Beaucoup de bruit pour rien

Lindsay and Lunghi bring to light previously unknown facets to the two well-known characters of Benedict and Beatrice, and have a kind of sympatico that makes their sudden love for each other more believable than is generally found in other versions of Much Ado. They are bolstered by a marvelous supporting cast. This production far exceeds Branagh's film version in acting, but suffers when the production values are compared, an unfair comparison since Branagh had the luxury of actually making a film on location while this BBC edition is a teleplay.

Ever since having fond memories of studying it in school, 'Much Ado About Nothing' became one of my favourites of Shakespeare's plays. Love everything about it, though it is very difficult to make Hero and Claudio interesting, because there is so much fun and charm, particularly great characters in Beatrice and Benedick, a story that never lets up on the entertainment value and Shakespeare's text is some of his loveliest and most amusing.

As far as the BBC Television Shakespeare series (one where some productions are better than others but misfires are very few) goes, their 1984 performance of 'Much Ado About Nothing' is among the best of the productions. Despite loving Kenneth Branagh's version on primarily its own merits, for namely the visuals, music, Branagh and Emma Thompson, this one is the better version of 'Much Ado About Nothing' with particularly vastly superior performances of Dogberry and Don John. While not as visually striking as that, it is more faithful and it is more tasteful as well. When it comes to this play, this is as good a version as one can get in my view.

While not as cinematic quality or as sumptuous, the costumes and sets are tastefully designed and didn't come over as too drab or garish. The photography complements very nicely and in terms of lighting it didn't come over as dreary or over-saturated. There is a sense of time and place, which always helps when performing anything but Shakespeare is one of the biggest examples, and effort was clearly made.

Have no issues whatsoever with Shakespeare's text and the stage direction does a great job helping to bring it alive. The momentum never lets up, and for me it didn't feel dull at first, and the comedy is genuinely funny, at its best hilarious, and not overdone (not to the extent that it irritates anyhow). It's not just comedy, there is genuine tension in the wedding scene, one of the stage direction highlights here, and there was emotion too in particularly the latter stages. The chapel scene is one of the greatest individual scenes of the entire BBC Television Shakespeare series, Beatrice's despair was tremendously powerful. The character relationships are handled with humour, tension, charm and poignancy, that between Benedick and Beatrice particularly.

Likewise, no issues can be had with the performances. Cherie Lunghi's Beatrice, one of Shakespeare's most interesting female characters (and overall actually), stood out, her wit, shrewish nature and identifiable assertiveness making it easy for one to see what can be seen in her. Entertaining chemistry can be seen between her and Robert Lindsay's suitably arrogant and commanding Benedick in their merry war against each other. Katherine Levy is a radiant Hero and makes the most of the role, while Robert Reynolds avoids being wet as Claudio.

Jon Finch is scheming and noble as Don Pedro, while there are two performances that are infinitely better here than in Branagh's. Am aware that this came before Branagh's, but saw Branagh's first and have always been more familiar with it. Michael Elphick has fun as Dogberry while not over-acting or being too clownish, while Vernon Dobtchef is a subtly Machiavellian Don John.

To conclude, wonderful. 10/10

This remains, for me, one of the best of this superb BBC series & certainly the best version of this particular play. This production saw no need to dress up the actors in ridiculous fake-military costumes (a vice Branagh shows off in all his productions, I know not why) or cut those parts which it didn't like (either do Shakespeare as he wrote it or write your own play!). Robert Lindsay reveals previously unsuspected Shakespearian talent & I would dearly love to see him take on some other such roles. He is superb in this, using his comic ability to bring out the humorous essence of Benedick & the beautiful Cherie Lunghi (who has never shown me a poor performance, be it in Shakespeare, Hornblower or even "A Touch of Frost") is a perfect partner, being both cuttingly witty & enticing -- enough to make any Benedick risk her barbs to chase her! Admittedly, Jon Finch isn't as good as Denzil Washington, who also showed untapped Shakespearian talent (a future Othello or even Iargo, maybe?) but he isn't actually bad. All in all, a joy to watch & a great introduction to Shakespeare's lighter works. Sincerely recommended.

Lunghi's Beatrice and Lindsay's Benedick are nearly perfect and certainly seem perfect for each other. Television close-ups give an immediacy to their courtship that is hard to match on stage. The text is almost complete, allowing the two cleverest lovers in Shakespeare to shine as only they can.

Most of the characters in the play declare that Beatrice is unattractive because she is independent. Cherie Lunghi is especially good at proving the opposite to be true.

The rest of the cast is uniformly excellent, with a properly snobbish Leonato; unbearably and idiotically self-satisfied Dogberry; and a thoroughly clueless, moderately cruel Claudio.

The production would be stronger, however, if it were more playful. The deception of Benedick is mostly humorless, with the tricking of Beatrice not much better.

An afficianado but not expert on Shakespeare, this production was my introduction to "Much Ado About Nothing". I found it a sheer delight. So much so that I fell into the production and it seemed it was over after barely starting. Normally with Shakespeare one seems to maintain a distance whilst mentally translating the old English prose/rhyme but that wasn't necessary with this play. The sets are adequate but we must remember that this is a film of a stage version. It's the acting that makes it so exhilerating. Lunghi is nothing short of stupendous, speaking the lines with great wit, clarity and effect. Lindsay is admirable as her foil and indeed matches her line for line. I would recommend this play/production for anyone who needs an introduction to Shakespeare. For those who are familiar with the bard, they will find this rendition a delight, and far superior to that inadequate, emacerated film version by Branagh.