Micki & Maude

Five years after the success of "10", Blake Edwards and Dudley Moore hit another bullseye with MICKI & MAUDE, a stylish and very funny romantic comedy about a newsmagazine reporter (Moore) married to a workaholic attorney named Micki (Ann Reinking) who longs to be a father and begins an affair with an attractive and funny cellist named Maude (Amy Irving) who he gets pregnant. He agrees to divorce Micki and marry Maude until Micki announces she is also pregnant. Since Micki's pregnancy is high risk, he doesn't want to stress her out so he marries Maude without divorcing Micki and that's when his life becomes complicated to no end. The three stars are absolutely wonderful in their roles. Moore won a Golden Globe for Best Actor in a Comedy. Richard Mulligan, George Gaynes, and Wallace Shawn offer strong support as Moore's boss and as the ladies' doctors. Though the film is a little on the long side, it remains thoroughly entertaining from beginning to end with one of Moore's best performances.

Micki+Maude is one of the most satisfying comedies to come out of Hollywood in the 1980's. It is perhaps Blake Edward's last great film, it is also the film in wich Dudley Moore solidified his position as a like-able Romantic Light Comedian worthy of greats like Cary Grant and Jack Lemon. The plot in itself works thanks to a knockout idea, Dudley Moore + 2 wives = Bigamy x Pregnancy. Any theme like that alone would be funny. Handled by one of the all time great American directors, Blake Edwards and starring Cuddly Dudley, it soars. Amy Irving as Micki, and Anne Reinking as Maude are both very enjoyable and frothy charcters, essential to a romantic comedy. One imagines that if he wanted to Edwards could have made this a straight sequel to his hit 10, with Dud reprising his role as George Webber, with Julie Andrews as Micki and Bo Derk as Maude. But Amy Irving and Anne Reinking do just nicely. Michael Le Grand's themes and songs are nice, and the film amounts to a funny and fitting climax. Edwards employs in the fianl scenes lots of Laurel and Hardy imagery and Dud handles this well. Edwards should be proud because not only has he emulated the greatest work of Stan and Ollie with this film, he has created something that in turn will influence generations of Comedy directors. Why on earth this didn't win any Academy Awards i dont know. I can think of an Actor and a Director who thoroughly deserve them.

I watched with increasing discomfort as the premise of this film started to unfold. My moral compass kept kicking in and I never managed to suspend my disbelief sufficiently to entirely enjoy the film. Dudley Moore plays Rob Salinger very well. Ann Reinking (Micki) and Amy Irving (Maude) play their parts wonderfully too as the situation turns into a farce. I became intrigued to see how the screenwriters might resolve the plot in a socially acceptable way. The story didn't end how I might have guessed; more of a non-ending really. I hope that intrigues you enough to watch it and find out how you react to this movie. It's probably worth watching to learn something about yourself!

I've been punishing myself watching all Dudley Moore's movies from the 80's. His usual unsympathetic movie persona is here: A successful man in his field despite lacking professionalism that inevitably advances on his leading ladies while running and screaming through corridors in labored plots.

Blake Edwards tries to sugarcoat Moore's dubious moral compass in this farce. Moore is a caring husband/lover that desperately wants to be a family man but shamelessly cheats his love interests. This dissonance in values never goes away and kinda ruins the lighthearted tone of this comedy.

I loved Ann Reinking as the innocent perfect wife. The really good acting on her part that kept this movie entertaining. Amy Irving's is not exactly a counterpoint and could be more fleshed out. Moore does a competent job being more awake in the role than in his later movies.

The plot is nothing special and there's a unfortunate shadow of Arthur (1981) in the relationship between Rob and Leo mirroring Arthur and Hobson that is underdeveloped and seems tackled into the movie. Curiously, in Lovesick(1983) Moore's character also has an older figure that his character listen to and try to sort his problems.

Not a bad movie, but not good either.

Dudley Moore is happily married to Anne Reinking who right now doesn't want kids. Dudley meets a sweet woman Amy Irving and before you know it she's pregnant. Dudley decides to plan to leave Anne but guess what she's pregnant too. So Dudley becomes a bigamist. Funny, especially the hospital scene. The ending is kind of lame but this is still a great movie.