Ajouter une intrigue dans votre langueA friendly street kid in India, during the last years of the nineteenth century, looks and considers himself Indian, but is in fact a Brit. The Brits discover his true origin, and train him ... Tout lireA friendly street kid in India, during the last years of the nineteenth century, looks and considers himself Indian, but is in fact a Brit. The Brits discover his true origin, and train him as a spy.A friendly street kid in India, during the last years of the nineteenth century, looks and considers himself Indian, but is in fact a Brit. The Brits discover his true origin, and train him as a spy.
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This is enjoyable in every way. Ravi Sheth is tremendous as Kim, the street urchin-turned spy. All departures from Kipling's book are changes for the better--for instance, here, Kim is conflicted by the Irish side of his heritage and angrily resists the British forcing him into school. In Kipling's novel, Kim couldn't wait to rub his "sahib" status into the faces of his friends on the street.
Kim's transformation from homeless beggar to Secret Service agent is very well depicted, and so is his devotion to the gentle lama who is quite helpless on the mean streets of India.
The only significant flaws are in the casting of very non-Indian actors as the Lama, Mahbub Ali, and Babu. John Rhys-Davis is decent as Babu, but unfortunately, it's Peter O'Toole who is by far the worst fault of the film. His makeup is awful and his exaggerated doddering mannerisms are absurd, and anyone who's had any acquaintance with Tibetan Buddhism knows his costume is atrociously inauthentic as well. In addition, some of the scene changes are also difficult to follow. Yet overall, the movie works, and works very well.
This story is human, amusing, exciting, and heartwarming. The "friend of all the world" will delight you.
Kim's transformation from homeless beggar to Secret Service agent is very well depicted, and so is his devotion to the gentle lama who is quite helpless on the mean streets of India.
The only significant flaws are in the casting of very non-Indian actors as the Lama, Mahbub Ali, and Babu. John Rhys-Davis is decent as Babu, but unfortunately, it's Peter O'Toole who is by far the worst fault of the film. His makeup is awful and his exaggerated doddering mannerisms are absurd, and anyone who's had any acquaintance with Tibetan Buddhism knows his costume is atrociously inauthentic as well. In addition, some of the scene changes are also difficult to follow. Yet overall, the movie works, and works very well.
This story is human, amusing, exciting, and heartwarming. The "friend of all the world" will delight you.
I love this version as much as I do the 1950 version. I have this version on VHS, but would like to have it on DVD, when it becomes reasonably priced ♥
I love a lot of the movies made from Rudyard Kipling's books
Kim is an okay film, but has too many weaknesses. At least they actually filmed it in India...
The worst aspect is Peter O'Toole who looked terrible, acted terribly, whose spirituality was expressed through empty platitudes and lack of any kind of foresight. He seems more like a lost old man than a holy man. And the fake bald rubber head cap was just ugly. Sheesh.
I'd skip it and watch something else, like Ghandi. With Bollywood turning out so many films it is amazing that this film could be so bad.
For those who get bored halfway through can have fun watching the Indian extras trying and failing to avoid looking into the lens.
The worst aspect is Peter O'Toole who looked terrible, acted terribly, whose spirituality was expressed through empty platitudes and lack of any kind of foresight. He seems more like a lost old man than a holy man. And the fake bald rubber head cap was just ugly. Sheesh.
I'd skip it and watch something else, like Ghandi. With Bollywood turning out so many films it is amazing that this film could be so bad.
For those who get bored halfway through can have fun watching the Indian extras trying and failing to avoid looking into the lens.
This is a new and robust rendition of Rudyard Kipling's famous Indian story, adapted previously in Hollywood style by Victor Saville(1950). Along with ¨Captain courageous¨and ¨Jungle book¨ are the Kipling books' most known. In this TV adaptation, Kim(Ravi Sheth, Dean Stockwell similar role) is a young boy living on his owns in the slums of India in 19th century(1894). Kim is 15-years-old and disguising as native, but he's actually Brit origin. He encounters a monk Lama(Peter O'Toole,in role of Paul Lukas), a holy man.The boy wishes to be his disciple and he's looking for a red bull and the Buddhist Lama on search for a river where Budda hurled an arrow turning into a place of redemption. Kim also befriends an Afghan horses dealer named Mahbub Ali(Bryan Brown , Errol Flynn character). But when British military discover his origin he's placed in a English college. Kim goes on as British spy and is trained by English service secret(John Rhys Davies). Then Kim receives orders from a British Colonel(Julian Glover, lookalike role of Robert Douglas) who assigns him a risked mission. The story is set in several locations filmed in India, as Northern frontier, Lahore barracks, Bunar, Umbella barracks, Delhi, Shaharampre, and Indian mountains nearly Himalaya where are developed the final scenes as the fighting against Russian spies in a daring mission.
Stars Peter O'Toole makes an excellent acting as weak and broody monk, also Bryan Brown as astute adventurer/spy but young boy , in the title role, steals the show. Although relies heavily on the relationship between the boy and Lama , the movie is quite entertaining, providing some intense excitement, however is overlong. Cinematography by Michael Reeves is atmospheric but in television style, isn't as glamorous as old version in glimmer Technicolor by William Skall. Atmospheric and modern musical score by Marc Williamson however isn't as spectacular as the classic by Andre Previn. The motion picture is professionally directed by British John Davies, an usual television director. Rating : Acceptable and passable.
Stars Peter O'Toole makes an excellent acting as weak and broody monk, also Bryan Brown as astute adventurer/spy but young boy , in the title role, steals the show. Although relies heavily on the relationship between the boy and Lama , the movie is quite entertaining, providing some intense excitement, however is overlong. Cinematography by Michael Reeves is atmospheric but in television style, isn't as glamorous as old version in glimmer Technicolor by William Skall. Atmospheric and modern musical score by Marc Williamson however isn't as spectacular as the classic by Andre Previn. The motion picture is professionally directed by British John Davies, an usual television director. Rating : Acceptable and passable.
- and the scenery is stunning, but otherwise, such a film as this makes me understand why Salinger wanted "Catcher in the Rye" to remain unfilmed. Ravi Sheth is passable as Kim when he can refrain from dismal attempts at being "cute" (I know: the director is probably to blame),and at times, he's downright good. Rhys-Davies and Brown are excellent in a way that honors the novel, but Peter O'Toole is an abomination. Let alone that his bald pate is the worst make-up job I have seen outside a circus, but the Lama is supposed to be wise in a childish way and O'Toole misses the mark by a light year, stumbling away in a drunken stupor and reading his lines like a BBC news reader from the 30s. I trust that by now O'Toole has been reborn as a cobra due to his criminal treatment of Kipling's Old Lama. In this case, I'll not blame the director. With a track record like his own, Peter O'Toole should be able to make something better out of even the poorest direction. To think that HE played Lawrence of Arabia! How are the mighty fallen! However, I did not mind in the least the added love story of the young British trooper and his Indian wife - in fact, it showed that the men behind the film knew their Kipling. I take it the interracial tragedy is collected from stories such as "Lispeth", "Beyond the Pale" and "Without Benefit of Clergy".
But why, oh why didn't David Lean think of filming "Kim" when he actually improved on Forster's chatty "Passage to India", a far lesser literary work?
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Détails
- Durée
- 2h 30min(150 min)
- Mixage
- Rapport de forme
- 1.33 : 1
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