Soif de Justice

I first heard of this when TNT was showing it after the TV premiere of Rumble In The Bronx. I couldn't make it through the first 10 minutes because of the bad dubbing and the mixing around of scenes (The very first scene was Jackie and Yuen skateboarding in Spain, rather than them waking up and getting into their morning routine). A couple of months ago, I got the Hong Kong DVD and loved it.

The movie is about Thomas (Chan) and David (Biao), two Chinese guys who run a successful food truck business in Spain. They get caught up in wannabe detective Moby's (Hung) case to find a Spanish heiress, and the fun goes from there. The chemistry is great between the three brothers, and Lola Forner is a great distraction. The writing is funny, and Sammo's direction is right on target. The fight scenes are great. If you want to watch vintage Jackie, watch this film as he can move quick. The much talked about fight between Chan and Benny "The Jet" Urquidez does not disappoint. Want a lesson in how to do a fight scene? Watch these two guys go at it (They would have a rematch a few years later in Dragons Forever).

For all of you fans of JC credit outtakes, there is none (JC didn't start using them until Police Story). But in a funny, action packed movie like this, you won't care. It is one of The 3 Brothers best, and it will leave you wanting more.

Cousins Thomas and David are the premier skateboarding, food-van operating team in Barcelona. One day, the two visit David's father at the local asylum, where they meet the attractive and charming Sylvia, the daughter of David's father's girlfriend. David is smitten, but doesn't act upon his desires. Later, they run into Sylvia again, inviting her back to their apartment. She stays the night, robs them, and disappears the next morning onto the streets of Spain. Moby is a bumbling private detective searching in vain for the heiress of a vast fortune. The lives of the four intertwine in ways both unexpected and entertaining in this vastly enjoyable cinematic extravaganza, 'Wheels on Meals.'

Also known as 'Spartan X,' the film is a brilliant roller-coaster-ride of amusement on every level. Edward Tang and Johnny Lee's story and screenplay is filled to the brim with action, witty banter and clever set-pieces. The film rockets along at a brisk pace towards an explosive finale that is as ridiculous as it is technically impressive. It's the kind of film that will leave you shaking your head in amazement at the abilities and energy of the performers- not to mention the fact that no-one died while making it.

Directed by Sammo Hung- who plays Moby- the film is guaranteed to please any fan of Hong Kong cinema. The cinematography is crisp and inventive, while Peter Cheung's remarkably astute editing keeps the somewhat frantic proceedings both cohesive and compelling. Chris Babida and Siu-Lam Tang's musical score is catchy and atmospheric, making especially good use of songs by Toshiyuki Kimori, working under the name Kirth Morrison. Kimori's main theme (used for years without Larry Johnston's lyrics by the wrestling legend Mitsuharu Misawa) is one of the snappiest and most memorable of any martial arts film to date.

The choreography of the stunts and fight scenes in 'Wheels on Meals' is consummate work that is incredible to behold. Graceful but deadly, the fight sequences are some of the best ever seen in a film. It is, after all, the work of the master of action-comedy, Jackie Chan (along with his trusty JC Stunt Team), so one shouldn't be too surprised. There are few whose on screen presence is as charming, as magnetic and as likable as Jackie's, and he proves that notion once again here. Starring as Thomas, he, Sammo and Yuen Biao- playing David- share a great chemistry, giving strong performances both in terms of acting and martial arts.

Lola Forner co-stars as the mysterious Sylvia, and brings much energy and life to the character which- to be frank- is a little underwritten. She performs admirably though, leaving an indelible impression on the viewer with her wit, poise and beauty. Fans of the 'Three Brothers'- as the trio of Jackie, Sammo and Yuen are known- will delight in the small but memorable cameos from Richard Ng and John Shum, and the great Benny Urquidez makes an unforgettable appearance opposite Jackie that is breath-taking and- quite rightly- considered one of the best fight sequences of all time.

