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Les frénétiques

Titre original : The Last Horror Film
  • 1982
  • 12
  • 1h 27min
NOTE IMDb
5,6/10
2,5 k
MA NOTE
Caroline Munro in Les frénétiques (1982)
Dark ComedySatireSlasher HorrorComedyHorror

Ajouter une intrigue dans votre langueA New York taxi driver stalks a beautiful actress attending the Cannes Film Festival, which coincides with a series of violent killings of the lady's friends.A New York taxi driver stalks a beautiful actress attending the Cannes Film Festival, which coincides with a series of violent killings of the lady's friends.A New York taxi driver stalks a beautiful actress attending the Cannes Film Festival, which coincides with a series of violent killings of the lady's friends.

  • Réalisation
    • David Winters
  • Scénario
    • Judd Hamilton
    • David Winters
    • Tom Klassen
  • Casting principal
    • J'Len Winters
    • John Kelly
    • Joe Spinell
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,6/10
    2,5 k
    MA NOTE
    • Réalisation
      • David Winters
    • Scénario
      • Judd Hamilton
      • David Winters
      • Tom Klassen
    • Casting principal
      • J'Len Winters
      • John Kelly
      • Joe Spinell
    • 47avis d'utilisateurs
    • 53avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 2 nominations au total

    Photos94

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    + 88
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    Rôles principaux60

    Modifier
    J'Len Winters
    • Girl In Jaccuzi…
    John Kelly
    • Man In Theatre
    Joe Spinell
    Joe Spinell
    • Vinny
    • (as Joe Spinnel)
    Simone Overman
    • Woman #1 In Theatre
    Malgosia Casey
    • Woman #2 In Theatre
    Patty Salier
    • Woman #3 In Theatre
    Chip Hamilton
    • New York Man
    George Valismis
    • New York Man
    Peter D'Arcy
    • New York Man
    • (as Peter Darcy)
    Filomena Spagnuolo
    • Vinny's Mother
    • (as Mary Spinnel)
    Don Talley
    • Cowboy
    Mai Britt Finseth
    • Bikini Girl…
    Valerie
    • Bikini Girl
    Caroline Munro
    Caroline Munro
    • Jana Bates
    Robert Paget
    • Screening Room Jury
    Katia Malmio
    • Screening Room Jury
    Dennis Beasnard
    • Screening Room Jury
    Richard Marner
    Richard Marner
    • Screening Room Jury
    • Réalisation
      • David Winters
    • Scénario
      • Judd Hamilton
      • David Winters
      • Tom Klassen
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs47

    5,62.5K
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    Avis à la une

    7Sic Coyote

    A rather underrated film going by the votes above...

    I saw this movie last night. I had got it in my collection for a good while but I've only now got round to see it and I must say that the first scene does make you think this is going to be just another one of those 'video nasties' done on a tight budget using horror and are naked women to sell it. Okay granted there are quite a lot of topless women in this movie :) which is nice :) and there is also a nice amount of gore for example, people getting their throats cut, decapitated, stabbed in the back, burned in the face, electrocuted in a bath, shot and chopped up by a chainsaw. I thought it was really good gore done in a not very serious way. The main character is really good he's a taxi driver who wants to be a movie director so he goes to the cannes fim festival to see his favourite horror movie star, but he can't get to her and people start dying. The comedy in the film in great the main charactor and his mum providing most of it and it has some good surprises in it, they even surprised me! it's a great plot if not perfectly executed and it's certainly worth going through the whole movie just to see the end which I thought was brilliant and was a lot better than I expected it to be. If you can ignore the badly dubbed voices you will find this movie quite enjoyable especially if you have a sick sense of humour. Also, watch out for Cannibal Holocaust being shown at a cinema he goes to and one of the germans from Allo' Allo' as one of the cannes film board. :) 8/10
    6Red-Barracuda

    A slasher with a sense of humour

    A taxi driver is dangerously obsessed by a horror movie actress. He travels to Cannes to convince her to star in the movie he fantasises he is going to direct. A series of killings start.

    On the face of it this is one of the many films from the early 80's slasher cycle. However, it's hardly typical of that genre. Sure, it has the usual slasher ingredients – lots of gory violence and lots of semi-nude girls – but overall the tone is quite different. There is a definite comic feel to this one. Much of that is down to lead actor Joe Spinell who plays the deranged taxi driver. Spinell is a good enough actor to make, what could easily be a very unlikable character, sympathetic. His interplay with his mother is also kind of funny and I suppose is a jokey take on the stereotypical mother-fixated psychopaths from these types of movies. Joe's delusional world view is illustrated with segments that blur fantasy and reality. We see him as a ludicrous tuxedoed famous director interspersed with the scenes of his grim reality. All of this stuff gives The Last Horror movie a definite difference from other movies with similar scenarios.

    The film also stars Caroline Munro as the famous scream queen. And she looks pretty striking with her black and white mane of hair. Interestingly she is making a movie called 'Scream' and this was way before Wes Craven came up with his post-modern slasher. In fact, you could argue that this very film was playing around with a few of the ideas that Craven would use over a decade later to great commercial success. After all, this is a film that playfully points out the conventions of the slasher film while still essentially delivering various methods of bloody murder. What was also pleasing was the way that The Last Horror film winds things up with a pretty decent ending that wasn't obvious. So, all in all, this has to be considered one of the more innovative slasher flicks of the 80's.
    7Hey_Sweden

    Spinell is excellent as always.

