and for sports lovers that's their religion. Hobbs is like Jesus come down to earth in the form of a baseball player, yet with sins of omission and commission. So, he's human and a superhero all at once.
This is another one that I recently re-watched on cable. I must upgrade my collection to include the DVD. Of course, there are reviews which will attack its sentimentality; get over it!! It amazes me that so many film goers can't view a movie with a positive and sophisticated charm without rolling their eyes or sticking their finger down their throat. (As if we don't have enough coarse, angry, 'edgy' films in release already.) I don't mind Redford's Joe Hardy-like ability one bit, because success- for all of his skill and talent- still doesn't come to him easily. He must suffer a physical tragedy, be elusive with his greedy contemporaries, and finally deal with the past, which he spends the entire movie trying to hide. The one nitpick I have with the whole film was the painfully obvious soft-focus photography used to disguise Redford's age. It isn't so bad in the first reel when he's supposed to be a teenager (and the camera shoots him in silhouette and at length), but later, when he's supposed to be between 36 and, say 40, he just *isn't*. Glenn Close is radiant as his love from childhood, and shines in a memorable scene when they are first reunited at one of his games. After he goes into a foreshadowed slump, it is the arrival of Close (angelically back lit, and whose presence he senses even before seeing her) that brings him back to winning. Singularly gorgeous.
Despite being an Englishman I played Fast Pitch Softball against USA Service teams over many years so understand Baseball. This is a sports movie constructed in a marvelously entertaining manner fulfilling my boyhood dreams. Redford might be old for the role but I found him both believable and committed to giving enjoyment. Great cast, lovely music, super performances, brilliant fairytale story and a real feel good experience.
I can't ever forget the first time(s) I saw The Natural. I was a member of the Directors Guild of America and there was a screening at the DGA. I love screenings of films about which I know nothing! And at the time I hadn't read the novel, really didn't know anything about it. I knew Barry Levinson and liked his work, and Randy Newman was, of course, a god. I just wasn't ready for it! Tears were streaming down my face from the beginning. The music would play and the waterworks would commence! It felt organic, not intellectual. It just "was". The only other film where I had that experience was, you guessed it, "Field of Dreams", another screening. When he asked his Dad if they could play a little catch, I lost it. The people I was with got up and slowly moved to other seats. But back to the Natch. I love it when a film subsumes reality, and every time I hear the theme at a "real" ball game, I smile. From time to time I'll put on the DVD to watch a scene, and I invariably end up watching the whole thing! If you haven't seen this film, you simply must!
Le saviez-vous
- AnecdotesThe bat that bat boy Bobby Savoy gives Roy is called the "Savoy Special". The Savoy Special was a brand of beer in the 1930s, and was made by the United States Brewing Company. This bat is now in the collection at the National Baseball Hall of Fame and Museum in Cooperstown, New York, displayed along with Roy Hobb's jacket in an exhibit titled "Baseball and the Movies".
- GaffesIn the game where Hobbs breaks the Wrigley Field clock, his homer ends the game, as everyone in the stands begins to leave and Hobbs gets mobbed by the press. But since the Knights were the visitors, the Cubs get to bat last.
The movie depicts the 1939 season. Prior to the 1950 season the home team had the option to bat first or last so it was possible for the visiting team to bat in the bottom of an inning.
- Citations
Iris Gaines: You know, I believe we have two lives.
Roy Hobbs: How... what do you mean?
Iris Gaines: The life we learn with and the life we live with after that.
- Versions alternativesThere is an edited version which was released in several European countries (e.g. United Kingdom, West Germany). This version edits many dialogue and playing scenes to tighten up the pacing. It runs approx. 14 minutes shorter than the US theatrical version.
- ConnexionsFeatured in At the Movies: Indiana Jones and the Temple of Doom/The Natural (1984)
- Bandes originalesThe Star Spangled Banner
Lyrics by Francis Scott Key
Music by John Stafford Smith
Performed by Kate Smith
Courtesy of RCA Records
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El mejor
- Lieux de tournage
- All-High Stadium - 50 Mercer Avenue, Buffalo, New York, États-Unis(Wrigley Field scenes; Roy and Iris walking outside a brick building)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 28 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 47 951 979 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 088 381 $US
- 13 mai 1984
- Montant brut mondial
- 47 951 979 $US
- Durée2 heures 18 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Le meilleur (1984) officially released in India in English?
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