Ajouter une intrigue dans votre langueNavin Johnson sets out to travel to Los Angeles to attend the wedding of his pen pal, Marie, but is sidetracked by the leader of a gang of hobos who takes him to Las Vegas when learning of N... Tout lireNavin Johnson sets out to travel to Los Angeles to attend the wedding of his pen pal, Marie, but is sidetracked by the leader of a gang of hobos who takes him to Las Vegas when learning of Navin's skill at playing cards.Navin Johnson sets out to travel to Los Angeles to attend the wedding of his pen pal, Marie, but is sidetracked by the leader of a gang of hobos who takes him to Las Vegas when learning of Navin's skill at playing cards.
- Réalisation
- Scénario
- Casting principal
Stacey Nelkin
- Marie Van Buren
- (as Stacey Nelkin)
Jean Leclerc
- Count Marco
- (as Jean LeClerc)
Avis à la une
In the event that you ended up here without having seen the first movie, please watch The Jerk first and this movie never.
Despite this being called The Jerk, Too, it in no way whatsoever advances the plot of the first movie, first and this movie instead starting over with Navin leaving his sharecropper family. I was like "Okay, so it's a remake?" but it's not even that; Navin never ends up at Jackie Mason's garage, never invents Opti-Grab, never gets rich, and never gets sued into bankruptancy. He never even becomes a jerk!
Instead, he and Marie already know each other as pen pals and he basically becomes Rain Man for two scenes before he finally gets around to infiltrating Marie's wedding since the guy she's marrying is misogynistic twit. There's also a musical number that comes out of nowhere and serves no purpose aside from padding out the film. The only thing that brings even an inkling of excitement is a car chase where a Cadillac limousine somehow can't catch up to an ice cream van.
Literally the only connections this movie even has to The Jerk are the title, the main character is named Navin and was raised by a poor black family and his love interest is named Marie. No Mr. Hortunion, no sadistic biker babe, no Opti-Grab, no mansion, not even S***head the dog appears. Unlike The Jerk, the black family never appears again after Navin leaves. Aside from the obvious stuff like they're both feature-length movies, both have humans in them, etc, this movie is completely unrelated to the first. Literally the only reason anyone even knows it exists is because of the name.
Mark Blankfield is wasted here. Check out Jekyll and Hyde... Together Again if you want to see how funny he can be.
Despite this being called The Jerk, Too, it in no way whatsoever advances the plot of the first movie, first and this movie instead starting over with Navin leaving his sharecropper family. I was like "Okay, so it's a remake?" but it's not even that; Navin never ends up at Jackie Mason's garage, never invents Opti-Grab, never gets rich, and never gets sued into bankruptancy. He never even becomes a jerk!
Instead, he and Marie already know each other as pen pals and he basically becomes Rain Man for two scenes before he finally gets around to infiltrating Marie's wedding since the guy she's marrying is misogynistic twit. There's also a musical number that comes out of nowhere and serves no purpose aside from padding out the film. The only thing that brings even an inkling of excitement is a car chase where a Cadillac limousine somehow can't catch up to an ice cream van.
Literally the only connections this movie even has to The Jerk are the title, the main character is named Navin and was raised by a poor black family and his love interest is named Marie. No Mr. Hortunion, no sadistic biker babe, no Opti-Grab, no mansion, not even S***head the dog appears. Unlike The Jerk, the black family never appears again after Navin leaves. Aside from the obvious stuff like they're both feature-length movies, both have humans in them, etc, this movie is completely unrelated to the first. Literally the only reason anyone even knows it exists is because of the name.
Mark Blankfield is wasted here. Check out Jekyll and Hyde... Together Again if you want to see how funny he can be.
Never in my life have I ever seen such a pile of garbage!
How can you take a classic and try and make a TV sequel out of it? I only saw half of this movie (I'm still trying to watch it, though it's painful....very painful) and I haven't even attempted to laugh once. It's on par with Short Circuit 2 and Weekend at Bernies 2 as worst attempt at a sequel ever.
