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IMDbPro

L'hôtel New Hampshire

Titre original : The Hotel New Hampshire
  • 1984
  • Tous publics
  • 1h 49min
NOTE IMDb
5,9/10
9,6 k
MA NOTE
Jodie Foster, Nastassja Kinski, Rob Lowe, and Paul McCrane in L'hôtel New Hampshire (1984)
Regarder Trailer [EN]
Lire trailer1:18
1 Video
75 photos
Comédie noireFarceComédieDrame

Durant l'été 1939, Win Berry et sa future épouse Mary achètent un ours brun et une moto. Plusieurs années après, Win et Mary, parents de 5 enfants, décident de restaurer une vieille bâtisse ... Tout lireDurant l'été 1939, Win Berry et sa future épouse Mary achètent un ours brun et une moto. Plusieurs années après, Win et Mary, parents de 5 enfants, décident de restaurer une vieille bâtisse pour y établir un hôtel, le « New-Hampshire ».Durant l'été 1939, Win Berry et sa future épouse Mary achètent un ours brun et une moto. Plusieurs années après, Win et Mary, parents de 5 enfants, décident de restaurer une vieille bâtisse pour y établir un hôtel, le « New-Hampshire ».

  • Réalisation
    • Tony Richardson
  • Scénario
    • John Irving
    • Tony Richardson
  • Casting principal
    • Rob Lowe
    • Jodie Foster
    • Paul McCrane
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,9/10
    9,6 k
    MA NOTE
    • Réalisation
      • Tony Richardson
    • Scénario
      • John Irving
      • Tony Richardson
    • Casting principal
      • Rob Lowe
      • Jodie Foster
      • Paul McCrane
    • 85avis d'utilisateurs
    • 17avis des critiques
    • 36Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Vidéos1

    Trailer [EN]
    Trailer 1:18
    Trailer [EN]

    Photos75

    Voir l'affiche
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    + 68
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    Rôles principaux59

    Modifier
    Rob Lowe
    Rob Lowe
    • John
    Jodie Foster
    Jodie Foster
    • Franny
    Paul McCrane
    Paul McCrane
    • Frank
    Beau Bridges
    Beau Bridges
    • Father
    Lisa Banes
    Lisa Banes
    • Mother
    Jennifer Dundas
    Jennifer Dundas
    • Lilly
    • (as Jennie Dundas)
    Seth Green
    Seth Green
    • Egg
    Wally Aspell
    • Hotel Manager
    Joely Richardson
    Joely Richardson
    • Waitress
    Wallace Shawn
    Wallace Shawn
    • Freud
    Jobst Oriwol
    • German Man
    • (as Jobst Oriwal)
    Linda Clark
    • German Woman
    Nicholas Podbrey
    • Boy with Rifle
    Norris Domingue
    • High School Band Conductor
    Matthew Modine
    Matthew Modine
    • Chip Dove…
    Wilford Brimley
    Wilford Brimley
    • Iowa Bob
    Cali Timmins
    Cali Timmins
    • Bitty Tuck
    Dorsey Wright
    Dorsey Wright
    • Junior Jones
    • Réalisation
      • Tony Richardson
    • Scénario
      • John Irving
      • Tony Richardson
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs85

    5,99.5K
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    10

    Avis à la une

    4jazza923

    A Tony Richardson misfire.

    This offbeat and quirky comedy is a bit too pretentious to work. It's an interesting cast, and most try but none of the characters are likable. They are too dysfunctional and bizarre and director Tony Richardson never develops them past the superficial characters they are. It goes on way too long for a film of this type. It's very disjointed and never appeals to the viewer like it should. And even though the humor is dry, I was rarely amused. Richardson's quest to be avant-garde and original misfires and we are left with a cold film with no substance. Rob Lowe is in over his head, Jodie Foster is quite good though, and Paul McCrane and Wilford Brimley do well. The rest of the cast is unremarkable.
    5jordondave-28085

    Although faithful too bizarre to watch on screen

    (1984) The Hotel Of New Hampshire DRAMA/ COMEDY

    Co-written and directed by Tony Richardson which is supposed to be a faithful adaption of the John Irving novel, centering on a eccentric family or the oddest family standing by their fathers ambitions involving running a hotel calling it "The Hotel New Hampshire". Some of the oddest situations also include, the bear who rides bikes, incest, girl (Natassia Kinski) wearing a bear suit, the girl who never grows but has ambitions to become a famous writer and more.... all interwoven into this movie with the only thing they have in common is that it centers on them.

    Plenty of very bizarre situations similar to Monty Python comedy sketches as well as films, but goes to many directions I'm incapable to understand. Actor John (Rob Lowe) does the narration and Jodie Foster plays his sister, Franny and the father is played being played by Beau Bridges.
    melissey

    best irving adaptation

    As far as book/movie adaptations go, this one is by far better than Cider House and Garp. It follows the book wonderfully, with exception to minor details. I'm not saying it's a better MOVIE than Garp or cider house, but it is much truer to the book, and that's always been important to me. I'm one of those people who says "WHAT? THAT'S NOT HOW IT HAPPENED IN THE BOOK!" I once read a post where a girl said everyone involved in this movie should be ashamed of it. She obviously missed the point. The ending, which is so powerful in the book, is equally powerful in the movie. The one improvement, I thought, was the Susie the Bear character. I didn't care for her much after I read the book, but when I saw the movie I was like "yeah!". Incest, plane crashes, blind men named Frued, a bomb at the opera - and a woman in a bear costume. What more could you ask for?
    7eroka

    One of my all-times favorite films!

