Love Streams - Torrents d'amour

One of the Great American directors (directing and starring in his last great film) with his wonderful Gena Rowlands told an American tale as old as the Hollywood hills in the dreaded 80's film wash-out era. Check it - a writer who lives with a bunch of beautiful "hookers, babes, whoever these chicks are" while he gets his stuff together while his unhappily married sister (G. Rowlands) is having a bad decade, you have the beginning of a story.

The plot alone with some wonderful performances by bit players and some clueless extras and a kid that Cassavets has scenes with (like he did in Marvin and Tige; just acting) that are VERY REAL and so non mainstream, I can't believe this wasn't a HIT in the mid 80's. I've been a film buff for 37 years and this should be shown at Christmas, instead of that horrifying Jimmy Stewart "It's a Wonderful Life" bad want-to-be Rod Serling story about Americans and their foibles. Check this out, even if you're not a Cassavetes fan. It will be well worth your time and effort and Gena Rowlands is wonderful in it. 9 out of 10.

Firstly, it's not easy to have the full understanding of the cinematographic universe that John Cassavetes has. To take a stage play by Ted Allan and to co-write a script and create something that looks like everything but something you can imagine on a theater stage. In "Opening Night", almost everything occurred on the stage; here we have cities, we have bars, we have houses and, of course, people…Real people.

I don't know if it makes any good to write long reviews about every Cassavetes' film. He pursued a style, he conquered it and he maintained it while dealing with different topics. "Love Streams" is the story of two brothers, Robert and Sarah (Cassavetes and his eternal muse Gena Rowlands), and some days they spend together.

Like in the best movies, there's room for the viewer to draw conclusions. When Sarah knocks at Robert's door, it appears that they haven't seen each other for a long time; but we don't really know. When Robert receives his son (Jakob Shaw), the house is full of women and it appears that he doesn't care about the kid, but we don't really know; we also never fully understand the nature of Robert's work as a writer, meaning that we know he writes novels but the house full of women and the process he uses to create remains widely unexplained. When Robert interviews a singer he thinks is beautiful, it appears that he cares about her, but we don't really know.

All these situations are not as simple as they sound; they're constant subjects in the film's two and half hours duration time. The same happens with the Rowlands character; a woman who loves his family but seems to be loosing them. There's a scene in which Sarah, her daughter Debbie (Risa Blewitt) and her husband Jack (Seymour Cassel) sit together to review the divorce papers and suddenly the little girl stands up and tells her mother: "I want to go with daddy".

Sarah reacts as an unstable woman would do, and there are many moments in the film where we see this characteristic (we even witness a short but honest visit to a psychiatrist). However, her problem is not completely detailed and we have to figure it out through the same process we use to study Robert and every other character.

This is what Cassavetes does. He puts the viewer to work. He presents the characters, he lets us know what we could normally see with a camera (Al Ruban's beautiful and observing camera, in a very similar style to "Opening Night"): the outside. The rest? Well, it's real life and people deal with it as it comes.

In "Love Streams" you also have to deal with it. Deal with the things the characters are dealing with. It's not like you've never been involved with a movie character.

This is a late great work of a master director. It is one of the most original films I have ever seen, though Cassavetes work was mostly improvised and so always had a spontaneous and creative feel. Love Streams is so good because it is the work of a highly creative mind at the height of his talents. It is haunting in its depiction of an unusual brother and sister and their love for each other and for family (in the case of the sister played by the great Gena Rowlands in a beautiful, though at times scary, performance.) More than anything it is a study of the meaning of love itself. The look of the film and the editing alone make this one worth watching.

I have watched this movie many times over the years. As with all of Cassavetes movies, repeated viewing improves it. This is a good solid effort with a great final image of Cassavetes waving goodbye (both to Sarah & to us). - An interesting character study of a brother & sister. Nothing actually gets resolved during the course of the movie. We just get to watch these two characters for awhile. Both characters are just as messed up at the end as they were at the start.

As much as I like the movie, I wouldn't go overboard raving about it. I recognize that it isn't perfect. I think that the opera dream sequence at the end of the picture is kind of annoying. However, on the positive side, it avoids including the bad acting that mar some of Cassavetes other movies.

After "Faces", the Cassavetes' experiment that created a revolution of form (cinema verite used for fictional narrative when this was absolutely 'unacceptable' in Hollywood), "Love Streams" gets my vote for his very best work, and one of his two or three true masterpieces. Both John and Gena give the performances of their lives, using their history with each other to create a natural intimacy as brother and sister that is second to none. John also knew he was dying and gave everything left of himself for the camera, and as filmmaker. The project was developed from a play and performed many times in front of audiences with Jon Voight in the lead: another experiment that delivered a unique depth to the material; and after seeing both the play and the movie, I'd say John taking over for Jon was an inspired decision by both of them. When the movie came out, it only played about a week (to comply with a contract with Cannon) before being shelved, not even put out on the art theater or revival circuit. I actually worked at Cannon, where rumor had it that Golem was punishing John for not cutting even a minute out of the long movie. Imagine cutting a masterpiece for just a few more screenings! "Love Streams" should eventually find its way to the recognition that it is one of American cinema's greatest achievements.