We appear to be following the adventures of Nathan Johnson, played by Steve Martin in the original. In this one, they found a very unfunny guy named Mark Blankfield to play the part. The guy is as funny as a cardboard box. I've seen him since and there's no question to why he's never made it bigger, though there is the question of how he made it in the first place, if you can call this making it. He's out to impress Marie's family, who are suddenly well to do themselves. How Marie went from Bernadette Peters to this chick, I don't know. All he does is try to give stupid looks, but they just come across like he's constipated. He keeps telling Marie that he's Navin Johnson over and over, like it's funny he can't recall she already know him. The people look like their counterparts as much as George Clooney looks like George Plimpton.
Hijinks ensue. Nothing is funny, though. It's almost like they decided to make it a drama with some slap stick action tossed in, but I somehow know they're trying to be funny, which is just a horrible feeling. Somehow Ray Walston was suckered into this film (perhaps he had a debt to pay or a house to re-finance, who knows) along with Jimmie Walker, who was probably just thankful for the work.
I just want to know who the guy was that sold his soul to get this 'movie' done. It's truly horrible.The acting is on par with porno.The charm of the first film is completely lost on this miserable hunk o'junk. If they had named it something else, I don't think anyone would have ever thought it had a connection, I mean none at all. There's only one grade to give this movie, and that's the 9th level of Hell. May God have mercy on they're souls. Amen.
How can you take a classic and try and make a TV sequel out of it? I only saw half of this movie (I'm still trying to watch it, though it's painful....very painful) and I haven't even attempted to laugh once. It's on par with Short Circuit 2 and Weekend at Bernies 2 as worst attempt at a sequel ever.
We appear to be following the adventures of Nathan Johnson, played by Steve Martin in the original. In this one, they found a very unfunny guy named Mark Blankfield to play the part. The guy is as funny as a cardboard box. I've seen him since and there's no question to why he's never made it bigger, though there is the question of how he made it in the first place, if you can call this making it. He's out to impress Marie's family, who are suddenly well to do themselves. How Marie went from Bernadette Peters to this chick, I don't know. All he does is try to give stupid looks, but they just come across like he's constipated. He keeps telling Marie that he's Navin Johnson over and over, like it's funny he can't recall she already know him. The people look like their counterparts as much as George Clooney looks like George Plimpton.
Hijinks ensue. Nothing is funny, though. It's almost like they decided to make it a drama with some slap stick action tossed in, but I somehow know they're trying to be funny, which is just a horrible feeling. Somehow Ray Walston was suckered into this film (perhaps he had a debt to pay or a house to re-finance, who knows) along with Jimmie Walker, who was probably just thankful for the work.
I just want to know who the guy was that sold his soul to get this 'movie' done. It's truly horrible.The acting is on par with porno.The charm of the first film is completely lost on this miserable hunk o'junk. If they had named it something else, I don't think anyone would have ever thought it had a connection, I mean none at all. There's only one grade to give this movie, and that's the 9th level of Hell. May God have mercy on they're souls. Amen.
I'm on the opposite end of the previous comment.
First of all, I don't think this was intended to be a straight sequel to "The Jerk". I mean, it's not titled "The Jerk 2"... it's "The Jerk, Too", which leads me to believe that while a lot of the character names are the same, it actually revolves around a completely different person.
Think about it: Virtually no connection to the previous movie, other than character names; a totally different story; different cast; and the fact that it's a partial musical.
I say give this movie some credit. It does have plenty of laughs in it.. Mark Blankfield at his prime.
First of all, I don't think this was intended to be a straight sequel to "The Jerk". I mean, it's not titled "The Jerk 2"... it's "The Jerk, Too", which leads me to believe that while a lot of the character names are the same, it actually revolves around a completely different person.
Think about it: Virtually no connection to the previous movie, other than character names; a totally different story; different cast; and the fact that it's a partial musical.
I say give this movie some credit. It does have plenty of laughs in it.. Mark Blankfield at his prime.
I can't believe this movie exists.
Me and my friends ran into it on TV and watched the whole thing.