    Crude, low budget shocker is undeniably fascinating for its setting, and its portrayal of the movie business. It reunites the two stars of "Maniac", Joe Spinell and Caroline Munro, in a story of NYC cabbie Vinny Durand (Spinell), a pathetic aspiring filmmaker who's obsessed with horror film star Jana Bates (Munro), tailing her to the Cannes Film Festival where she's promoting her latest film. In between Vinnys' desperate attempts to make contact with Jana, a psychotic killer is at work brutally dispatching various people in Janas' life. The film is co-written by Judd Hamilton, then married to Munro, and director David Winters, along with Tom Klassen, and Hamilton and Winters also play film directors on screen. Winters is more ambitious with his ideas and set ups than one would think, going for the surreal and laying on the creepy imagery at select points, and his framing is likewise interesting. The non stop pop / rock soundtrack helps to keep "The Last Horror Film" moving forward adequately, and there are some genuinely effective sequences, such as when a terrified Jana flees in terror from Vinny, clad in only a towel, and bemused onlookers think she's merely participating in a publicity stunt. Use of gore is entertaining - there's not a whole lot of it, but we do see a fair bit of the red stuff spilling. Cameos include June Chadwick and Robin Leach, and one truly compelling facet of this movie is the way it works as a snapshot of a particular place at a particular time, with many shots of posters of then current productions. Intriguing at every turn, "The Last Horror Film" also has a certain seedy ambiance going for it, with some nudity to go with its lurid thrills. Spinells' own mother Mary is hilarious as Vinnys' overbearing ma, and Munro is as gorgeous and appealing as she's ever been, but ultimately this is a vehicle for Spinell, who proves once again his ability to elicit some feelings of sympathy even when playing a disturbed character. This is not up to "Maniac", but it's not bad, and worth a look for fans of the stars. The final scene is especially funny, ending the movie on an irresistible high note. Seven out of 10.
    7lost-in-limbo

    It's all about Joe Spinell.

    Who knew watching a lonesome daydreaming New York cabbie Vinny with desires of being a famous filmmaker obsessively lament over a beautiful well-known horror scarlet to appear in his first film, while running around after her at the Cannes film festival could be so entertaining? To go along with that some unknown deranged serial killer staying in the shadows begins knocking off her entourage while filming it. Could they both be linked or is it pure coincidence?

    "THE LAST HORROR FILM" wasn't what I expected it to be, mainly due to the unhinged tonal shifts. From an underlining comedic edge, it can turn depressingly downbeat to nastily macabre then back to kooky again. It's not over-the-top, but it sticks out because it puts a clever spin on the material, as it lures you into thinking it's something it is not. I kind of liked how the story evolved, being quite a delirious cocktail, as it kept you on your toes. Never too sure what direction it was heading. This led to an oddball climax to only be topped off by an enjoyably absurd ending that I don't see how anyone could predict. In all a very unorthodox experience.

    What really came to the forefront is its true-to-the-facts information of the times it was shot to use as sort of a satirical social commentary of the influences of film on violence, where the script in more than one way was taking a shot at the narrow-minded assumption of those who see violent films to be blamed for the unstable descent of society instead of being a reflection of it. So with this viewpoint, making it the more interesting is having it set in Cannes, where the shot-on-location atmosphere added to the buzz. Still even with that feverish glitz of searching for stardom with a beautiful French Riviera backdrop, it's soaked in sleaze, unpleasant gore and a lingering dinginess when the killer hits the scene.

    Then there's Joe Spinell. As he showed in "MANIAC", he's a live-wire that you simply work around. Just let him go, sweat and all, as his instinctive presence emits such weirdness, yet stays strangely appealing (when interacting with his real-life mom) in spite of being an emotional wreck leading to some crazy visions, and disturbing encounters in his on-going fascination towards the actress (the very capable Caroline Munro).
    7Erich-13

    Great performance by Spinell...

    I had put off seeing this for a long time because, although an admirer of Joe Spinell and Caroline Munro, I am NOT a fan of gore. When the only video store in my area with a copy told me they would be closing, I finally gave in and rented it, knowing it may very well be my last chance. I was pleasantly surprised to see how little gore there was (and what WAS there was either too brief to really disturb me, or was obviously "movie-within-movie" fake), and by the cleverness of the script. The brilliant performance by Joe Spinell, however, came as no surprise. Playing an obsessed fan and would-be director, Spinell was both pathetic and sympathetic. I found myself feeling sorry for this desperate loser, even as I dreaded what he might do.

    The Cannes Film Festival setting makes this a must-see for movie buffs, who will enjoy going frame-by-frame through the montages of movie posters and marquees.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This film was shot guerrilla style without permits at the 1981 Cannes Film Festival.
    • Gaffes
      The fictional film "Caller in the Night" is credited to "Stanlee Kline" on the marquee but to "Stanley Kline" during the movie's opening scenes.
    • Citations

      Jana Bates: I've seen enough fake blood to know the real thing when I see it.

    • Crédits fous
      The first titles seen onscreen are the words 'The End', 1 minute and 50 seconds into the film.
    • Versions alternatives
      The American 'Troma' DVD release is also missing the end of the "Night Caller" film clip. The shots of the old woman removing and eating the heart have been cut out.
    • Connexions
      Edited into Thriller Zone (1995)
    • Bandes originales
      Photographic
      Written by Vince Clarke (as Depeche Mode)

      Performed by Depeche Mode

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    FAQ17

    • How long is The Last Horror Film?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 17 juillet 1985 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Troma
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Last Horror Film
    • Lieux de tournage
      • Cannes, Alpes-Maritimes, France
    • Sociétés de production
      • Shere Productions
      • Winters Hollywood Entertainment Holdings Corporation
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 2 000 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 27 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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    Caroline Munro in Les frénétiques (1982)
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