    I can't believe no one ever bothered writing about this wonderful film. Though it is in many way American – most cast and the author of the book on which the book is based are American – but this is one of the least American films I know. It is so European – the director, the locale that is half the time Europe – and the very daring subject matters simply make this a real gem. It is a story of a family with the oddest characters and the most horrible disasters. And yet they persevere. `Keep Passing the Open Windows" – the motto that represents both danger of suicide and hope.

    It is funny, sad, emotional and insightful. The course of events may be too quick for some, but as in life – it's so very unexpected.

    I love `The World According to Garp' as well, as movie and book and these two share a lot in common. And how can anyone resist watching a film with such a wonderful cast – Rob Lowe, Jodie Foster, Paul McCrane, Beau Bridges, Wallace Shawn, Matthew Modine, Wilford Brimley, Nastassja Kinski and Amanda Plummer… And Rob Lowe and Jodie Foster never looked cuter. The story spans many years and places, and would touch on subject matters such as raising children, music, incest, homosexuality, communism, psychology, terrorism, writing, racism, hotel management and the recurring subjects with John Irving – at least in what I read – airplanes and bears (see Garp again for these too).

    A film that leaves you with a feeling of hope and a wish that you also knew these wonderful people. Don't miss it.
    8DomiMMHS

    Characters who are allowed to be mad

    Slowly I realize what Homer Simpson meant when he said: "I wanna be John Irving!" No, seriously, that was just supposed to be a joke. The ONLY movie I know "The Hotel New Hampshire" can be compared to is "The World According to Garp" - as this one based on a novel by John Irving.

    Sometimes this movie makes you think that it's a mediocre and senseless one. That it's gross and abnormal. But that is John Irving! Like in "Garp", sex plays a central role in "New Hampshire" - and it's turned upside down. In "Garp", Glenn Close *raped* a dying man. In this movie, Jodie Foster is raped, she and her brother (Rob Lowe) want to make love and know that they will eventually - and they tell each other. They also tell each other everything about their sexual relationships, they talk about whom they fancy and how they should make love with them. Sex is always present in the development of the characters, but at another level as normally, i.e. as the most normal thing of the world, basically.

    The main reason why that strange movie works is that the characters are very interesting. They are grotesque, alright, but something makes them real. The point is, that the characters in this movie are allowed to dream and even to be really mad. However, there are frontiers to their freedom, it's just not the same frontiers as we know. They make the frontiers themselves. Their frontiers allow the siblings to make love - on ONE single looong afternoon. And that scene is not as disturbing as it is kind of beautiful and touching, because THESE characters CAN do this! It's the *radicals* in Vienna who bring us back to the real world - still in a grotesque way. Well, and there are sooo many important characters in this movie - that makes it!

    The actors are fabulous. Jodie Foster can never be bad, Rob Lowe is believeable and Amanda Plummer is as good as always. A real stand-out is young Jennie Dundas. About twelve or how old she was then, she looks so adult in terms. She does not have to hide opposite stars of Jodie Foster's kind here, she is really great. What she does is make a quite unreal character come to life - quietly but impressive and likeable. Well, it's no normal movie and there should not be many more of its kind. But, though confusing and gross, there are so many things that you must see. The characters, the actors, the freedom to be mad. Almost as good as "Garp"; there may be worse movies that I rated 8 out of 10.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Jodie Foster later said that with this movie began the lowest point of her career, as she turned down worthy roles in Splash (1984), Terminator (1984) and Breakfast Club (1985). Her career wouldn't recover until Kim Basinger turned down the role of Sarah Tobias in Les Accusés (1988) and finally the part once assigned to Basinger was won by Foster, for which she won her first Academy Award.
    • Gaffes
      In the award ceremony scene, numerous Austrian flags are show, but all are the civil/merchant version. As an official government function, the flags would have been the state flag (the government flag.) Unlike the United States, Austria and many other nations have multiple national flags for different purposes (government, civilian/merchant, military, on shore versus afloat, etc.) Austria's state flag bears the national coat of arms in the centre, overlapping into both of the red bars. The vertical version of the state flag has the coat of arms turned 90 degrees and placed within a shield. None of the flags in the scene bore the coat of arms.
    • Citations

      Father: Human beings are remarkable - at what we can learn to live with. If we can't - get strong from what we lose, what we miss, what we want and can't have - then we could never get strong enough, could we? What else makes us strong?

    • Crédits fous
      The opening credits misspell the word "association" as "associatiation".
    • Connexions
      Featured in At the Movies: The Hotel New Hampshire (1984)
    • Bandes originales
      Good Golly Miss Molly
      By Robert 'Bumps' Blackwell & John Marascalco

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    FAQ20

    • How long is The Hotel New Hampshire?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 5 septembre 1984 (France)
    • Pays d’origine
      • Royaume-Uni
      • Canada
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Hotel New Hampshire
    • Lieux de tournage
      • Hudson, Québec, Canada
    • Sociétés de production
      • Filmline Productions
      • Producers Circle
      • Woodfall Film Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 7 500 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 5 142 858 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 075 800 $US
      • 11 mars 1984
    • Montant brut mondial
      • 5 142 858 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 49min(109 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.85 : 1

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