This movie really does address problems of the first "Jerk". For example, the first Jerk didn't have enough silly crosseyed faces. Thankfully "the Jerk Too" makes up for this in plentiful amounts. Also the original "Jerk" had too many jokes. Luckily, "the Jerk Too" knows when to draw the line. The jokes fly by at about one every 20 minutes, whew, just enough time to catch your breath in between laughing so hard! At the crosseyed faces!
Why is this movie so dark? I don't mean grim or gothic. I mean they seemed to only have key lights and left out the fill lights. Every scene has pitch black backgrounds, where you can only see the actors in the foreground. Ever notice how movies with a lot of pitch black makes you want to go to sleep? Or at their best, make you feel like they are hiding something, something mysterious or scary. This is how the Jerk makes you feel -- sleepy and afraid.
The music is bizarre. The first half of the movie is a horrible 70s comedy soundtrack...wacky light hearted music that comes and goes whenever it feels like it. It usually covers up the long montages of city scapes that take up a lot of time in script-deprived films like this. BUT THEN the music starts turning more into an 80s sound...pumping bass and fake heavily reverbed drums. Very odd.
The most fascinating scene was the classic Hobos vs. Bum dramatic monologue towards the end of the movie. Sure, there aren't ANY jokes in this very long scene, SURE, it doesn't help further the plot, it has nothing to do with the main character, and it brings up issues that were otherwise completely absent from the rest of the film. But on it's own, without the context of the bad movie, it's a pretty interesting scenario. I just can't figure out what it's doing in this movie.
Basically when a bunch of hobos are together and planning a way to rescue the jerk, one hobo declares opposition to the plan. "Why should I help him, nobody helps us!" The lead hobo then goes on a VERY lengthy speech about the difference between a hobo and a bum. It is VERY repetitive and adds NOTHING NOTHING NOOOOOTHING to the film. IT'S SO WEIRD.
So to sum up : No jokes, no lights, a lot of "Hobo #3" character development in one scene.
Me and my friends ran into it on TV and watched the whole thing.
This movie really does address problems of the first "Jerk". For example, the first Jerk didn't have enough silly crosseyed faces. Thankfully "the Jerk Too" makes up for this in plentiful amounts. Also the original "Jerk" had too many jokes. Luckily, "the Jerk Too" knows when to draw the line. The jokes fly by at about one every 20 minutes, whew, just enough time to catch your breath in between laughing so hard! At the crosseyed faces!
Why is this movie so dark? I don't mean grim or gothic. I mean they seemed to only have key lights and left out the fill lights. Every scene has pitch black backgrounds, where you can only see the actors in the foreground. Ever notice how movies with a lot of pitch black makes you want to go to sleep? Or at their best, make you feel like they are hiding something, something mysterious or scary. This is how the Jerk makes you feel -- sleepy and afraid.
The music is bizarre. The first half of the movie is a horrible 70s comedy soundtrack...wacky light hearted music that comes and goes whenever it feels like it. It usually covers up the long montages of city scapes that take up a lot of time in script-deprived films like this. BUT THEN the music starts turning more into an 80s sound...pumping bass and fake heavily reverbed drums. Very odd.
The most fascinating scene was the classic Hobos vs. Bum dramatic monologue towards the end of the movie. Sure, there aren't ANY jokes in this very long scene, SURE, it doesn't help further the plot, it has nothing to do with the main character, and it brings up issues that were otherwise completely absent from the rest of the film. But on it's own, without the context of the bad movie, it's a pretty interesting scenario. I just can't figure out what it's doing in this movie.
Basically when a bunch of hobos are together and planning a way to rescue the jerk, one hobo declares opposition to the plan. "Why should I help him, nobody helps us!" The lead hobo then goes on a VERY lengthy speech about the difference between a hobo and a bum. It is VERY repetitive and adds NOTHING NOTHING NOOOOOTHING to the film. IT'S SO WEIRD.
So to sum up : No jokes, no lights, a lot of "Hobo #3" character development in one scene.
Le saviez-vous
- AnecdotesSteve Martin, who played Navin Johnson in the original film The Jerk (1979), was an executive producer on this film.
- ConnexionsFeatured in The Cinema Snob: The Jerk, Too (2020)
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