'Wheels on Meals' is a funny, frenetic and fantastic action-comedy that will keep you glued to the screen for the whole of its' runtime. The story may be simple, but it's filled with easy humor and impressive displays of martial arts prowess. The cast all give good performances too, and most audiences should find the film an unmitigated pleasure. 'Wheels on Meals' is- to make a long story short- a martial arts masterpiece that mustn't be missed.

Great movie with, trio of world's most famous kung-fu action stars (Jackie Chan, Sammo Hung, and Yuen Bao) in their prime. This is the movie that basically established Jackie Chan's style of combining slap stick humor with action in international settings. The trio broke the barrier of traditional Hong Kong movie making style in this film. Being from the same Peking Opera school, their friendship can be seen even through their acting.

Jackie and Yuen operates a food wagon and Jackie plays a waiter on roller skates. They get entangled with a prostitute who are hunted by gang of thugs which gets them entangled in trouble as well.

You can see that they were having fun making this movie, and you'll also see the incredible physical prowess of the three actors.

Masterpiece for the three actors who became international stars in the coming years.

I just wonder about the title though. Shouldn't it be Meals on Wheels instead of Wheels on Meals ?

Cousins Thomas and David run a mobile restaurant in Barcelona, where David's father is currently recovering in a mental institution. With an uncanny ability to get into trouble, they manage to fall in with the mysterious Sylvia who looks like a princess, steals anything she can get and may be a prostitute. Despite this, David is besotted and tries to help it when it is clear someone is out to get her. In fact more than one group is looking for her and another party has employed local bumbling detective Moby to track her down. With none of them sure why she is being targeted, but each with their own agenda, David, Moby and Thomas all try to keep her safe and uncover the truth.

A key thing to know going into this film is that the plotting was not anywhere near the top of the priority list and that it does show in the final product. The story is a really convoluted mess that has characters and scenarios that seem to exist only to allow the overall flow to continue (specifically the entire mental institute thing) and that, even with this, it has plenty of logic jumps to keep things going. This isn't a massive problem though because generally the film is a comic genre film and it is possible to accept this as coming with the territory. So it goes forward with this constantly played-up comedy air that is always silly but mostly quite amusing - I never really roared with laughter but I had frequent chuckles to myself.

A big part of this is down to the acting rather than the material and, although very much of the genre, it does work. All three of the leads do well with the comedy, all overacting and exaggerating facial expressions to emphasis things - hence it being a bit silly a lot as well. Sammo does this the most but at the same time does get the most laughs. Chan is good but doesn't have as much pure comedy in his character, while Biao has more of the romantic sap to carry but works. Where they naturally excel is in their physical action work. Sammo has the lesser part of this and his main efforts are in his (admittedly impressive) reactions to the many kicks and punches he takes. Chan gets a great scene with Benny Urquidez to show his skills and Biao is amazingly agile. The one problem with the martial arts action is that there is not quite enough of it. The end of the film is the "big" scene but up till then it is not quite what you would be used to from the genre - where amazing fight scenes are scattered throughout as well as a big finish. So at times I was coasting on the odd chuckle but the final scenes are tough and impressive - particularly Chan, doing his usual stuff but instead of making it a bit comical he makes it a lot more brutal than I have seen him do.

The support cast all overact accordingly and mostly fulfil their roles without their average acting skills mattering (eg a goon is a goon and the main fighters are very good fighters etc). Forner is not too bad as Sylvia, although her role as "woman of intense beauty" isn't helped by the impact of dating on her looks and outfits. The one supporting performance of real note is from Ng (I think - he was the mental patient who was "mentally ill - not stupid", he has two main scenes both of which are funny due to his material and his performance.

The end result of all this is not a brilliant film but still a silly and enjoyable one that never quite has enough of any one thing but still works overall with consistent chuckles and, when it comes, engaging and impressive fight sequences.

I like this, more so than any other Chan+Sammo collaboration. Most of it is a bit weird, but the sense of humor, essential to all martial arts movies, is right there with the skills of Sammo and Jackie. Sweet and sour plum!